Chicano Timespace: The Poetry and Politics of Ricardo Sanchez. Miguel Lopez.

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Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. Nessun danno evidente alla copertina, dotato di sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore. Vedi tutte le definizioni delle condizioniviene aperta una nuova finestra o scheda
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“Excellent condition. There may be some notes but minimal.”
Signed
No
ISBN
9780890969625

Informazioni su questo prodotto

Product Identifiers

Publisher
Texas A&M University Press
ISBN-10
0890969620
ISBN-13
9780890969625
eBay Product ID (ePID)
1768921

Product Key Features

Book Title
Chicano Timespace : the Poetry and Politics of Ricardo Sanchez
Number of Pages
224 Pages
Language
English
Publication Year
2000
Topic
General
Illustrator
Yes
Genre
Literary Criticism, Poetry
Author
Miguel R. Lopez
Book Series
Rio Grande/Río Bravo: Borderlands Culture and Traditions Ser.
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
23.5 Oz
Item Length
9.8 in
Item Width
6.6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
00-031661
Reviews
"The poetry of Ricardo S�nchez is here examined with a clinical eye in order to bring out its deep meaning and reveal its multiple values. For the first time the principal works of a major movimiento poet are evaluated in the context of his turbulent spacetime taking into consideration the author's tragic life. The result is a tour de force seldom equaled in Chicano/a criticism concerned with the study of a single poet."--Luis Leal, University of California-Santa Barbara, �The poetry of Ricardo S�nchez is here examined with a clinical eye in order to bring out its deep meaning and reveal its multiple values. For the first time the principal works of a major movimiento poet are evaluated in the context of his turbulent spacetime taking into consideration the author�s tragic life. The result is a tour de force seldom equaled in Chicano/a criticism concerned with the study of a single poet.�--Luis Leal, University of California-Santa Barbara, "The poetry of Ricardo Sanchez is here examined with a clinical eye in order to bring out its deep meaning and reveal its multiple values. For the first time the principal works of a major movimiento poet are evaluated in the context of his turbulent spacetime taking into consideration the author's tragic life. The result is a tour de force seldom equaled in Chicano/a criticism concerned with the study of a single poet."--Luis Leal, University of California-Santa Barbara, "The poetry of Ricardo Snchez is here examined with a clinical eye in order to bring out its deep meaning and reveal its multiple values. For the first time the principal works of a major movimiento poet are evaluated in the context of his turbulent spacetime taking into consideration the author's tragic life. The result is a tour de force seldom equaled in Chicano/a criticism concerned with the study of a single poet."--Luis Leal, University of California-Santa Barbara, "The poetry of Ricardo Sánchez is here examined with a clinical eye in order to bring out its deep meaning and reveal its multiple values. For the first time the principal works of a major movimiento poet are evaluated in the context of his turbulent spacetime taking into consideration the author's tragic life. The result is a tour de force seldom equaled in Chicano/a criticism concerned with the study of a single poet."--Luis Leal, University of California-Santa Barbara
Series Volume Number
3
Synopsis
An examination of the poetry of Ricardo Sanchez, placing it in the context of the past, present and future of Chicano literature. The author explains the relation of time and space in Sanchez's work and shows him as a writer committed to his craft as well as to his political stance., The premature death of Ricardo Sánchez in 1995 marked the passing of an almost legendary figure in Chicano literature and in the Chicano political movement. A troubadour of Chicano Movement poetry, he established an anti-aesthetic that became the norm. Sánchez's autobiographical poetry forges a link between genres of the past and present and establishes him as the first great tragic figure of contemporary Chicano literature.In a body of work that spanned spatial, temporal, and cultural boundaries, Sánchez dealt with issues of power and of linguistic and cultural barriers between Anglo, Native American, and Mexican American peoples in the United States.While he lived, critics showed reluctance to engage Sánchez's work fully, perhaps in part because of his reputation as a confrontational, even outrageous individual. Focusing on Canto y grito mi liberación and Hechizospells, Miguel R. López examines Sánchez's work and places him in the context of the past, present, and future of Chicano literature. López explains clearly the relation of time and space in Sánchez's prolific work and shows him as a writer committed to his craft as well as to his political stance.In the end, the portrait that emerges is of a poet whose work was linguistically and thematically complex and one who was more passionate, controversial, and forthright in his expression than any other contemporary Chicano writer., The premature death of Ricardo S nchez in 1995 marked the passing of an almost legendary figure in Chicano literature and in the Chicano political movement. A troubadour of Chicano Movement poetry, he established an anti-aesthetic that became the norm. S nchez's autobiographical poetry forges a link between genres of the past and present and establishes him as the first great tragic figure of contemporary Chicano literature.In a body of work that spanned spatial, temporal, and cultural boundaries, S nchez dealt with issues of power and of linguistic and cultural barriers between Anglo, Native American, and Mexican American peoples in the United States.While he lived, critics showed reluctance to engage S nchez's work fully, perhaps in part because of his reputation as a confrontational, even outrageous individual. Focusing on Canto y grito mi liberaci n and Hechizospells, Miguel R. L pez examines S nchez's work and places him in the context of the past, present, and future of Chicano literature. L pez explains clearly the relation of time and space in S nchez's prolific work and shows him as a writer committed to his craft as well as to his political stance.In the end, the portrait that emerges is of a poet whose work was linguistically and thematically complex and one who was more passionate, controversial, and forthright in his expression than any other contemporary Chicano writer.
LC Classification Number
PS3569.A4677Z76 2001

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