Dewey Decimal780.71
Table Of Content1. Historical Contexts of Music EducationIntroductionMusic Education in the First Half of the 20th CenturyFederal Education Policy and Music Education: 1950-PresentEquity Issues in Music Education: 1950-PresentSummary2. Music as Socio-cultural PhenomenonIntroduction: "A Framework of Explanations"Sociology in Education, Music, and Music EducationFormalism: Functionalist (Durkheim) and Rationalized (Weber)Critical Theory, The Frankfurt School, and Critical PedagogyInteraction Theories in Education and MusicSocial Justice: Interactions with Webs of DifferenceWeb of Postmodernism in EducationTechnology Transforming Music EducationSummary3. Philosophical Perspectives of Music EducationIntroductionPhilosophy and EducationAesthetic PhilosophyPhilosophical Rationales for Music in the SchoolsConclusion4. Meaning and Experience: The Music LearnerIntroductionMusical Meaning and EmbodimentProcessing Experience: Cognitive Structures and ConnectionsThe "Creating" Mind: Meanings through Constructing and Interpreting MusicKey Issues in Music LearningMeaningful Engagement in Music Teaching and Learning5. The Learner in CommunityThe Community of LearnersLearning Strategies in CommunityCommunities of Musical LearningSummary6. The Learner in CommunityIntroductionKey Issues in Musical DevelopmentalGeneral Theories of Development and Musical ApplicationsPathways and Patterns of Musical DevelopmentDevelopmental Characteristics of Music LearnersSummary: On Being and Becoming Musical7. CurriculumIntroductionScientific and Technical RationalityCurriculum Reconceptualized"Multicultural" CurriculumSome Concluding Remarks8. Assessing Music LearningIntroductionConsiderations of AssessmentAssessing the Outcomes of Music InstructionAlternative Approaches to Assessing the Outcomes of Music InstructionStandardized Testing in MusicState and National Assessments of the Outcomes of Music InstructionEvaluating School Music ProgramsConclusion9. Methods and ApproachesIntroductionEmile Jacques-DalcrozeKodalyCarl OrffShinichi SuzukiEdwin GordonGeneral Issues and Lingering Thoughts10. Choosing Music LiteratureIntroductionThe Problems of TraditionThe Problems of ChangeTeacher JudgmentSummary11. Music Education TechnologyTechnology in the Music ClassroomClassroom EnvironmentsComputer-Aided InstructionMusic Production SoftwareNew InstrumentsNew Media--New DirectionsConclusions12. Music Teacher Education in the 21st Century: Developing Leaders in the FieldIntroductionMusic Teacher Education Research ContextMusic Teacher Education Policy ContextRecruitment of Music Education Majors into the Preservice ProgramGeneral Issues in Music Teacher Education CurriculumSupporting Beginning Music TeachersChallenges of the First YearsConclusion13. The Inquiring Music TeacherIntroductionSources of Research in Music EducationApproaches to ResearchQuantitative Approaches to ResearchHistorical ResearchQualitative ResearchAction Research and Teachers as ResearchersSummary14. Framing a Professional Life: Collaboration and LeadershipIntroductionCollaborationsInvolvement in Local, State, Regional, and National Professional MusicInternational Opportunities for Professional DevelopmentEnvisioning a Career PathAdvocating and Initiating Change: Providing LeadershipDeveloping as a ProfessionalConclusionReferencesIndex
SynopsisCritical Issues in Music Education: Contemporary Theory and Practice examines the rich and challenging complexities of music teaching and learning from a variety of perspectives. With individual expertise in fields including assessment, philosophical foundations, technology, mentoring, critical theory, and musical development, the contributing authors are graduates or faculty at the highly regarded Teachers College of Columbia University. In this text, theylink current educational theory to pedagogical inquiry of current educational practice, calling for teachers to critically reflect on such professional activities as lesson planning, curriculum design,repertoire choice, and student evaluation. Designed for upper-level undergraduate and introductory graduate courses, Critical Issues in Music Education provides beginning music educators with comprehensive grounding in research-based practice. It also gives more experienced teachers new lenses to help them innovate, interpret, and lead in their profession.FEATURES* Links theory to teaching practicethrough a variety of perspectives * Traces the historical, philosophical, and social underpinnings of current beliefs, theories, and practices* Suggests reflective tools and professional development strategiesfor music teachers* Includes discussion starters, project ideas, and suggested readings at the end of each chapter, Critical Issues in Music Education: Contemporary Theory and Practice examines the rich and challenging complexities of music teaching and learning from a variety of perspectives. With individual expertise in fields including assessment, philosophical foundations, technology, mentoring, critical theory, and musical development, the contributing authors are graduates or faculty at the highly regarded Teachers College of Columbia University. In this text, they link current educational theory to pedagogical inquiry of current educational practice, calling for teachers to critically reflect on such professional activities as lesson planning, curriculum design, repertoire choice, and student evaluation., An examination of critical issues that links theory and practice from educators at the highly regarded Teachers College.This edited volume is designed primarily as an introductory graduate text or capstone undergraduate text for music education students, providing an in-depth examination of critical issues for early-career music educators. Most undergraduate music teacher education focuses on developing the skills and understandings necessary to become a practitioner; this text, however, links theory to teaching practice and offers a variety of perspectives to give music teachers the comprehensive grounding they need to become leaders in the field. Rather than focusing on answers to "what to do" questions, Critical Issues in Music Education focuses on "why" questions through examining underpinnings for the field and encouraging teacher inquiry.Each of the eight contributing authors has unique expertise and experience as a practicing music teacher and music teacher educator, yet the authors share a common background - each is either a faculty member or a graduate of Teachers College, Columbia University. Consequently, the text is grounded in current educational theory and practice, informed by the authors' work in the field with both music teachers and P-12 students, and linked by a commitment to progressive education. The authors include discussion starters, project ideas, and suggested readings at the end of each chapter. Offering contemporary perspectives on music education, Critical Issues in Music Education provides a foundation for understanding the complexities, challenges, and rewards of music teaching across diverse contexts., Critical Issues in Music Education: Contemporary Theory and Practice examines the rich and challenging complexities of music teaching and learning from a variety of perspectives. With individual expertise in fields including assessment, philosophical foundations, technology, mentoring, critical theory, and musical development, the contributing authors are graduates or faculty at the highly regarded Teachers College of Columbia University. In this text, they link current educational theory to pedagogical inquiry of current educational practice, calling for teachers to critically reflect on such professional activities as lesson planning, curriculum design, repertoire choice, and student evaluation. Designed for upper-level undergraduate and introductory graduate courses, Critical Issues in Music Education provides beginning music educators with comprehensive grounding in research-based practice. It also gives more experienced teachers new lenses to help them innovate, interpret, and lead in their profession. FEATURES * Links theory to teaching practice through a variety of perspectives * Traces the historical, philosophical, and social underpinnings of current beliefs, theories, and practices * Suggests reflective tools and professional development strategies for music teachers * Includes discussion starters, project ideas, and suggested readings at the end of each chapter
LC Classification NumberMT1.C835 2009