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Artists under Vichy: A Case of Prejudice and Persecution
US $40,00
CircaEUR 35,10
o Proposta d'acquisto
Condizione:
“Hardcover with jacket.Interior is clean and unmarked; Binding is solid.”
Ottime condizioni
Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. Nessun danno evidente alla copertina, dotato di sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Spedizione:
US $6,99 (circa EUR 6,13) USPS Media MailTM.
Oggetto che si trova a: New Paltz, New York, Stati Uniti
Consegna:
Consegna prevista tra il gio 12 giu e il mar 17 giu a 94104
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Numero oggetto eBay:315067160794
Specifiche dell'oggetto
- Condizione
- Ottime condizioni
- Note del venditore
- “Hardcover with jacket.Interior is clean and unmarked; Binding is solid.”
- ISBN
- 9780691040882
Informazioni su questo prodotto
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691040885
ISBN-13
9780691040882
eBay Product ID (ePID)
289420
Product Key Features
Number of Pages
292 Pages
Publication Name
Artists under Vichy : a Case of Prejudice and Persecution
Language
English
Publication Year
1992
Subject
Europe / France, Art & Politics, General, Europe / General
Type
Textbook
Subject Area
Art, History
Format
Hardcover
Dimensions
Item Height
0.4 in
Item Weight
35.1 Oz
Item Length
10.2 in
Item Width
7.6 in
Additional Product Features
Intended Audience
College Audience
LCCN
91-017011
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
701/.03
Synopsis
While France endured one of the darkest hours of its entire history, from the occupation of Paris in June 1940 to the liberation of the city four years later, the French art world displayed an astonishing burst of creativity, an atmosphere of laissez-faire and pluralism that seems at odds with the repressive nature of culture under authoritarian regimes. So reveals Michle Cone in this provocative work on the art of Vichy and occupied France. But, as Cone also discloses, Vichy xenophobia and Nazi racism kept many artists from participating in this bonanza of artistic activity. In Artists under Vichy, both narrative and illustrations demonstrate in full detail the contrast between the "haves" and the "have-nots" during a vital but until now little explored artistic period. The first section of the work analyzes the lavish attention paid to both academic and nonacademic art by the official French press, by Vichy, and by German observers. Cone hypothesizes that the German strategy in Vichy France was to allow the display of nonconformist art, outlawed as "degenerate" in Germany, in order to distract the public from the secret seizure of museum pieces and Jewish art collections--and from other, far greater Nazi crimes. Neither among the "haves" nor the "have-nots," Picasso, forbidden to exhibit, lived through this period in Paris, quietly but productively. The second section of this book considers his production and that of the true "have-nots"--persecuted artists, including resisters and Jews, in hiding or self-imposed exile from Paris in the free zone. Among the "have-nots" discussed here are Arp, Sophie Taeuber-Arp, Sonia Delaunay, Alberto Magnelli, Otto Freundlich, Victor Brauner, and Hans Bellmer. With increasing public interest focused on art branded "degenerate" by Hitler, Cone's text provides exciting new insights into creativity, collaboration, and resistance in artists' milieux under a repressive regime.
LC Classification Number
N6848.C66 1992
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