T/here It Is by T. J. Anderson III (2023, Trade Paperback)

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Specifiche dell'oggetto

Condizione
Buone condizioni: Libro che è già stato letto ma è in buone condizioni. Mostra piccolissimi danni ...
ISBN
9781632431073

Informazioni su questo prodotto

Product Identifiers

Publisher
Omnidawn Publishing
ISBN-10
1632431076
ISBN-13
9781632431073
eBay Product ID (ePID)
9057265090

Product Key Features

Book Title
T/Here It Is
Number of Pages
98 Pages
Language
English
Publication Year
2023
Topic
American / African American, General
Genre
Poetry
Author
T. J. Anderson III
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
8 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2022-035001
Reviews
I am mesmerized by this book. I have rarely been so swept up by the music in a poet's language as I am in reading Anderson's unrelenting symphony of American diction, American history, and the visceral realities of his American experience. These poems buzz with wordplay, dance with lingo, shimmy with imagery. Just as much as all that, they are unflinching in their wisdom about race, about class, about all the violence and discord in our American culture. Once I picked up t/here it is , I could not . . .--scratch that. Once t/here it is picked me up, it would not let me go., I am mesmerized by this book. I have rarely been so swept up by the music in a poet's language as I am in reading Anderson's unrelenting symphony of American diction, American history, and the visceral realities of his American experience. These poems buzz with wordplay, dance with lingo, shimmy with imagery. Just as much as all that, they are unflinching in their wisdom about race, about class, about all the violence and discord in our American culture. Once I picked up t/here it is, I could not . . .--scratch that. Once t/here it is picked me up, it would not let me go., Anderson, who knows and can teach us a thing or two about the music, hears poet/pianist Cecil Taylor coming from a place 'where the devil gives up his hold of the music.' The devil's loss, that devil we know, is all to our gain. t/here it is turns out to be a place somewhere 'between spoken and vernacular,' a place where phonemes congregate, arranging themselves into new melodies/meanings, even pronunciations. These are poems that tune your ears and turn them towards the new good news., Anderson turns shards of memory into poems we can never forget--fleshy, raw, intimate poems that cut to the bone and cradle the heart. He summons worlds of violence and violins, revealing the secrets of a culture capable of surviving the multiple pandemics that made his world and our own. To the readers who did not know Anderson was one of America's greatest contemporary poets., Anderson is obsessed with sound: The pulse of his ancestors, the rhythms of nature, the inquisitive beat of his poetry, and the sound of all three meeting on the page for what, he has convinced us, is an inevitable reckoning. His poems act as throbbing, brailed maps that we want to reread, touch, and interact to record invaluable vestiges, knowing the treasure is in the questions tendered. Poems like 'What's in a Name' end with beginnings.
Dewey Edition
23
Dewey Decimal
811.6
Synopsis
A poetry collection in nine sections that each take on an aspect of memory. The poems in t/here it is take multiple forms as each section reflects on variations of experience, engaging with the simultaneity of historic and present time while yearning for a future that is beyond what we can envision. In Section I, the poet grapples with ancestral legacy and connection to the natural world. Section II deals with the way one traverses the urban landscape and with various strategies of survival, and Section III recalls the observations and experiences of youth. Through nine linked poems, Section IV complicates the idea of witness under a capitalistic system bent on exploitation and devaluing the sacred human experience. Section V speaks to the lost opportunity of making profound human connections during the race to acquire more material goods. In Section VI, the poems take on the domestic and institutional places that govern our lives. A single poem forms Section VII, mapping the intersection between jazz and emotion. With Section VIII, Anderson pays homage to jazz greats and reflects on the ways that listening can carry one back to moments of growth and lamentation. The two poems that close out the book in Section IX bring the reader to a place of vulnerability, expressing the desire to be able to discern the multiple avenues of one's journey with awareness.
LC Classification Number
PS3551.N39477T44

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