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Long March of Pop : Art, Music, and Design 1930-1995 by Thomas Crow (2015, HC)
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(3668)
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US $20,09
CircaEUR 17,26
Condizione:
“Book in good condition. The hardcover has storage wear along edges, specifically corners and ”... Scopri di piùinformazioni sulla condizione
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Spedizione:
US $7,49 (circa EUR 6,43) USPS Media MailTM.
Oggetto che si trova a: Farmingville, New York, Stati Uniti
Consegna:
Consegna prevista tra il gio 11 dic e il mar 16 dic a 94104
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Informazioni sull'oggetto
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:267501116288
Specifiche dell'oggetto
- Condizione
- Buone condizioni
- Note del venditore
- ISBN
- 9780300203974
Informazioni su questo prodotto
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300203977
ISBN-13
9780300203974
eBay Product ID (ePID)
201644917
Product Key Features
Book Title
Long March of Pop : Art, Music, and Design, 1930-1995
Number of Pages
412 Pages
Language
English
Publication Year
2015
Topic
History / Modern (Late 19th Century to 1945), History / Contemporary (1945-), Social History, General
Illustrator
Yes
Genre
Art, History
Format
Hardcover
Dimensions
Item Height
1.4 in
Item Weight
65.8 Oz
Item Length
10.9 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2014-013081
TitleLeading
The
Reviews
'...you won't see Pop the same way after The Long March of Pop. As seen here it's murkier, richer, more ragged, and evidently the art that a nation congenitally suspicious of the highfalutin was destined to create.'--Martin Herbert, Art Review ., 'Thomas Crow's study of American Pop Art opens with the intriguing premise that the movement emerged out of the American folk revivial of the 1930's and 40's, primarily felt in music but later percolating into art in the Robert Rauschenberg and Jasper Johns.' -- Apollo Magazine .
Synopsis
An original and insightful new history of Pop Art from one of the most important art historians of our time Thomas Crow's paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor's insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow's starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and '40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book., An original and insightful new history of Pop Art from one of the most important art historians of our time
LC Classification Number
N6494.P6C76 2014
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