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Distinguished Images: Prints and the Visual Economy in Nineteenth-Century France

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Factory Sealed. 10 color and 95 black and white illustrations. Measures 7.5x10 inches 276p. Rather ... Maggiori informazioniinformazioni sulla condizione
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Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. Nessun danno evidente alla copertina, dotato di sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore. Vedi tutte le definizioni delle condizioniviene aperta una nuova finestra o scheda
Note del venditore
“Factory Sealed. 10 color and 95 black and white illustrations. Measures 7.5x10 inches 276p. Rather ...
Country/Region of Manufacture
United States
Topic
Art History & Criticism
Features
Illustrated
Book Title
Distinguished Images: Prints and the Visual Economy in Nineteenth
ISBN
9780300177275

Informazioni su questo prodotto

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300177275
ISBN-13
9780300177275
eBay Product ID (ePID)
143558834

Product Key Features

Number of Pages
276 Pages
Publication Name
Distinguished Images : Prints and the Visual Economy in Nineteenth-Century France
Language
English
Publication Year
2013
Subject
General, European, Prints, History / General
Type
Textbook
Subject Area
Art, Philosophy
Author
Stephen Bann
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
40.1 Oz
Item Length
10.3 in
Item Width
7.7 in

Additional Product Features

Intended Audience
Scholarly & Professional
Reviews
'A truly great read for anyone interested in how popular imagery has been disseminated into the public consciousness.'-- Art & Antiques, 'This is. . .an invigorating book, intelligently and attractively realised by the Yale editorial team. It is in every sense a work of distinction, enabling us to see the particular strengths and challenges of printmaking more clearly, touching on everything from the minute cuts and hatchings to the widest cultural ambitions.'--Tom Stammers, Apollo  , "This is. . .an invigorating book, intelligently and attractively realised by the Yale editorial team. It is in every sense a work of distinction, enabling us to see the particular strengths and challenges of printmaking more clearly, touching on everything from the minute cuts and hatchings to the widest cultural ambitions."-Tom Stammers, Apollo, "Offers an extraordinary portrait of printmaking as it evolved over the century."--Marc Gotlieb, Print Quarterly June 2017, "A truly great read for anyone interested in how popular imagery has been disseminated into the public consciousness."- Art & Antiques, 'Throughout his career, Stephen Bann has presented perhaps the greatest challenge to traditional historical interpretations of printmaking in nineteenth-century France. His thorough and innovative analysis of prints has complicated and revised the earlier assumption that the medium moved from being chiefly a means of reproduction of images which became obsolescent after the invention of photography, but finally triumphed as an original medium.'--Britany Salsbury, Burlington Magazine, 'This is. . .an invigorating book, intelligently and attractively realised by the Yale editorial team. It is in every sense a work of distinction, enabling us to see the particular strengths and challenges of printmaking more clearly, touching on everything from the minute cuts and hatchings to the widest cultural ambitions.'--Tom Stammers, Apollo
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
769.94409034
Synopsis
This multifaceted book reviews the vast range of types of printmaking that flourished in France during the 19th century. Studies of this period's printmaking tend to be confined to histories of individual processes, such as lithography or steel engraving. This study surveys the field as a whole and discusses the relationships between the various media in the context of an overall "visual economy." Lithography, etching, and engraving are all examined through new research on noteworthy artists of the period, including Hyacinthe Aubry-Lecomte, L opold Flameng, Ferdinand Gaillard, Aim de Lemud, Nadar, and Charles Waltner. Rather than simply tracing the rise of Modernism in the 19th century, Distinguished Images reconstitutes the period's cultural milieu through a series of case studies written with an eye to overarching forces at play. The result is the most original analysis of printmaking to appear in many years--a striking new account of a system in which printmaking, printmakers, and art critics played heretofore unrecognized or misunderstood roles., This multifaceted book reviews the vast range of types of printmaking that flourished in France during the 19th century. Studies of this period's printmaking tend to be confined to histories of individual processes, such as lithography or steel engraving. This study surveys the field as a whole and discusses the relationships between the various media in the context of an overall "visual economy." Lithography, etching, and engraving are all examined through new research on noteworthy artists of the period, including Hyacinthe Aubry-Lecomte, Léopold Flameng, Ferdinand Gaillard, Aimé de Lemud, Nadar, and Charles Waltner. Rather than simply tracing the rise of Modernism in the 19th century, Distinguished Images reconstitutes the period's cultural milieu through a series of case studies written with an eye to overarching forces at play. The result is the most original analysis of printmaking to appear in many years--a striking new account of a system in which printmaking, printmakers, and art critics played heretofore unrecognized or misunderstood roles.
LC Classification Number
NE647.3.B365 2013

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