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Image-Music-Te
US $20,60
CircaEUR 17,73
Condizione:
Nuovo
Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o danneggiate. Per maggiori dettagli, consulta l'inserzione del venditore.
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- Compralo SubitoImage-Music-Text by Barthes, Roland
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Spedizione:
Gratis USPS Media MailTM.
Oggetto che si trova a: Columbia, Missouri, Stati Uniti
Consegna:
Consegna prevista tra il ven 17 ott e il mer 22 ott
Restituzioni:
Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico dell'acquirente..
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Numero oggetto eBay:335588783973
Specifiche dell'oggetto
- Condizione
- ISBN
- 9780374521363
Informazioni su questo prodotto
Product Identifiers
Publisher
Farrar, Straus & Giroux
ISBN-10
0374521360
ISBN-13
9780374521363
eBay Product ID (ePID)
127943
Product Key Features
Book Title
Image-Music-Text
Number of Pages
240 Pages
Language
English
Publication Year
1978
Topic
Semiotics & Theory
Genre
Literary Criticism
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
9.2 Oz
Item Length
8 in
Item Width
5.3 in
Additional Product Features
Intended Audience
Trade
Reviews
"The dominant perspective of the thirteen essays collected inImage-Music-Textis semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang agrave; Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy."-Geoffrey Hartman,The New York Times Book Review, "The dominant perspective of the thirteen essays collected in Image-Music-Text is semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang à Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy."-Geoffrey Hartman, The New York Times Book Review, The dominant perspective of the thirteen essays collected in Image-Music-Text is semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang à Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy., "The dominant perspective of the thirteen essays collected in Image-Music-Text is semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang à Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy." -- Geoffrey Hartman, The New York Times Book Review, "The dominant perspective of the thirteen essays collected in Image-Music-Text is semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy."-Geoffrey Hartman, The New York Times Book Review, "The dominant perspective of the thirteen essays collected in Image-Music-Text is semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy." -- Geoffrey Hartman, The New York Times Book Review
Synopsis
These essays, as selected and translated by Stephen Heath, are among the finest writings Barthes ever published on film and photography, and on the phenomena of sound and image. The classic pieces "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included.
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textbooks_source
99,5% di Feedback positivi•255 mila oggetti venduti
Registrato come venditore professionale
Feedback sul venditore (42.983)
- j***b (107)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoA+++++ Seller! Professor's syllabus listed the wrong book for the course, and told us of the mistake the first day of class. Contacted seller textbooks_source ASAP, and they were able to stop and refund the first order. I then purchased this textbook as the correct book for the course. Textbook received as described. This is a great seller. I would (and did) purchase from again. A++++++!!!!!!!
- _***i (82)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoI needed this for a class I am enrolled in and the seller delivered with amazing results for a unbeatable price. Normal price point was way over my budget and I am so happy I found this seller. Item arrived on time and packaged with care. Came exactly as described without any damage or defects. Will purchase from seller again for next course!
- l***l (60)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoPurchased and quickly cancelled order. The seller monitors messages and cancelled the order before it shipped with a full refund. Honest seller, good prices, and excellent customer service. I would reconsider purchasing from this seller. A++The Arras Witch Treatises: Johannes Tinctor's Invectives contre la secte de vau (N° 235954445229)