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Blues People: Negro Music in White Americ- 9780688184742, paperback, Leroi Jones

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Specifiche dell'oggetto

Condizione
Accettabile: Libro con evidenti segni di usura. Può avere alcuni danni alla copertina, senza che ...
Artist
Jones, Leroi
ISBN
9780688184742

Informazioni su questo prodotto

Product Identifiers

Publisher
HarperCollins
ISBN-10
068818474X
ISBN-13
9780688184742
eBay Product ID (ePID)
27038725853

Product Key Features

Book Title
Blues People : Negro Music in White America
Number of Pages
256 Pages
Language
English
Publication Year
1999
Topic
Genres & Styles / Blues, Ethnic, Ethnic Studies / African American Studies
Genre
Music, Social Science
Author
LeROI Jones
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
7.2 Oz
Item Length
8.2 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
LCCN
98-049663
Reviews
"A must for all who would more knowledgeably appreciate and better comprehend America's most popular music, Negro in origin--blues based--but belonging to everybody" -- Langston Hughes "Blues People is American musical history; it is also American cultural, economic, and even emotional history. It traces not only the development of the Negro music which affected white America, but also the Negro values which affected white America." -- Library Journal "Blues People is not only a fresh, incisively instructive reinterpretation of Negro music in America, but it is also crucially relevant." -- Nat Henthoff, A must for all who would more knowledgeably appreciate and better comprehend America's most popular music, Negro in origin--blues based--but belonging to everybody
Dewey Edition
21
Dewey Decimal
781.773
Synopsis
"A must for all who would more knowledgeably appreciate and better comprehend America's most popular music." -- Langston Hughes "The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music--through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music." So says Amiri Baraka (previously known as LeRoi Jones) in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America--not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history., "The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music -- through the music that is most closely associated with him: blues and a later, but parallel development, jazz... If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music." So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America -- not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history.
LC Classification Number
ML3556.B16 1999

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