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Musical Salon Culture in the Long Nineteenth Century by Anja Bunzel: New
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Numero oggetto eBay:283440242502
Specifiche dell'oggetto
- Condizione
- Book Title
- Musical Salon Culture in the Long Nineteenth Century
- Publication Date
- 2019-04-19
- Pages
- 302
- ISBN
- 9781783273904
Informazioni su questo prodotto
Product Identifiers
Publisher
Boydell & Brewer, The Limited
ISBN-10
1783273909
ISBN-13
9781783273904
eBay Product ID (ePID)
6038677639
Product Key Features
Number of Pages
302 Pages
Publication Name
Musical Salon Culture in the Long Nineteenth Century
Language
English
Subject
History & Criticism, Philosophy & Social Aspects, General, Modern / 19th Century
Publication Year
2019
Type
Textbook
Subject Area
Music, History
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
18.9 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2018-564441
Reviews
[The] chapter, by Maren Bagge and Clemens Kreutzfeldt, entitled 'Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature'... gives a brief glimpse into the largely amateur sphere of music-making in the late eighteenth and early nineteenth centuries, and raises many interesting points about what can be learnt from these engaging though mainly hostile caricatures. THE CONSORT, [The] chapter, by Maren Bagge and Clemens Kreutzfeldt, entitled 'Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature'... gives a brief glimpse into the largely amateur sphere of music-making in the late eighteenth and early nineteenth centuries, and raises many interesting points about what can be learnt from these engaging though mainly hostile caricatures. THE CONSORT This collection contains much enlightening material, and is a thought-provoking volume for anyone researching the music of the long nineteenth century in general. As we have come to expect from Boydell, the book is attractively produced and set, with plenty of well-produced illustrations and musical examples. I heartily recommend it to all those involved in this area of study and to serious music libraries. FONTES ARTIS MUSICAE
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
306.4842
Table Of Content
Introduction - Anja Bunzel and Natasha Loges Johanna Kinkel's Social Life in Berlin (1836-39): Reflections on Historiographical Sources - Anja Bunzel Accidental Aesthetics in the Salon: Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness: C. J. Arnold's Quartettabend bei Bettina von Arnim Reconsidered - Katharina Uhde Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness: C. J. Arnold's Quartettabend bei Bettina von Arnim Reconsidered - R. Larry Todd Reading, Singing, Becoming: The M dchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges Fridays with Malla: Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Clemens Kreutzfeldt The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett The Instruments of the Vienna Biedermeier Salon: Diversity in Design, Sound, and Technology - Beatrix Darmst dter Offenbach and the Representation of the Salon - P ter Boz Affordances of the Piano: A Cinematic Representation of the Victorian Salon - Harry White 'Der Mensch ist zur Geselligkeit geboren': Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger Josephine Lang and the Salon in Southern Germany - Harald Krebs Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde An Invitation to 309 Beacon Street: Clara Kathleen Rogers and her Boston Salon - Katie A. Callam 'Too Much Playing Four Hands!': Ernst von Dohn nyi's European Salon in the United States of the 1950s - Veronika Kusz Select Bibliography Index
Synopsis
This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century. This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches,this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon. ANJA BUNZEL holds a research position at the Czech Academy of Sciences. She gained her PhD in Musicology from Maynooth University and has published on Johanna Kinkel and nineteenth-century salon culture in both English and German. NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music, London. Her publications include Brahms in the Home and the Concert Hall (Cambridge, 2014) and Brahms and his Poets (Boydell Press, 2017). She is a pianist, broadcaster and critic. Contributors: Maren Bagge, P terBoz , Anja Bunzel, Katie A. Callam, Beatrix Darmst dter, Mary Anne Garnett, Harald Krebs, Clemens Kreutzfeldt, Veronika Kusz, Natasha Loges, Jennifer Ronyak, Kirsten Santos Rutschman, R. Larry Todd, Katharina Uhde, Michael Uhde, Harry White, Petra Wilhelmy-Dollinger, Susan Youens, This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century. This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon. ANJA BUNZEL holds a research position at the Czech Academy of Sciences. She gained her PhD in Musicology from Maynooth University and has published on Johanna Kinkel and nineteenth-century salon culture in both English and German. NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music, London. Her publications include Brahms in the Home and the Concert Hall (Cambridge, 2014) and Brahms and his Poets (Boydell Press, 2017). She is a pianist, broadcaster and critic. Contributors: Maren Bagge, PéterBozó, Anja Bunzel, Katie A. Callam, Beatrix Darmstädter, Mary Anne Garnett, Harald Krebs, Clemens Kreutzfeldt, Veronika Kusz, Natasha Loges, Jennifer Ronyak, Kirsten Santos Rutschman, R. Larry Todd, Katharina Uhde, Michael Uhde, Harry White, Petra Wilhelmy-Dollinger, Susan Youens, This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon. ANJA BUNZEL holds a research position at the Czech Academy of Sciences. She gained her PhD in Musicology from Maynooth University and has published on Johanna Kinkel and nineteenth-century salon culture in both English and German. NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music, London. Her publications include Brahms in the Home and the Concert Hall (Cambridge, 2014) and Brahms and his Poets (Boydell Press, 2017). She is a pianist, broadcaster and critic. Contributors: Maren Bagge, P ter Boz , Anja Bunzel, Katie A. Callam, Beatrix Darmst dter, Mary Anne Garnett, Harald Krebs, Clemens Kreutzfeldt, Veronika Kusz, Natasha Loges, Jennifer Ronyak, Kirsten Santos Rutschman, R. Larry Todd, Katharina Uhde, Michael Uhde, Harry White, Petra Wilhelmy-Dollinger, Susan Youens, This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century.
LC Classification Number
ML3916
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- a***n (43)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoMistakenly ordered a paperback that I thought was a hardcover, not sellers fault; it was described properly on the listing. Seller still processed a refund the day I went to return the item and let me keep the item anyway. A+++ service. Book arrived quickly in great condition and for a great price. Thank you so much! Amazing seller!
- n***c (94)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoseller was communicative about my shipment, media mail took a while and tracking wasn't updated frequently, but seller communicated to me very quickly on status. the item came new and wrapped as described, though the packaging in it was packed wasn't sturdy and falling apart when it got to me.