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The Mysticism of Money
US $15,95
CircaEUR 13,69
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Condizione:
“Paperback book,”
Ottime condizioni
Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. Nessun danno evidente alla copertina, dotato di sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
- Compralo SubitoThe Mysticism of Money
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Ritiro:
Ritiro gratuito dell'oggetto in zona da Fresno, Texas, Stati Uniti.
Spedizione:
Gratis USPS Media MailTM.
Oggetto che si trova a: Fresno, Texas, Stati Uniti
Consegna:
Consegna prevista tra il mer 22 ott e il mer 29 ott a 94104
Restituzioni:
Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico del venditore.
Pagamenti:
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Numero oggetto eBay:257112391454
Specifiche dell'oggetto
- Condizione
- Ottime condizioni
- Note del venditore
- “Paperback book,”
- ISBN
- 9781934772805
Informazioni su questo prodotto
Product Identifiers
Publisher
Periscope Publishing
ISBN-10
1934772801
ISBN-13
9781934772805
eBay Product ID (ePID)
71756041
Product Key Features
Book Title
Mysticism of Money
Number of Pages
260 Pages
Language
English
Publication Year
2013
Topic
Business Aspects, Criticism & Theory, American / General, European, History / General
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Length
8.1 in
Item Width
11.5 in
Additional Product Features
Intended Audience
Trade
TitleLeading
The
Dewey Edition
23
Dewey Decimal
759.130904
Synopsis
In this much-anticipated book, acclaimed art historian Andrew Hemingway overturns orthodox views of Precisionist art and, more generally, of American Modernism. A trio of neglected artists--Stefan Hirsch, Louis Lozowick, and George C. Ault--are finally accorded in-depth analysis; and, drawing on an unrivaled knowledge of left-leaning politics, Hemingway connects Precisionism to a milieu in which experimental theater, a wave of "little magazines," and engagement with communist politics stirred debate and conflict. Ault, Lozowick, and Hirsch, though exhibited and reviewed during the 1920s, were relegated to the margins of history in the wake of efforts to restrict Modernism to the development of an asocial, apolitical formalism that provided a complement to the anti-communism of the Cold War years. By contrast, Hemingway demonstrates that in the 1920s, before Stalin had fully consolidated his power, various strains of socialism attracted US intellectuals and activists from Sherwood Anderson to John Dos Passos and artists such as Lozowick. The dehumanizing impact of the capitalist system was the chief target of critique that, in some of the most memorable passages in this book, is shown to inform Lozowick's as well as Hirsch's and Ault's choice and handling of industrial and city scenes. Based on meticulous scholarship, broad understanding of twentieth-century history, and brilliant insight into art's surfaces and structures, The Mysticism of Money is a masterwork that will be consulted and discussed for decades. It opens new pathways for the study of American Modernism even as it corrects our skewed understanding of a momentous alliance of art and politics., In this much-anticipated book, acclaimed art historian Andrew Hemingway overturns orthodox views of Precisionist art and, more generally, of American Modernism. A trio of neglected artists--Stefan Hirsch, Louis Lozowick, and George C. Ault--are finally accorded in-depth analysis; and, drawing on an unrivaled knowledge of left-leaning politics, Hemingway connects Precisionism to a milieu in which experimental theater, a wave of "little magazines," and engagement with communist politics stirred debate and conflict. Ault, Lozowick, and Hirsch, though exhibited and reviewed during the 1920s, were relegated to the margins of history in the wake of efforts to restrict Modernism to the development of an asocial, apolitical formalism that provided a complement to the anti-communism of the Cold War years. By contrast, Hemingway demonstrates that in the 1920s, before Stalin had fully consolidated his power, various strains of socialism attracted US intellectuals and activists from Sherwood Anderson to John Dos Passos and artists such as Lozowick. The dehumanizing impact of the capitalist system was the chief target of critique that, in some of the most memorable passages in this book, is shown to inform Lozowick's as well as Hirsch's and Ault's choice and handling of industrial and city scenes. Based on meticulous scholarship, broad understanding of twentieth-century history, and brilliant insight into art's surfaces and structures,The Mysticism of Money is a masterwork that will be consulted and discussed for decades. It opens new pathways for the study of American Modernism even as it corrects our skewed understanding of a momentous alliance of art and politics.
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