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SERIAL ENCOUNTERS: ULYSSES AND THE LITTLE REVIEW By Clare Hutton - Hardcover

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Specifiche dell'oggetto

Condizione
Ottime condizioni: Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. ...
Type
Hardcover
Publication Name
Oxford University Press
ISBN-10
0198744072
ISBN
9780198744078

Informazioni su questo prodotto

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0198744072
ISBN-13
9780198744078
eBay Product ID (ePID)
8038260177

Product Key Features

Book Title
Serial Encounters : Ulysses and the Little Review
Number of Pages
288 Pages
Language
English
Publication Year
2019
Topic
Bibliographies & Indexes, Modern / 20th Century, General, Semiotics & Theory, European / English, Irish, Scottish, Welsh
Illustrator
Yes
Genre
Literary Criticism, Reference
Author
Clare Hutton
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
21 Oz
Item Length
9.5 in
Item Width
6.5 in

Additional Product Features

LCCN
2019-936253
Dewey Edition
23
Reviews
"... one of the major works of Joycean scholarship so far this century. Its subject is one that, in hindsight, seems inevitable, a conjunction that required full critical articulation. Far more than most books on Joyce, this one feels necessary. It merits the thoroughness that Hutton has brought to it." -- Joseph Brooker, Modernism/Modernity, ... one of the major works of Joycean scholarship so far this century. Its subject is one that, in hindsight, seems inevitable, a conjunction that required full critical articulation. Far more than most books on Joyce, this one feels necessary. It merits the thoroughness that Hutton has brought to it.
Dewey Decimal
823/.912
Table Of Content
Introduction1: The World of the Little Review2: Trial and Error: The Composition and Production of Ulysses to April 19213: The Serial Style and Beyond: From the Little Review to Shakespeare and Company4: Paris Departures: Patterns of Post Serial Ulyssean RevisionConclusionAppendix 1: The Genesis of Ulysses in TypescriptAppendix 2: Excerpts from a letter by John Quinn to Ezra Pound, 16 October 1920Bibliography
Synopsis
Why was the world's most famous Irish novel first published in an obscure journal in New York? How did the first readers greet Joyce's masterpiece? This book goes behind the scenes to tell the story of the very first publication of Ulysses. It describes the enthusiasm Joyce's first editors evinced for his work, and the circumstances which led to their prosecution on the grounds that the thirteenth chapter of Ulysses was obscene. It also shows how Joyce rewrote Ulysses in response to that judgement while resident in Paris in 1921. The work is written in an accessible and engaging style, and should appeal to any reader with an interest in Joyce, Ireland, modern literature, and twentieth century cultural history., James Joyce's Ulysses was first published in New York in the Little Review between 1918 and 1920. How did this come about and what kind of journal was the Little Review? This study introduces the players behind the scenes-the people who played a role in bringing the Little Review serialization about, including Margaret Anderson, Jane Heap, Ezra Pound, and John Quinn. The Little Review Ulysses proved controversial from the outset and was ultimately stopped before Joyce had completed the work. The New York Society for the Suppression of Vice took successful legal action against the journal's editors, on the grounds that the final instalment of the thirteenth chapter of Ulysses was obscene. Serial Encounters discusses the nature of Ulysses as a serial text, and also looks at how Joyce responded once legal action was in train and the serialization had ended. How does the serial version of the text differ from the version most readers know, the iconic volume edition published in Paris in 1912 by Shakespeare and Company? In asking such questions, this original study breaks new ground. It pays critical attention to Ulysses as a serial, and recovers long-forgotten but important facts that ate pertinent to the writing, reception, and interpretation of the work. Book jacket., James Joyce's Ulysses was first published in New York in the Little Review between 1918 and 1920. What kind of reception did it have and how does the serial version of the text differ from the version most readers know, the iconic volume edition published in Paris in 1922 by Shakespeare and Company? Joyce prepared much of Ulysses for serial publication while resident in Zurich between 1915 and 1919. This original study, based on sustained archival research, goes behind the scenes in Zurich and New York in order to recover long forgotten facts that are pertinent to the writing, reception, and interpretation of Ulysses . The Little Review serialization of Ulysses proved controversial from the outset and was ultimately stopped before Joyce had completed the work. The New York Society for the Suppression of Vice had taken successful legal action against the journal's editors, on the grounds that the final instalment of the thirteenth chapter of Ulysses was obscene. This triumph of the social purity movement had far reaching repercussions for Joyce's subsequent publishing history, and for his ongoing efforts with the composition of Ulysses. After chapters of contextual literary history (on the cultural world of the Little Review ; the early production history of Ulysses ; and the New York trial of 1921), the study moves to a consideration of the textual significance of the serialization. It breaks new ground in Joycean scholarship by paying critical attention to Ulysses as a serial text. The study concludes by examining the myriad ways in which Joyce revised and augmented Ulysses while resident in Paris; it shows how Joyce made Ulysses more sexually suggestive and overt, in explicit response to the work's legal reception in New York., James Joyce's Ulysses was first published in New York in the Little Review between 1918 and 1920. What kind of reception did it have and how does the serial version of the text differ from the version most readers know, the iconic volume edition published in Paris in 1922 by Shakespeare and Company? Joyce prepared much of Ulysses for serial publication while resident in Zurich between 1915 and 1919. This original study, based on sustained archival research, goes behind the scenes in Zurich and New York in order to recover long forgotten facts that are pertinent to the writing, reception, and interpretation of Ulysses. The Little Review serialization of Ulysses proved controversial from the outset and was ultimately stopped before Joyce had completed the work. The New York Society for the Suppression of Vice had taken successful legal action against the journal's editors, on the grounds that the final instalment of the thirteenth chapter of Ulysses was obscene. This triumph of the social purity movement had far reaching repercussions for Joyce's subsequent publishing history, and for his ongoing efforts with the composition of Ulysses. After chapters of contextual literary history (on the cultural world of the Little Review; the early production history of Ulysses; and the New York trial of 1921), the study moves to a consideration of the textual significance of the serialization. It breaks new ground in Joycean scholarship by paying critical attention to Ulysses as a serial text. The study concludes by examining the myriad ways in which Joyce revised and augmented Ulysses while resident in Paris; it shows how Joyce made Ulysses more sexually suggestive and overt, in explicit response to the work's legal reception in New York., Why was the world's most famous Irish novel first published in an obscure journal in New York? How did the first readers greet Joyce's masterpiece? This book goes behind the scenes to tell the story of the very first publication of Ulysses. It describes the enthusiasm Joyce's first editors evinced for his work, and the circumstances which led to their prosecution on the grounds that the thirteenth chapter of Ulysses was obscene. It also showshow Joyce rewrote Ulysses in response to that judgement while resident in Paris in 1921. The work is written in an accessible and engaging style, and should appeal to any reader with an interest in Joyce, Ireland, modernliterature, and twentieth century cultural history.
LC Classification Number
PR6019.O9H88 2019

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