Hip Hop Beats, Indigenous Rhymes: Mod..., Mays, Kyle T.

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Specifiche dell'oggetto

Condizione
Ottime condizioni: Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. ...
Book Title
Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Ind...
ISBN
1438469462
EAN
9781438469461
Release Title
Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Ind...
Artist
Mays, Kyle T.
Brand
N/A
Colour
N/A
Categoria

Informazioni su questo prodotto

Product Identifiers

Publisher
STATE University of New York Press
ISBN-10
1438469462
ISBN-13
9781438469461
eBay Product ID (ePID)
240348598

Product Key Features

Number of Pages
194 Pages
Publication Name
Hip Hop Beats Indigenous Rhymes : Modernity and Hip Hop in Indigenous North America
Language
English
Subject
Genres & Styles / Rap & Hip Hop, Popular Culture, Ethnic Studies / Native American Studies, Ethnic Studies / African American Studies
Publication Year
2018
Type
Textbook
Subject Area
Music, Social Science
Author
Kyle T. Mays
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
9.6 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
LCCN
2017-024529
Reviews
"Mays' authorial voice is a striking one ... His melding of scholarly and vernacular language is the great strength of the book, a stylistic choice that comes out of a desire to bridge his academic readership and his Indigenous interlocutors." -- Transmotion "This book is incredibly important and will change the fields of Native American, African American, gender, and sound studies. It is the first full-length monograph on the rich, diverse, and complex field of Indigenous hip hop. This is the text against which all other studies in the field will be compared." -- Michelle Raheja, University of California, Riverside, "This book is incredibly important and will change the fields of Native American, African American, gender, and sound studies. It is the first full-length monograph on the rich, diverse, and complex field of Indigenous Hip Hop. This is the text against which all other studies in the field will be compared." -- Michelle Raheja, University of California, Riverside, "Mays' authorial voice is a striking one His melding of scholarly and vernacular language is the great strength of the book, a stylistic choice that comes out of a desire to bridge his academic readership and his Indigenous interlocutors." -- Transmotion "This book is incredibly important and will change the fields of Native American, African American, gender, and sound studies. It is the first full-length monograph on the rich, diverse, and complex field of Indigenous hip hop. This is the text against which all other studies in the field will be compared." -- Michelle Raheja, University of California, Riverside
Dewey Edition
23
Grade From
College Freshman
Illustrated
Yes
Dewey Decimal
782.4216490899707
Grade To
College Graduate Student
Table Of Content
Preface: A Note on Language: Black English and Uncensored Mode Acknowledgments Introduction: Can We Live and Be Modern and Indigenous?: Toward an Indigenous Hip Hop Culture 1. #NotYourMascot: Indigenous Hip Hop Artists as Modern Subjects 2. The Fashion of Indigenous Hip Hop 3. Indigenous Masculinity in Hip Hop Culture: Or, How Indigenous Feminism Can Reform Indigenous Manhood 4. "He's just tryna be black": The Intersections of Blackness and Indigeneity in Hip Hop Culture 5. Rhyming Decolonization: A Conversation with Frank Waln, Sicangu Lakota Conclusion: "It's bigger than Hip Hop": Toward the Indigenous Hip Hop Generation Notes Works Cited Index
Synopsis
Expressive culture has always been an important part of the social, political, and economic lives of Indigenous people. More recently, Indigenous people have blended expressive cultures with hip hop culture, creating new sounds, aesthetics, movements, and ways of being Indigenous. This book documents recent developments among the Indigenous hip hop generation. Meeting at the nexus of hip hop studies, Indigenous studies, and critical ethnic studies, Hip Hop Beats, Indigenous Rhymes argues that Indigenous people use hip hop culture to assert their sovereignty and challenge settler colonialism. From rapping about land and water rights from Flint to Standing Rock, to remixing "traditional" beading with hip hop aesthetics, Indigenous people are using hip hop to challenge their ongoing dispossession, disrupt racist stereotypes and images of Indigenous people, contest white supremacy and heteropatriarchy, and reconstruct ideas of a progressive masculinity. In addition, this book carefully traces the idea of authenticity; that is, the common notion that, by engaging in a Black culture, Indigenous people are losing their "traditions." Indigenous hip hop artists navigate the muddy waters of the "politics of authenticity" by creating art that is not bound by narrow conceptions of what it means to be Indigenous; instead, they flip the notion of "tradition" and create alternative visions of what being Indigenous means today, and what that might look like going forward., Argues that Indigenous hip hop is the latest and newest assertion of Indigenous sovereignty throughout Indigenous North America. Expressive culture has always been an important part of the social, political, and economic lives of Indigenous people. More recently, Indigenous people have blended expressive cultures with hip hop culture, creating new sounds, aesthetics, movements, and ways of being Indigenous. This book documents recent developments among the Indigenous hip hop generation. Meeting at the nexus of hip hop studies, Indigenous studies, and critical ethnic studies, Hip Hop Beats, Indigenous Rhymes argues that Indigenous people use hip hop culture to assert their sovereignty and challenge settler colonialism. From rapping about land and water rights from Flint to Standing Rock, to remixing "traditional" beading with hip hop aesthetics, Indigenous people are using hip hop to challenge their ongoing dispossession, disrupt racist stereotypes and images of Indigenous people, contest white supremacy and heteropatriarchy, and reconstruct ideas of a progressive masculinity. In addition, this book carefully traces the idea of authenticity; that is, the common notion that, by engaging in a Black culture, Indigenous people are losing their "traditions." Indigenous hip hop artists navigate the muddy waters of the "politics of authenticity" by creating art that is not bound by narrow conceptions of what it means to be Indigenous; instead, they flip the notion of "tradition" and create alternative visions of what being Indigenous means today, and what that might look like going forward., Argues that Indigenous hip hop is the latest and newest assertion of Indigenous sovereignty throughout Indigenous North America.
LC Classification Number
ML3531.M29 2018

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