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The Music of Painting : Music, Modernism and the Visual Arts from the Romantics

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US $45,00
CircaEUR 38,85
o Proposta d'acquisto
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Come Nuovo
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Ritiro gratuito dell'oggetto in zona da Austin, Texas, Stati Uniti.
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US $6,13 (circa EUR 5,29) USPS Media MailTM.
Oggetto che si trova a: Austin, Texas, Stati Uniti
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Consegna prevista tra il lun 16 giu e il ven 20 giu a 94104
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Numero oggetto eBay:267240822993
Ultimo aggiornamento: 15 mag 2025 15:41:37 CESTVedi tutte le revisioniVedi tutte le revisioni

Specifiche dell'oggetto

Condizione
Come Nuovo: Libro che sembra nuovo anche se è già stato letto. La copertina non presenta segni di ...
Binding
Paperback
Product Group
Book
Literary Movement
Modernism
Weight
1 lbs
IsTextBook
No
ISBN
9780714863863

Informazioni su questo prodotto

Product Identifiers

Publisher
Phaidon Press, Incorporated
ISBN-10
0714863866
ISBN-13
9780714863863
eBay Product ID (ePID)
110627421

Product Key Features

Book Title
Music of Painting : Music, Modernism and the Visual Arts from the Romantics to John Cage
Number of Pages
384 Pages
Language
English
Topic
History & Criticism, General, History / General
Publication Year
2012
Illustrator
Yes
Genre
Music, Art
Author
Peter Vergo
Format
Trade Paperback

Dimensions

Item Height
1.1 in
Item Weight
31.1 Oz
Item Length
9.8 in
Item Width
6.9 in

Additional Product Features

Intended Audience
Trade
Reviews
"A constant source of delight... Immensely informative... with its constantly engaging prose and many illustrations this book is extremely enjoyable as well as thought-provoking."-- International Record Review "Lucid and engrossing."-- The Independent "Cross disciplinary to-ing and fro-ing is elegantly orchestrated in this book by Peter Vergo, a must have for anyone interested in why Modernism looks (and sounds) as it does."-- Art Quarterly "Scholarly and sizable ... its articulate prose and beautiful presentation [...] make it a worthy contender for your Christmas wish lists."-- Muso "Over a long period, Peter Vergo has submitted music and the visual arts to sustained comparative analysis. Often on untrodden ground, for a time the only voice in British scholarship in this field, his work is consistently engaging and enlightening... Vergo teases logical sequences from dense histories - for instance the trajectory of Chopin-Delacroix-Baudelaire-Whistler-Debussy... The range and scope of the two volumes That Divine Order and The Music of Painting is astonishing... Together, these two volumes offer a dictionary of the subject that will be invaluable to scholarship for years to come. This latest study not only makes it clear once and for all the significance of the interchange of the arts, but, I would suggest, casts new light on Modernism itself."-- The Burlington Magazine, "A constant source of delight... Immensely informative... with its constantly engaging prose and many illustrations this book is extremely enjoyable as well as thought-provoking."--International Record Review "Lucid and engrossing."--The Independent "Cross disciplinary to-ing and fro-ing is elegantly orchestrated in this book by Peter Vergo, a must have for anyone interested in why Modernism looks (and sounds) as it does."--Art Quarterly "Scholarly and sizable ... its articulate prose and beautiful presentation [...] make it a worthy contender for your Christmas wish lists."--Muso "Over a long period, Peter Vergo has submitted music and the visual arts to sustained comparative analysis. Often on untrodden ground, for a time the only voice in British scholarship in this field, his work is consistently engaging and enlightening... Vergo teases logical sequences from dense histories - for instance the trajectory of Chopin-Delacroix-Baudelaire-Whistler-Debussy... The range and scope of the two volumes That Divine Orderand The Music of Paintingis astonishing... Together, these two volumes offer a dictionary of the subject that will be invaluable to scholarship for years to come. This latest study not only makes it clear once and for all the significance of the interchange of the arts, but, I would suggest, casts new light on Modernism itself."--The Burlington Magazine, "A must have for anyone interested in why Modernism looks (and sounds) as it does."- Art Quarterly "A constant source of delight - immensely informative - with its constantly engaging prose and many illustrations this book is extremely enjoyable as well as thought-provoking."- International Record
TitleLeading
The
Dewey Edition
23
Grade From
Preschool
Dewey Decimal
780.075
Grade To
College Graduate Student
Synopsis
The Music of Painting explores the connections between music and the visual arts in the period covering the emergence and flowering of Modernism, c .1849-1950. Peter Vergo in this volume examines the changes in the analogies between the two disciplines, using in his analysis critical and philosophical sources as well as evidence of artistic and musical practice., The Music of Painting explores the connections between music and the visual arts in the period covering the emergence and flowering of Modernism, c .18491950. Peter Vergo in this volume examines the changes in the analogies between the two disciplines, using in his analysis critical and philosophical sources as well as evidence of artistic and musical practice., The Music of Painting explores the connections between music and the visual arts in the period covering the emergence and flowering of Modernism, c.1849 1950. Peter Vergo in this volume examines the changes in the analogies between the two disciplines, using in his analysis critical and philosophical sources as well as evidence of artistic and musical practice., Composers and artists have always borrowed from each other. Peter Vergo, for the first time, offers an in-depth study of how and why, in the modernist era, music and painting became intertwined. Artist-composer relationships examined include Debussy's interest in Whistler, Tuner, and Monet, Franz Liszt's fascination with Raphael and Michelangelo, Kandinsky with Schoenberg and Paul Klee's influence from Polyphonic music. How artists attempted to translate musical rhythms, and structures into painting and how musicians developed visual themes, all within the backdrop to modernism, as time of huge change in freedoms, industry, expression, ideological frameworks, and artistic practice.
LC Classification Number
ML3849

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