MONDRIAN'S PHILOSOPHY OF VISUAL RHYTHM: PHENOMENOLOGY, By Eiichi Tosaki **NEW**

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Specifiche dell'oggetto

Condizione
Nuovo: Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o ...
ISBN-10
9402411968
Publication Name
Springer
Type
Hardcover
Item Height
9.25 inches
ISBN
9789402411966

Informazioni su questo prodotto

Product Identifiers

Publisher
Springer Netherlands
ISBN-10
9402411968
ISBN-13
9789402411966
eBay Product ID (ePID)
240000142

Product Key Features

Book Title
Mondrian's Philosophy of Visual Rhythm : Phenomenology, Wittgenstein, and Eastern Thought
Number of Pages
Xxvii, 260 Pages
Language
English
Topic
Criticism & Theory, History & Surveys / Ancient & Classical, Aesthetics, History / General
Publication Year
2017
Illustrator
Yes
Genre
Art, Philosophy
Author
Eiichi Tosaki
Book Series
Sophia Studies in Cross-Cultural Philosophy of Traditions and Cultures Ser.
Format
Hardcover

Dimensions

Item Weight
25.1 Oz
Item Length
9.3 in
Item Width
6.1 in

Additional Product Features

Reviews
"Tosaki has travelled a great deal to see Mondrian's paintings, and has absorbed a deal of commentary on them. The book is full of information of a useful kind, all of it to the point. ... It should sell well to the Libraries of Universities and Art Schools. Serious scholars would read this book: University Libraries should buy it." (Patrick Hutchings, Sophia, Vol. 59, 2020)
Dewey Edition
23
Series Volume Number
23
Number of Volumes
1 vol.
Dewey Decimal
111.85
Table Of Content
Introduction.- Concepts of Rhythm in Music, Philosophy and Painting.- Rhythm in Mondrian's Early Theory of Painting.- Dynamic Rhythm and Static Rhythm: the Polemics of Mondrian's Theory of Rhythm.- Mondrian's Rhythm and Contemporary Music.- Phenomenology of Surface: Husserl's 'image-object' analysis.- A Cognitive Approach to Painting Surface and Rhythm.- Conclusion.
Synopsis
First book-length work on a forgotten definition of rhythm as 'schema' or 'composition' New approach to visual rhythm, with references to Piet Mondrian's theory of visual rhythm in Neoplastic painting References to Wittgenstein's concept of 'aspect-dawning', Husserl's 'image-object', and S. K. Langer's 'composition', This volume investigates the meaning of visual rhythm through Piet Mondrian's unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as 'stasis' or 'composition' which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian's neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian's approach to visual rhythm was so idiosyncratic that his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian's own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin's famous criticism of photography ("athlete-in-motion is forever frozen") can be applied to Muybridge's zoopraxiscope, the Futurists' rendition of stroboscopic images, and Duchamp's "Nude Descending a Staircase." Through a comparative study between Mondrian's painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm. "Mondrian's simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian's theories of rhythm, and particularly his conception of "static" rhythm. The result is a tour de force that will forever alter the reader's encounter with the works of Mondrian." Prof. Kathleen Higgins
LC Classification Number
BH1-301

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