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Image-Music-Te xt, Barthes, Professor Roland
US $7,99
CircaEUR 6,88
Condizione:
Buone condizioni
Libro che è già stato letto ma è in buone condizioni. Mostra piccolissimi danni alla copertina incluse alcune rigature, ma nessun foro o strappo. È possibile che la sovraccoperta per le copertine rigide non sia inclusa. La rilegatura presenta minimi segni di usura. La maggior parte delle pagine non è danneggiata e mostra una quantità minima di piegature o strappi, sottolineature di testo a matita, nessuna evidenziazione di testo né scritte ai margini. Non ci sono pagine mancanti. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Spedizione:
Gratis USPS Media MailTM.
Oggetto che si trova a: Montgomery Illinois, Stati Uniti
Consegna:
Consegna prevista tra il sab 18 ott e il mer 22 ott a 94104
Restituzioni:
Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico del venditore.
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Numero oggetto eBay:276046746116
Specifiche dell'oggetto
- Condizione
- ISBN
- 0374521360
- EAN
- 9780374521363
- Publication Name
- N/A
- Type
- Paperback / softback
- Release Title
- Image-Music-Text
- Artist
- Barthes, Professor Roland
- Brand
- N/A
- Colour
- N/A
Informazioni su questo prodotto
Product Identifiers
Publisher
Farrar, Straus & Giroux
ISBN-10
0374521360
ISBN-13
9780374521363
eBay Product ID (ePID)
127943
Product Key Features
Book Title
Image-Music-Text
Number of Pages
240 Pages
Language
English
Publication Year
1978
Topic
Semiotics & Theory
Genre
Literary Criticism
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
9.2 Oz
Item Length
8 in
Item Width
5.3 in
Additional Product Features
Intended Audience
Trade
Reviews
"The dominant perspective of the thirteen essays collected inImage-Music-Textis semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang agrave; Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy."-Geoffrey Hartman,The New York Times Book Review, "The dominant perspective of the thirteen essays collected in Image-Music-Text is semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang à Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy."-Geoffrey Hartman, The New York Times Book Review, The dominant perspective of the thirteen essays collected in Image-Music-Text is semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang à Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy., "The dominant perspective of the thirteen essays collected in Image-Music-Text is semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang à Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy." -- Geoffrey Hartman, The New York Times Book Review, "The dominant perspective of the thirteen essays collected in Image-Music-Text is semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy."-Geoffrey Hartman, The New York Times Book Review, "The dominant perspective of the thirteen essays collected in Image-Music-Text is semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy." -- Geoffrey Hartman, The New York Times Book Review
Synopsis
These essays, as selected and translated by Stephen Heath, are among the finest writings Barthes ever published on film and photography, and on the phenomena of sound and image. The classic pieces "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included.
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- d***0 (433)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoItem bought: Ocean Ramsey Shark book * Item value for the money 5/5 * Condition matching as advertised 5/5 * Quickly dispatched 5/5 * Arrived on time 5/5 * Shipping cost for this type of item 5/5 * Packaging quality for this item 5/5 * Seller recommendation 5/5 * Communication: NA (not needed as it arrived on time) * Comments: Ty for your business!!
- r***1 (177)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoThe book was exactly as described and arrived quickly. The only problem is a recurring one with this seller and other similar sellers - the book is poorly packaged in a plastic envelope and gets heavily bumped in shipping. I would like to see the books wrapped before shipment, but I understand this can't be done for cost reason. Luckily it isn't an expensive book, and I will continue to purchase basic books from this seller. A+++++
- 4***1 (1637)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoBook arrived quickly and is pretty close to "Very Good" description. Value priced and I'm glad I made the purchase as this is an excellent read. However, the book was mailed loose inside an over-sized plastic bag without any protection. Wrapped in a bubble wrap jacket would be a big help. A book can take a beating in USPS transit without some buffer. I can't tell if the bumps and dings were original or occurred in transit. I'd prefer to pay for shipping than have it sent with no protection.
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