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Official Pokémon Pokédex by Tracey West and Katherine Nolls (2006, Paperback)
US $1,00
CircaEUR 0,86
o Proposta d'acquisto
Condizione:
Buone condizioni
Libro che è già stato letto ma è in buone condizioni. Mostra piccolissimi danni alla copertina incluse alcune rigature, ma nessun foro o strappo. È possibile che la sovraccoperta per le copertine rigide non sia inclusa. La rilegatura presenta minimi segni di usura. La maggior parte delle pagine non è danneggiata e mostra una quantità minima di piegature o strappi, sottolineature di testo a matita, nessuna evidenziazione di testo né scritte ai margini. Non ci sono pagine mancanti. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Spedizione:
US $4,47 (circa EUR 3,83) USPS Media MailTM.
Oggetto che si trova a: Frenchtown, New Jersey, Stati Uniti
Consegna:
Consegna prevista tra il ven 18 lug e il mer 23 lug a 94104
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Restituzioni non accettate.
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Numero oggetto eBay:302936693325
Specifiche dell'oggetto
- Condizione
- ISBN
- 9780439855860
Informazioni su questo prodotto
Product Identifiers
Publisher
Scholastic, Incorporated
ISBN-10
0439855861
ISBN-13
9780439855860
eBay Product ID (ePID)
63729455
Product Key Features
Book Title
Official Pokemon Pokédex
Topic
Games & Activities / General, Games & Activities / Video & Electronic Games
Number of Pages
111 Pages
Language
English
Illustrator
Yes
Genre
Juvenile Nonfiction
Format
Hardcover
Additional Product Features
Intended Audience
Juvenile Audience
LCCN
2006-277730
Synopsis
Ed Ruscha was born in Nebraska and raised in Oklahoma, but he belongs to Los Angelesin a way that few other artists do. Since the 1960s, Ruscha's iconic images of the cityscape andculture of Los Angeles--freeway gas stations, parking lots, palm trees, motels, swimming pools, andbillboards--have both reflected and shaped popular perceptions of Hollywood and the city thatsurrounds it. In Ed Ruscha's Los Angeles, Alexandra Schwartz views Ruscha's groundbreaking earlywork as a window onto the radically shifting cultural and political landscape in which it wasproduced. Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints,photographs, books, and films, and discusses his relationship with other artists--including JohnAltoon, Ed Kienholz, Billy Al Bengston, and Dennis Hopper, all of them associated with the famousFerus Gallery--with whom he sparked the movement known as West Coast pop. She also explores hislinks to the mainstream film industry, then evolving into the experimental New Hollywood of the late1960s and early 1970s; his association with emerging discourse on L.A. architecture and urbanism;and his participation in the politics of the L.A. art world, where his presentation andself-marketing reflected contemporary attitudes toward gender, race, and class. Despite Ruscha'sfame, this is the first comprehensive critical consideration of his art, and the first to considerit in the context of L.A.'s tumultuous 1960s and 1970s. It shows how Ruscha, borrowing from andcritiquing the methods and myths of Hollywood, forged a new paradigm of the artist as a popularculture scribe--a soothsayer for the entertainment age.
LC Classification Number
GV1469.35.P63W47
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