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Florine Stettheimer: Painting Poetry
US $29,99
CircaEUR 25,81
Condizione:
“Mint condition, minimal shelf wear.”
- Compralo SubitoFlorine Stettheimer: Painting Poetry
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Spedizione:
US $3,97 (circa EUR 3,42) USPS Media MailTM.
Oggetto che si trova a: Hoboken, New Jersey, Stati Uniti
Consegna:
Consegna prevista tra il mar 28 ott e il sab 1 nov a 94104
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Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico dell'acquirente..
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Numero oggetto eBay:306562477212
Specifiche dell'oggetto
- Condizione
- Come Nuovo
- Note del venditore
- “Mint condition, minimal shelf wear.”
- ISBN
- 9780300221985
Informazioni su questo prodotto
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300221983
ISBN-13
9780300221985
eBay Product ID (ePID)
228602264
Product Key Features
Book Title
Florine Stettheimer : Painting Poetry
Number of Pages
168 Pages
Language
English
Publication Year
2017
Topic
History / Modern (Late 19th Century to 1945), Subjects & Themes / Portraits, Fashion & Accessories, Individual Artists / Monographs, Collections, Catalogs, Exhibitions / General, History / General
Illustrator
Yes
Genre
Design, Art
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
31.2 Oz
Item Length
9.8 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2016-941000
Reviews
"This beautifully illustrated book is a gem."--C. J. Jolivette, Choice Won the 2017 Choice Award for Outstanding Academic Title
Dewey Edition
23
Dewey Decimal
759.92
Synopsis
A new look at the art of one of the most charming and idiosyncratic personalities of early 20th-century New York Florine Stettheimer (1871-1944) was a New York original: a society lady who hosted an avant-garde salon in her Manhattan home, a bohemian and a flapper, a poet, a theater designer, and above all an influential painter with a sharp satirical wit. Stettheimer collaborated with Gertrude Stein and Virgil Thomson, befriended (and took French lessons from) Marcel Duchamp, and was a member of Alfred Stieglitz and Georgia O'Keeffe's artistic and intellectual circle. Beautifully illustrated with 150 color images, including the majority of the artist's extant paintings, as well as drawings, theater designs, and ephemera, this volume also highlights Stettheimer's poetry and gives her a long overdue critical reassessment. The essays published here--as well as a roundtable discussion by seven leading contemporary female artists--overturn the traditional perception of Stettheimer as an artist of mere novelties. Her work is linked not only to American modernism and the New York bohemian scene before World War II but also to a range of art practices active today. Flamboyant and epicurean, she was an astute documenter of New York and parodist of her social milieu; her highly decorative scenes borrowed from Surrealism and contributed to the beginnings of a feminist aesthetic., A new look at the art of one of the most charming and idiosyncratic personalities of early 20th-century New York, A new look at the art of one of the most charming and idiosyncratic personalities of early 20th-century New York Florine Stettheimer (1871-1944) was a New York original: a society lady who hosted an avant-garde salon in her Manhattan home, a bohemian and a flapper, a poet, a theater designer, and above all an influential painter with a sharp satirical wit. Stettheimer collaborated with Gertrude Stein and Virgil Thomson, befriended (and took French lessons from) Marcel Duchamp, and was a member of Alfred Stieglitz and Georgia O'Keeffe's artistic and intellectual circle. Beautifully illustrated with 150 color images, including the majority of the artist's extant paintings, as well as drawings, theater designs, and ephemera, this volume also highlights Stettheimer's poetry and gives her a long overdue critical reassessment. The essays published here--as well as a roundtable discussion by seven leading contemporary female artists--overturn the traditional perception of Stettheimer as an artist of mere novelties. Her work is linked not only to American modernism and the New York bohemian scene before World War II but also to a range of art practices active today. Flamboyant and epicurean, she was an astute documenter of New York and parodist of her social milieu; her highly decorative scenes borrowed from Surrealism and contributed to the beginnings of a feminist aesthetic. Published in association with the Jewish Museum, New York, and the Art Gallery of Ontario Exhibition Schedule: The Jewish Museum, New York (05/05/17-09/24/17) Art Gallery of Ontario (10/21/17-01/28/18)
LC Classification Number
ND237
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