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Dancing Women: Female Bodies Onstage by Sally Banes: New

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Specifiche dell'oggetto

Condizione
Nuovo: Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o ...
Book Title
Dancing Women: Female Bodies Onstage
Publication Date
1998-01-29
Pages
296
ISBN
9780415111621

Informazioni su questo prodotto

Product Identifiers

Publisher
Taylor & Francis Group
ISBN-10
0415111625
ISBN-13
9780415111621
eBay Product ID (ePID)
170960

Product Key Features

Number of Pages
296 Pages
Language
English
Publication Name
Dancing Women : Female Bodies Onstage
Publication Year
1998
Subject
Theater / General, General, Life Sciences / Human Anatomy & Physiology, Women's Studies, Entertainment & Performing Arts, Dance / General
Type
Textbook
Author
Sally Banes
Subject Area
Performing Arts, Social Science, Science, Biography & Autobiography, Psychology
Format
Uk-B Format Paperback

Dimensions

Item Height
0.7 in
Item Weight
17.7 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
College Audience
LCCN
97-024496
Illustrated
Yes
Table Of Content
Acknowledgements. List of Illustrations. Introduction. 1. The Romantic Ballet 2. The Russian Imperial Ballet 3. Early Modern Dance 4. Early Modern Ballet 5. Modern Dance 6. Modern Ballet Envoi.
Synopsis
Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities., A spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective., Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women : * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.
LC Classification Number
GV1799.4.B35 1998

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