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Russia on Reels : The Russian Idea in Post-Soviet Cinema, Paperback by Beumer...
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“From Home Collection/Library, UNREAD, Like new, minimal wear to edges/cover)”
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Oggetto che si trova a: Bloomington, Indiana, Stati Uniti
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Consegna prevista tra il ven 5 dic e il gio 11 dic a 94104
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Informazioni sull'oggetto
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:285233877354
Specifiche dell'oggetto
- Condizione
- Come Nuovo
- Note del venditore
- “From Home Collection/Library, UNREAD, Like new, minimal wear to edges/cover)”
- ISBN
- 9781860643903
Informazioni su questo prodotto
Product Identifiers
Publisher
I. B. Tauris & Company, The Limited
ISBN-10
1860643906
ISBN-13
9781860643903
eBay Product ID (ePID)
1148658
Product Key Features
Book Title
Russia on Reels : the Russian Idea in Post-Soviet Cinema
Number of Pages
232 Pages
Language
English
Topic
Russia & the Former Soviet Union, Film / History & Criticism
Publication Year
1999
Illustrator
Yes
Genre
Performing Arts, History
Book Series
Kino-The Russian and Soviet Cinema Ser.
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
11.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
21
Dewey Decimal
791.43094709049
Table Of Content
Introduction--Birgit Beumers * The Russian Idea--Oleg Kovalov *Part I: The Russian Idea: A Historical and Cinematographic Perspective* No Glory, No Majesty, or Honour: The Russian Idea and Inverse Value--Nancy Condee * Now that the Party's Over: Soviet Cinema and Its Legacy--Richard Taylor *Russian Cinema--National Cinema?* "Cinema and Life"--Sergei Selianov * "The State of the National Cinema"--Daniil Dondurei * "The Function of a National Cinema"--Nikita Mikhalkov *Part II: Remapping, Fragmenting, Myth-making: In Search of the Russian Idea* Tinkling Symbols: Fragmented Society--Fragmented Cinema?--Nina Tsyrkun * Viewed from Below: Subverting the Myths of the Soviet Landscape--Emma Widdis * To Moscow! To Moscow? . . . The Russian Hero and the Loss of the Centre--Birgit Beumers *Part III: The Past of the Fatherland Reviewed* La Grande Illusion--Tatiana Moskvina * Fathers for the Fatherland: The Cult of the Leader--Natasha Zhuravkina * New Versions of Old Classics: Cinematic Interpretations of Russian Literature--David Gillespie *Part IV: The Russian Idea for Contemporary Filmmakers* Representation, Mimicry, Death: The Latest Films of Alexander Sokurov--Mikhail Iampolski * The Meaning of Death: Kira Muratova's Cinema of the Absurd--Graham Roberts * Dmitri Astrakhan--Popular Cinema for a Time of Uncertainty--Julian Graffy Introduction--Birgit Beumers * The Russian Idea--Oleg Kovalov *Part I: The Russian Idea: A Historical and Cinematographic Perspective* No Glory, No Majesty, or Honour: The Russian Idea and Inverse Value--Nancy Condee * Now that the Party's Over: Soviet Cinema and Its Legacy--Richard Taylor *Russian Cinema--National Cinema?* "Cinema and Life"--Sergei Selianov * "The State of the National Cinema"--Daniil Dondurei * "The Function of a National Cinema"--Nikita Mikhalkov *Part II: Remapping, Fragmenting, Myth-making: In Search of the Russian Idea* Tinkling Symbols: Fragmented Society--Fragmented Cinema?--Nina Tsyrkun * Viewed from Below: Subverting the Myths of the Soviet Landscape--Emma Widdis * To Moscow! To Moscow? . . . The Russian Hero and the Loss of the Centre--Birgit Beumers *Part III: The Past of the Fatherland Reviewed* La Grande Illusion--Tatiana Moskvina * Fathers for the Fatherland: The Cult of the Leader--Natasha Zhuravkina * New Versions of Old Classics: Cinematic Interpretations of Russian Literature--David Gillespie *Part IV: The Russian Idea for Contemporary Filmmakers* Representation, Mimicry, Death: The Latest Films of Alexander Sokurov--Mikhail Iampolski * The Meaning of Death: Kira Muratova's Cinema of the Absurd--Graham Roberts * Dmitri Astrakhan--Popular Cinema for a Time of Uncertainty--Julian Graffy
Synopsis
This is the first book to deal exclusively with Russian cinema of the 1990s. It introduces readers to the currents and common interests of contemporary Russian cinema, offers close studies of the work of filmmakers like Sokurov, Muratova and Astrakhan, reviews the Russian film industry in a period of massive economic transformation, and assesses cinema's function as a definer of Russia's new identity.
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