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Art in the Cold War: From Vladivostok to Kalamazoo 1945-1962 Lindey, Christine

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Specifiche dell'oggetto

Condizione
Buone condizioni: Libro che è già stato letto ma è in buone condizioni. Mostra piccolissimi danni ...
ISBN
9781561310104

Informazioni su questo prodotto

Product Identifiers

Publisher
Dee Publisher, Ivan R.
ISBN-10
1561310107
ISBN-13
9781561310104
eBay Product ID (ePID)
786461

Product Key Features

Book Title
Art in the Cold War : from Vladivostok to Kalamazoo 1945-1962
Number of Pages
224 Pages
Language
English
Topic
History / Contemporary (1945-), General, History / General
Publication Year
1998
Illustrator
Yes
Genre
Art
Author
Christine Lindey
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
17.8 Oz
Item Length
9.5 in
Item Width
6.8 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
20
Reviews
"Thoughtful and instructive." -- Times Higher Education "This contextual survey...is recommended for larger art collections." --Anne Schmitt, Booklist "The first title to survey the art of the Soviet Union during its Cold War period." -- The Bookwatch "Beautifully structured and involving.... Here is a writer who helps us experience both sensually and intellectually." -- West Coast Review Of Books, Beautifully structured and involving.... Here is a writer who helps us experience both sensually and intellectually.
Dewey Decimal
709.47
Synopsis
"This provacative and well-researched book addresses situations and questions of the post-WWII world that have long needed attention. Christine Lindey remedies the dearth of information available on the nature of modern Russian art about which all but a few dedicated professionals have only perfunctory or vaguely formulated ideas."-Choice, This book, which covers new ground, is a study of high and low art, official and unofficial, in the Soviet Union and the West in the Cold War years, 1945-62. It is a paradox that the Soviet Union, a nation born of revolution, should have encouraged 'official' art which was conservative and conformist, whereas Western Europe, and the USA in particular, should preach traditional values, but have a high art which spoke of dissent. Other curious contradictions and parallels emerge--Soviet 'official' art was predominantly realist in style and popular with the general public, as were popular prints in the West. Both have largely been ignored by the western art establishment. It is the unofficial art of the Soviet Union and the high art of the West--for example, Rothko, Pollock, Bacon and Dubuffet--which have always attracted critical attention. Christine Lindey's pioneering study examines these paradoxes and illustrates many artists, notably those from the Soviet Union, whose work has rarely been seen in the West. As glasnost changes our perceptions of the contemporary Soviet Union, here is the first history of all aspects of art there in the postwar years, set in the political context, and comparing it with developments in art in the West., This book, which covers new ground, is a study of high and low art, official and unofficial, in the Soviet Union and the West in the Cold War years, 1945-62. It is a paradox that the Soviet Union, a nation born of revolution, should have encouraged 'official' art which was conservative and conformist, whereas Western Europe, and the USA in particular, should preach traditional values, but have a high art which spoke of dissent. Other curious contradictions and parallels emerge-Soviet 'official' art was predominantly realist in style and popular with the general public, as were popular prints in the West. Both have largely been ignored by the western art establishment. It is the unofficial art of the Soviet Union and the high art of the West-for example, Rothko, Pollock, Bacon and Dubuffet-which have always attracted critical attention. Christine Lindey's pioneering study examines these paradoxes and illustrates many artists, notably those from the Soviet Union, whose work has rarely been seen in the West. As glasnost changes our perceptions of the contemporary Soviet Union, here is the first history of all aspects of art there in the postwar years, set in the political context, and comparing it with developments in art in the West.

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