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Sound In Motion: A Performer's Guide To Greater Musical Expression -David McGill
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- Compralo SubitoSound In Motion: A Performer's Guide To Greater Musical Expression -David McGill
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Numero oggetto eBay:276975574512
Specifiche dell'oggetto
- Condizione
- Book Title
- Sound In Motion
- ISBN
- 9780253219268
Informazioni su questo prodotto
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253219264
ISBN-13
9780253219268
eBay Product ID (ePID)
59066495
Product Key Features
Number of Pages
392 Pages
Language
English
Publication Name
Sound in Motion : a Performer's Guide to Greater Musical Expression
Publication Year
2009
Subject
Instruction & Study / Appreciation, General, Musical Instruments / General
Type
Textbook
Subject Area
Music
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
20.5 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2007-007695
Dewey Edition
22
Reviews
In this thoughtful and imaginative study, David McGill codifies an important oral and aural tradition in musical performance and pedagogy in which he has been an active participant. Growing from the legacy of Marcel Tabuteau, this tradition continued through the work of McGill's own teachers, John de Lancie and Sol Schoenbach. McGill's book will not only be welcomed by performers, but also by musicologists interested in the history of performance practice and music theorists interested in the relationship of analysis and performance.--Kevin Korsyn, University of Michigan, "... offers a clean, modern take on Tabuteau's legacy, strong advice for aspiring wind players, and a range of observations that should inspire or provoke any serious musician.... Recommended." -- Choice, "I do not know if David McGill set out to write a book primarily about bassoon playing, but what he ended up with is a most important, all-encompassing book about music, its nature and its significance, not only for the professional musician, but for all those who see in it an expression of human creation. He deals with the different expressive means of sound, of styles and, perhaps most important of all for the practicing musician: the connection between attitude and aptitude." Daniel Barenboim, "... offers a clean, modern take on Tabuteau's legacy, strong advice for aspiring wind players, and a range of observations that should inspire or provoke any serious musician.... Recommended." -Choice, "Well-written and opinionated treatise on almost every aspect of the art of musicianship, taking as its basis the methods of Tabuteau, but moving well beyond into discussions of auditioning, intonation, and an extended section on the Baroque performance movement.September 11, 2008"-- PBDB Book Review "What is phrasing? What is line? What is music? Logically and with acute attention to detail, Sound in Motion takes the reader on a philosophical journey rooted in the teachings of Marcel Tabuteau, John deLancie, John Minsker, and Sol Schoenbach, the timeless performances of Maria Callas, deLancie, and others, as well as McGill's own career as an orchestral bassoonist."-- The Double Reed "The book takes a modern look at Marcel Tabuteau's classic method."-- Los Angeles Times ". . . offers a clean, modern take on Tabuteau's legacy, strong advice for aspiring wind players, and a range of observations that should inspire or provoke any serious musician. . . . Recommended."-- Choice "A most important, all encompassing book about music, its nature and its significance, not only for the professional musician, but for all those who see in it an expression of human creation. [McGill] deals with the different expressive means of sound, of styles and, perhaps most important of all for the practicing musician: the connection between attitude and aptitude. He understands perfectly that music is, after all, not a profession, but rather a way of life. . . . A rare book full of knowledge and insight."--Daniel Barenboim, world-renowned pianist and conductor "In this thoughtful and imaginative study, David McGill codifies an important oral and aural tradition in musical performance and pedagogy in which he has been an active participant. Growing from the legacy of Marcel Tabuteau, this tradition continued through the work of McGill's own teachers, John de Lancie and Sol Schoenbach. McGill's book will not only be welcomed by performers, but also by musicologists interested in the history of performance practice and music theorists interested in the relationship of analysis and performance."--Kevin Korsyn, University of Michigan, ... offers a clean, modern take on Tabuteau's legacy, strong advice for aspiring wind players, and a range of observations that should inspire or provoke any serious musician.... Recommended., "What is phrasing? What is line? What is music? Logically and with acute attention to detail, Sound in Motion takes the reader on a philosophical journey rooted in the teachings of Marcel Tabuteau, John deLancie, John Minsker, and Sol Schoenbach, the timeless performances of Maria Callas, deLancie, and others, as well as McGill's own career as an orchestral bassoonist." -- The Double Reed, A most important, all encompassing book about music, its nature and its significance, not only for the professional musician, but for all those who see in it an expression of human creation. [McGill] deals with the different expressive means of sound, of styles and, perhaps most important of all for the practicing musician: the connection between attitude and aptitude. He understands perfectly that music is, after all, not a profession, but rather a way of life.... A rare book full of knowledge and insight., What is phrasing? What is line? What is music? Logically and with acute attention to detail, Sound in Motion takes the reader on a philosophical journey rooted in the teachings of Marcel Tabuteau, John deLancie, John Minsker, and Sol Schoenbach, the timeless performances of Maria Callas, deLancie, and others, as well as McGill's own career as an orchestral bassoonist., "Well-written and opinionated treatise on almost every aspect of the art of musicianship, taking as its basis the methods of Tabuteau, but moving well beyond into discussions of auditioning, intonation, and an extended section on the Baroque performance movement." -, September 11, 2008, "In this thoughtful and imaginative study, David McGill codifies an important oral and aural tradition in musical performance and pedagogy in which he has been an active participant. Growing from the legacy of Marcel Tabuteau, this tradition continued through the work of McGill's own teachers, John de Lancie and Sol Schoenbach. McGill's book will not only be welcomed by performers, but also by musicologists interested in the history of performance practice and music theorists interested in the relationship of analysis and performance." -Kevin Korsyn, University of Michigan, In this thoughtful and imaginative study, David McGill codifies an important oral and aural tradition in musical performance and pedagogy in which he has been an active participant. Growing from the legacy of Marcel Tabuteau, this tradition continued through the work of McGill's own teachers, John de Lancie and Sol Schoenbach. McGill's book will not only be welcomed by performers, but also by musicologists interested in the history of performance practice and music theorists interested in the relationship of analysis and performance., "In this thoughtful and imaginative study, David McGill codifies an important oral and aural tradition in musical performance and pedagogy in which he has been an active participant. Growing from the legacy of Marcel Tabuteau, this tradition continued through the work of McGill's own teachers, John de Lancie and Sol Schoenbach. McGill's book will not only be welcomed by performers, but also by musicologists interested in the history of performance practice and music theorists interested in the relationship of analysis and performance." -- Kevin Korsyn, University of Michigan, "A most important, all encompassing book about music, its nature and its significance, not only for the professional musician, but for all those who see in it an expression of human creation. [McGill] deals with the different expressive means of sound, of styles and, perhaps most important of all for the practicing musician: the connection between attitude and aptitude. He understands perfectly that music is, after all, not a profession, but rather a way of life.... A rare book full of knowledge and insight." -Daniel Barenboim, world-renowned pianist and conductor, "A most important, all encompassing book about music, its nature and its significance, not only for the professional musician, but for all those who see in it an expression of human creation. [McGill] deals with the different expressive means of sound, of styles and, perhaps most important of all for the practicing musician: the connection between attitude and aptitude. He understands perfectly that music is, after all, not a profession, but rather a way of life.... A rare book full of knowledge and insight." -- Daniel Barenboim, world-renowned pianist and conductor, "What is phrasing? What is line? What is music? Logically and with acute attention to detail, Sound in Motion takes the reader on a philosophical journey rooted in the teachings of Marcel Tabuteau, John deLancie, John Minsker, and Sol Schoenbach, the timeless performances of Maria Callas, deLancie, and others, as well as McGill's own career as an orchestral bassoonist." -The Double Reed, . . . offers a clean, modern take on Tabuteau's legacy, strong advice for aspiring wind players, and a range of observations that should inspire or provoke any serious musician. . . . Recommended., Well-written and opinionated treatise on almost every aspect of the art of musicianship, taking as its basis the methods of Tabuteau, but moving well beyond into discussions of auditioning, intonation, and an extended section on the Baroque performance movement., "Well-written and opinionated treatise on almost every aspect of the art of musicianship, taking as its basis the methods of Tabuteau, but moving well beyond into discussions of auditioning, intonation, and an extended section on the Baroque performance movement." --, September 11, 2008
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
784.14/3
Table Of Content
Contents Preface Acknowledgments Part 1. A Style Is Born Part 2. What Is Music? Fun? Magic? Feeling? Talent? Selflessness? Professionalism Motion Part 3. Note Grouping Sound Writing (?) What Is Note Grouping? Basic Grouping Harmonic Grouping Rhythmic Grouping Motivic Grouping Range and Scaling The Tabuteau Number System Why Does Grouping Sound Natural? Part 4. The Larger Picture Sound Connection Type and Function Skeletal Structure What Is Phrasing? Repetition What Is Line? The Four Elements of Music Part 5. Wind Techniques Breathing The Long Tone The Singing Interval The Fingers Scales Using the Wind Articulation Part 6. Controversy Tone Intonation Vibrato Ornaments Was There a Baroque Style of Playing? Music Speaks Portato: Herald of a New Romanticism "Technique" vs. "Musicality" Part 7. The Profession Practicing Auditioning Orchestral Protocol Performing Accompanying Teaching Part 8. The Search Postscript Appendix 1. Recommended Recordings Appendix 2. Further Study Appendix 3. To Clip or Not to Clip Notes Bibliography Index About the Author
Synopsis
David McGill has assembled an exhaustive study that uses the musical concepts of the legendary Marcel Tabuteau as a starting point from which to develop musical thought. McGill methodically explains the frequently misunderstood "Tabuteau number system" and its relationship to note grouping-the lifeblood of music. The controversial issue of baroque performance practice is also addressed. Instrumentalists and vocalists alike will find that many of the ideas presented in this book will help develop their musicianship as well as their understanding of what makes a performance "musical.", David McGill has assembled an exhaustive study that uses the musical concepts of the legendary Marcel Tabuteau as a starting point from which to develop musical thought. McGill methodically explains the frequently misunderstood "Tabuteau number system" and its relationship to note grouping-the lifeblood of music., Instrumentalists and vocalists alike will find that many of the ideas presented in this book will help develop their musicianship as well as their understanding of what makes a performance "musical."
LC Classification Number
MT170.M34 2007
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