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Art in the Cold War: From Vladivostok to Kalamazoo 1945-1962 Lindey, Christine
US $28,45
CircaEUR 24,52
Condizione:
Buone condizioni
Libro che è già stato letto ma è in buone condizioni. Mostra piccolissimi danni alla copertina incluse alcune rigature, ma nessun foro o strappo. È possibile che la sovraccoperta per le copertine rigide non sia inclusa. La rilegatura presenta minimi segni di usura. La maggior parte delle pagine non è danneggiata e mostra una quantità minima di piegature o strappi, sottolineature di testo a matita, nessuna evidenziazione di testo né scritte ai margini. Non ci sono pagine mancanti. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Spedizione:
Gratis USPS Media MailTM.
Oggetto che si trova a: Frederick, Maryland, Stati Uniti
Consegna:
Consegna prevista tra il sab 19 lug e il gio 24 lug a 94104
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Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico del venditore.
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Numero oggetto eBay:276650610691
Specifiche dell'oggetto
- Condizione
- ISBN
- 9781561310104
Informazioni su questo prodotto
Product Identifiers
Publisher
Dee Publisher, Ivan R.
ISBN-10
1561310107
ISBN-13
9781561310104
eBay Product ID (ePID)
786461
Product Key Features
Book Title
Art in the Cold War : from Vladivostok to Kalamazoo 1945-1962
Number of Pages
224 Pages
Language
English
Topic
History / Contemporary (1945-), General, History / General
Publication Year
1998
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
17.8 Oz
Item Length
9.5 in
Item Width
6.8 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
20
Reviews
"Thoughtful and instructive." -- Times Higher Education "This contextual survey...is recommended for larger art collections." --Anne Schmitt, Booklist "The first title to survey the art of the Soviet Union during its Cold War period." -- The Bookwatch "Beautifully structured and involving.... Here is a writer who helps us experience both sensually and intellectually." -- West Coast Review Of Books, Beautifully structured and involving.... Here is a writer who helps us experience both sensually and intellectually.
Dewey Decimal
709.47
Synopsis
"This provacative and well-researched book addresses situations and questions of the post-WWII world that have long needed attention. Christine Lindey remedies the dearth of information available on the nature of modern Russian art about which all but a few dedicated professionals have only perfunctory or vaguely formulated ideas."-Choice, This book, which covers new ground, is a study of high and low art, official and unofficial, in the Soviet Union and the West in the Cold War years, 1945-62. It is a paradox that the Soviet Union, a nation born of revolution, should have encouraged 'official' art which was conservative and conformist, whereas Western Europe, and the USA in particular, should preach traditional values, but have a high art which spoke of dissent. Other curious contradictions and parallels emerge--Soviet 'official' art was predominantly realist in style and popular with the general public, as were popular prints in the West. Both have largely been ignored by the western art establishment. It is the unofficial art of the Soviet Union and the high art of the West--for example, Rothko, Pollock, Bacon and Dubuffet--which have always attracted critical attention. Christine Lindey's pioneering study examines these paradoxes and illustrates many artists, notably those from the Soviet Union, whose work has rarely been seen in the West. As glasnost changes our perceptions of the contemporary Soviet Union, here is the first history of all aspects of art there in the postwar years, set in the political context, and comparing it with developments in art in the West., This book, which covers new ground, is a study of high and low art, official and unofficial, in the Soviet Union and the West in the Cold War years, 1945-62. It is a paradox that the Soviet Union, a nation born of revolution, should have encouraged 'official' art which was conservative and conformist, whereas Western Europe, and the USA in particular, should preach traditional values, but have a high art which spoke of dissent. Other curious contradictions and parallels emerge-Soviet 'official' art was predominantly realist in style and popular with the general public, as were popular prints in the West. Both have largely been ignored by the western art establishment. It is the unofficial art of the Soviet Union and the high art of the West-for example, Rothko, Pollock, Bacon and Dubuffet-which have always attracted critical attention. Christine Lindey's pioneering study examines these paradoxes and illustrates many artists, notably those from the Soviet Union, whose work has rarely been seen in the West. As glasnost changes our perceptions of the contemporary Soviet Union, here is the first history of all aspects of art there in the postwar years, set in the political context, and comparing it with developments in art in the West.
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- b***b (169)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoAfter two poor experiences with this seller, they exceeded my expectations with this order…hard to believe it was the same seller. The book purchased, identified in their listing as “Very Good”, was, in fact, “Like New”. The price was very fair. Shipping was slow, but that seems to be true with many things purchased in the internet. If I have a complaint, it is that the seller will not respond to specific questions about a listed item before the purchase..too many orders to do so! 🙁The Beginning or the End: How Hollywood―and America―Learned to Stop Worrying an (N° 387783000754)
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