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Hip Hop Beats, Indigenous Rhymes: Mod..., Mays, Kyle T.
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Gratis USPS Media MailTM.
Oggetto che si trova a: Montgomery Illinois, Stati Uniti
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Consegna prevista tra il sab 18 ott e il mer 22 ott a 94104
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Numero oggetto eBay:277325278519
Specifiche dell'oggetto
- Condizione
- Book Title
- Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Ind...
- ISBN
- 1438469462
- EAN
- 9781438469461
- Release Title
- Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Ind...
- Artist
- Mays, Kyle T.
- Brand
- N/A
- Colour
- N/A
Informazioni su questo prodotto
Product Identifiers
Publisher
STATE University of New York Press
ISBN-10
1438469462
ISBN-13
9781438469461
eBay Product ID (ePID)
240348598
Product Key Features
Number of Pages
194 Pages
Publication Name
Hip Hop Beats Indigenous Rhymes : Modernity and Hip Hop in Indigenous North America
Language
English
Subject
Genres & Styles / Rap & Hip Hop, Popular Culture, Ethnic Studies / Native American Studies, Ethnic Studies / African American Studies
Publication Year
2018
Type
Textbook
Subject Area
Music, Social Science
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
9.6 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
College Audience
LCCN
2017-024529
Reviews
"Mays' authorial voice is a striking one ... His melding of scholarly and vernacular language is the great strength of the book, a stylistic choice that comes out of a desire to bridge his academic readership and his Indigenous interlocutors." -- Transmotion "This book is incredibly important and will change the fields of Native American, African American, gender, and sound studies. It is the first full-length monograph on the rich, diverse, and complex field of Indigenous hip hop. This is the text against which all other studies in the field will be compared." -- Michelle Raheja, University of California, Riverside, "This book is incredibly important and will change the fields of Native American, African American, gender, and sound studies. It is the first full-length monograph on the rich, diverse, and complex field of Indigenous Hip Hop. This is the text against which all other studies in the field will be compared." -- Michelle Raheja, University of California, Riverside, "Mays' authorial voice is a striking one His melding of scholarly and vernacular language is the great strength of the book, a stylistic choice that comes out of a desire to bridge his academic readership and his Indigenous interlocutors." -- Transmotion "This book is incredibly important and will change the fields of Native American, African American, gender, and sound studies. It is the first full-length monograph on the rich, diverse, and complex field of Indigenous hip hop. This is the text against which all other studies in the field will be compared." -- Michelle Raheja, University of California, Riverside
Dewey Edition
23
Grade From
College Freshman
Illustrated
Yes
Dewey Decimal
782.4216490899707
Grade To
College Graduate Student
Table Of Content
Preface: A Note on Language: Black English and Uncensored Mode Acknowledgments Introduction: Can We Live and Be Modern and Indigenous?: Toward an Indigenous Hip Hop Culture 1. #NotYourMascot: Indigenous Hip Hop Artists as Modern Subjects 2. The Fashion of Indigenous Hip Hop 3. Indigenous Masculinity in Hip Hop Culture: Or, How Indigenous Feminism Can Reform Indigenous Manhood 4. "He's just tryna be black": The Intersections of Blackness and Indigeneity in Hip Hop Culture 5. Rhyming Decolonization: A Conversation with Frank Waln, Sicangu Lakota Conclusion: "It's bigger than Hip Hop": Toward the Indigenous Hip Hop Generation Notes Works Cited Index
Synopsis
Expressive culture has always been an important part of the social, political, and economic lives of Indigenous people. More recently, Indigenous people have blended expressive cultures with hip hop culture, creating new sounds, aesthetics, movements, and ways of being Indigenous. This book documents recent developments among the Indigenous hip hop generation. Meeting at the nexus of hip hop studies, Indigenous studies, and critical ethnic studies, Hip Hop Beats, Indigenous Rhymes argues that Indigenous people use hip hop culture to assert their sovereignty and challenge settler colonialism. From rapping about land and water rights from Flint to Standing Rock, to remixing "traditional" beading with hip hop aesthetics, Indigenous people are using hip hop to challenge their ongoing dispossession, disrupt racist stereotypes and images of Indigenous people, contest white supremacy and heteropatriarchy, and reconstruct ideas of a progressive masculinity. In addition, this book carefully traces the idea of authenticity; that is, the common notion that, by engaging in a Black culture, Indigenous people are losing their "traditions." Indigenous hip hop artists navigate the muddy waters of the "politics of authenticity" by creating art that is not bound by narrow conceptions of what it means to be Indigenous; instead, they flip the notion of "tradition" and create alternative visions of what being Indigenous means today, and what that might look like going forward., Argues that Indigenous hip hop is the latest and newest assertion of Indigenous sovereignty throughout Indigenous North America. Expressive culture has always been an important part of the social, political, and economic lives of Indigenous people. More recently, Indigenous people have blended expressive cultures with hip hop culture, creating new sounds, aesthetics, movements, and ways of being Indigenous. This book documents recent developments among the Indigenous hip hop generation. Meeting at the nexus of hip hop studies, Indigenous studies, and critical ethnic studies, Hip Hop Beats, Indigenous Rhymes argues that Indigenous people use hip hop culture to assert their sovereignty and challenge settler colonialism. From rapping about land and water rights from Flint to Standing Rock, to remixing "traditional" beading with hip hop aesthetics, Indigenous people are using hip hop to challenge their ongoing dispossession, disrupt racist stereotypes and images of Indigenous people, contest white supremacy and heteropatriarchy, and reconstruct ideas of a progressive masculinity. In addition, this book carefully traces the idea of authenticity; that is, the common notion that, by engaging in a Black culture, Indigenous people are losing their "traditions." Indigenous hip hop artists navigate the muddy waters of the "politics of authenticity" by creating art that is not bound by narrow conceptions of what it means to be Indigenous; instead, they flip the notion of "tradition" and create alternative visions of what being Indigenous means today, and what that might look like going forward., Argues that Indigenous hip hop is the latest and newest assertion of Indigenous sovereignty throughout Indigenous North America.
LC Classification Number
ML3531.M29 2018
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- d***0 (433)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoItem bought: Ocean Ramsey Shark book * Item value for the money 5/5 * Condition matching as advertised 5/5 * Quickly dispatched 5/5 * Arrived on time 5/5 * Shipping cost for this type of item 5/5 * Packaging quality for this item 5/5 * Seller recommendation 5/5 * Communication: NA (not needed as it arrived on time) * Comments: Ty for your business!!
- r***1 (177)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoThe book was exactly as described and arrived quickly. The only problem is a recurring one with this seller and other similar sellers - the book is poorly packaged in a plastic envelope and gets heavily bumped in shipping. I would like to see the books wrapped before shipment, but I understand this can't be done for cost reason. Luckily it isn't an expensive book, and I will continue to purchase basic books from this seller. A+++++
- 4***1 (1637)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoBook arrived quickly and is pretty close to "Very Good" description. Value priced and I'm glad I made the purchase as this is an excellent read. However, the book was mailed loose inside an over-sized plastic bag without any protection. Wrapped in a bubble wrap jacket would be a big help. A book can take a beating in USPS transit without some buffer. I can't tell if the bumps and dings were original or occurred in transit. I'd prefer to pay for shipping than have it sent with no protection.