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Engineer, Agitator, Constructor: The Artist Reinvented. Hauptman, Sudhalter*#
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- Compralo SubitoEngineer, Agitator, Constructor: The Artist Reinvented. Hauptman, Sudhalter*#
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Oggetto che si trova a: MD, Stati Uniti
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Consegna prevista tra il mer 29 ott e il mar 4 nov a 94104
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Numero oggetto eBay:313660757431
Specifiche dell'oggetto
- Condizione
- PublishedOn
- 2020-07-02
- Title
- Engineer, Agitator, Constructor: The Artist Reinvented
- Artist
- Not Specified
- Type
- Not Specified
- Publication Name
- Not Specified
- ISBN
- 9781633451087
Informazioni su questo prodotto
Product Identifiers
Publisher
Museum of Modern Art
ISBN-10
1633451089
ISBN-13
9781633451087
eBay Product ID (ePID)
24038378595
Product Key Features
Book Title
Engineer, Agitator, Constructor : the Artist Reinvented
Number of Pages
312 Pages
Language
English
Topic
History / Modern (Late 19th Century to 1945), General
Publication Year
2020
Illustrator
Yes
Genre
Art, Photography
Format
Hardcover
Dimensions
Item Height
1.4 in
Item Weight
73.8 Oz
Item Length
12.4 in
Item Width
9.9 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Reviews
Stunning rarely seen images and a well-constructed text about known and lesser known artists and works of the early twentieth-century avant-garde help shape this exhibition catalog [... ]the overall book manages to convey a cohesive picture of the collection, movements, and artists represented ...made art for a changing world through activism, agitation, propaganda, use of technological innovations, advertising, and marketing., Engineer, Agitator, Constructor: The Artist Reinvented, at the Museum of Modern Art, explores the ways, in the 1920s and '30s, adventurous art was put into the service of politics and social change in Soviet Russia, the Netherlands, Germany, Italy and elsewhere in Europe., Engineer, Agitator, Constructor: The Artist Reinvented, at the Museum of Modern Art, explores the ways, in the 1920s and 30s, adventurous art was put into the service of politics and social change in Soviet Russia, the Netherlands, Germany, Italy and elsewhere in Europe., Looks at the reinvention of the role of the artist and the functions of art that took place in tandem with historical shifts in industry, technology. and labor amidst the impact of World War I..., The scope is encyclopedic, surveying a time when individuals sacrificed their artistic independence to ideological programs of mass appeal [...]That needn't constitute a failure. It may be a clear-eyed choice made on principle.
Dewey Decimal
741.609042
Synopsis
How the modernist avant-gardes from Dada to constructivism reconceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world "We regarded ourselves as engineers, we maintained that we were building things ... we put our works together like fitters." So declared the artist Hannah H ch, describing a radically new approach to artmaking in the 1920s and '30s. Such wholesale reinvention of the role of the artist and the functions of art took place in lockstep with that era's shifts in industry, technology, and labor, and amid the profound impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire and the rise of fascism. Highlighting figures such as Aleksandr Rodchenko, Liubov Popova, John Heartfield and Fr Cohen, and European avant-gardes of the interwar years--Dada, the Bauhaus, futurism, constructivism and de Stijl-- Engineer, Agitator, Constructor: The Artist Reinvented demonstrates the ways in which artists reimagined their roles to create a dynamic art for a new world. These "engineers," "agitators," "constructors," "photomonteurs," "workers"--all designations adopted by the artists themselves--turned away from traditional forms of painting and sculpture and invented new visual languages. Central among them was photomontage, in which photographs and images from newspapers and magazines were cut, remixed, and pasted together. Working as propagandists, advertisers, publishers, editors, architects, theater designers and curators, these artists engaged with expanded audiences in novel ways, establishing distinctive infrastructures for presenting and distributing their work. Published in conjunction with a major exhibition, Engineer, Agitator, Constructor marks the transformative addition to MoMA from the Merrill C. Berman Collection, one of the great private collections of political art. Illuminating the essential role of women in avant-garde activities while mapping vital networks across Europe, this richly illustrated book presents the social engagement, fearless experimentation and utopian aspirations that defined the early 20th century, and how these strategies still reverberate today., How the modernist avant-gardes from Dada to constructivism reconceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world "We regarded ourselves as engineers, we maintained that we were building things ... we put our works together like fitters." So declared the artist Hannah Höch, describing a radically new approach to artmaking in the 1920s and '30s. Such wholesale reinvention of the role of the artist and the functions of art took place in lockstep with that era's shifts in industry, technology, and labor, and amid the profound impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire and the rise of fascism. Highlighting figures such as Aleksandr Rodchenko, Liubov Popova, John Heartfield and Fré Cohen, and European avant-gardes of the interwar years--Dada, the Bauhaus, futurism, constructivism and de Stijl-- Engineer, Agitator, Constructor: The Artist Reinvented demonstrates the ways in which artists reimagined their roles to create a dynamic art for a new world. These "engineers," "agitators," "constructors," "photomonteurs," "workers"--all designations adopted by the artists themselves--turned away from traditional forms of painting and sculpture and invented new visual languages. Central among them was photomontage, in which photographs and images from newspapers and magazines were cut, remixed, and pasted together. Working as propagandists, advertisers, publishers, editors, architects, theater designers and curators, these artists engaged with expanded audiences in novel ways, establishing distinctive infrastructures for presenting and distributing their work. Published in conjunction with a major exhibition, Engineer, Agitator, Constructor marks the transformative addition to MoMA from the Merrill C. Berman Collection, one of the great private collections of political art. Illuminating the essential role of women in avant-garde activities while mapping vital networks across Europe, this richly illustrated book presents the social engagement, fearless experimentation and utopian aspirations that defined the early 20th century, and how these strategies still reverberate today., We regarded ourselves as engineers, we maintained that we were building things', declared Hannah Höch, describing a radical new approach to artmaking that took shape in the 1920s and 30s, in lockstep with the era's shifts in industry, technology and labour, and amid the impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire, and the rise of fascism. Artists involved with varied avant-gardes - Dada, the Bauhaus, Futurism, Constructivism and de Stijl - reinvented their roles to create a dynamic art for a new world. This experimentation is richly represented in the Merrill C. Berman Collection, one of the most significant private collections of early-20th-century works on paper. Published in conjunction with a major exhibition celebrating MoMA's acquisition of more than 300 works from the collection, this richly illustrated book includes close readings of drawings, propaganda posters, advertising, architecture, exhibition installations, journals and theatre design. Among the themes it explores are the crucial role of collage and photomontage in the interwar period; the importance of collective authorship; and the impact of political, economic and social change on visual culture.', How the modernist avant-gardes from Dada to constructivism reconceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world We regarded ourselves as engineers, we maintained that we were building things & we put our works together like fitters. So declared the artist Hannah Höch, describing a radically new approach to artmaking in the 1920s and 30s. Such wholesale reinvention of the role of the artist and the functions of art took place in lockstep with that era s shifts in industry, technology, and labor, and amid the profound impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire and the rise of fascism. Highlighting figures such as Aleksandr Rodchenko, Liubov Popova, John Heartfield and Fré Cohen, and European avant-gardes of the interwar years Dada, the Bauhaus, futurism, constructivism and de Stijl Engineer, Agitator, Constructor: The Artist Reinvented demonstrates the ways in which artists reimagined their roles to create a dynamic art for a new world. These engineers, agitators, constructors, photomonteurs, workers all designations adopted by the artists themselves turned away from traditional forms of painting and sculpture and invented new visual languages. Central among them was photomontage, in which photographs and images from newspapers and magazines were cut, remixed, and pasted together. Working as propagandists, advertisers, publishers, editors, architects, theater designers and curators, these artists engaged with expanded audiences in novel ways, establishing distinctive infrastructures for presenting and distributing their work. Published in conjunction with a major exhibition, Engineer, Agitator, Constructor marks the transformative addition to MoMA from the Merrill C. Berman Collection, one of the great private collections of political art. Illuminating the essential role of women in avant-garde activities while mapping vital networks across Europe, this richly illustrated book presents the social engagement, fearless experimentation and utopian aspirations that defined the early 20th century, and how these strategies still reverberate today.
LC Classification Number
TR685
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- 5***w (1174)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoThe book that was shown was not the book that I received. Nonetheless, when I informed the seller that it wasn't the item they advertised-/they were more than willing to make it right. Since they didn't have another copy of the title I was expecting, they promptly issued an apology; and refund full refund. I really appreciated the speed at which they were willing to make things right with this transaction. I will definitely not hesitate to do business with them again. Thank You!
- f***f (1630)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoExcellent Seller, Goes the Extra Mile. The Seller Was Incredibly Communicative. Smooth Transaction, Shipped Very Quickly, As Advertised; Good Price; Well Packaged & Delivered Within a Few Days. Item in Described Promised Condition, Thank You Very Much!!!!!!!!!!! A+Sam's Letters To Jennifer By James Patterson. 9780316000741 (N° 394523567865)