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High Romantic Argument : Essays for M. H. Abrams by Lawrence Lipking (1981,...

US $50,00
CircaEUR 44,79
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Oggetto che si trova a: Bishop, Georgia, Stati Uniti
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Specifiche dell'oggetto

Condizione
Nuovo: Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o ...
ISBN
9780801413070

Informazioni su questo prodotto

Product Identifiers

Publisher
Cornell University Press
ISBN-10
0801413079
ISBN-13
9780801413070
eBay Product ID (ePID)
230206

Product Key Features

Book Title
High Romantic Argument : Essays for M. H. Abrams
Number of Pages
184 Pages
Language
English
Topic
General, Modern / 19th Century, Semiotics & Theory, European / English, Irish, Scottish, Welsh
Publication Year
1981
Illustrator
Yes
Genre
Literary Criticism
Author
Lawrence Lipking
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
16 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
LCCN
80-069530
Dewey Edition
19
Grade From
College Graduate Student
Dewey Decimal
820.9/007
Synopsis
M. H. Abrams's writings on the Romantics have had an incalculable influence on the literary history of his time. High Romantic Argument, treating as it does various aspects of Abrams's work, is in a sense an appraisal of that history. Arising from a conference held in his honor at Cornell University in the spring of 1978, it is made up of essays by six distinguished contributors who explore important critical questions related directly or indirectly to Abrams's work and its broader implications. The essays deal with Wordsworth as a prophet (Geoffrey Hartman) and as a poet of "silence" (Jonathan Wordsworth); history as metaphor (Wayne C. Booth); the nature of the critical canon (Thomas McFarland); the personal element in literary history (Lawrence Lipking); and the relation of Abrams's work to current developments in literary criticism (Jonathan Culler). Two central themes run throughout: the radically metaphorical nature of Romantic thought and the tendency of today's students to find Romanticism less rational than Abrams does. While the contributors do not always agree with one another, all are keenly aware of the contemporary challenge to humanistic values. A highlight of this book is the text of Abrams's masterly reply, delivered extemporaneously at the end of the conference. Other elements include a bibliography by Stuart A. Ende, a preface by Stephen M. Parish, and an editor's note., M. H. Abrams's writings on the Romantics have had an incalculable influence on the literary history of his time. High Romantic Argument , treating as it does various aspects of Abrams's work, is in a sense an appraisal of that history. Arising from a..., M. H. Abrams's writings on the Romantics have had an incalculable influence on the literary history of his time. High Romantic Argument, treating as it does various aspects of Abrams's work, is in a sense an appraisal of that history . Arising from a conference held in his honor at Cornell University in the spring of 1978, it is made up of essays by six distinguished contributors who explore important critical questions related directly or indirectly to Abrams's work and its broader implications. The essays deal with Wordsworth as a prophet (Geoffrey Hartman) and as a poet of "silence" (Jonathan Wordsworth); history as metaphor (Wayne C. Booth); the nature of the critical canon (Thomas McFarland); the personal element in literary history (Lawrence Lipking); and the relation of Abrams's work to current developments in literary criticism (Jonathan Culler). Two central themes run throughout: the radically metaphorical nature of Romantic thought and the tendency of today's students to find Romanticism less rational than Abrams does. While the contributors do not always agree with one another, all are keenly aware of the contemporary challenge to humanistic values. A highlight of this book is the text of Abrams's masterly reply, delivered extemporaneously at the end of the conference. Other elements include a bibliography by Stuart A. Ende, a preface by Stephen M. Parish, and an editor's note., M. H. Abrams's writings on the Romantics have had an incalculable influence on the literary history of his time. High Romantic Argument , treating as it does various aspects of Abrams's work, is in a sense an appraisal of that history. Arising from a conference held in his honor at Cornell University in the spring of 1978, it is made up of essays by six distinguished contributors who explore important critical questions related directly or indirectly to Abrams's work and its broader implications.The essays address Wordsworth as a prophet (Geoffrey Hartman) and as a poet of "silence" (Jonathan Wordsworth); history as metaphor (Wayne C. Booth); the nature of the critical canon (Thomas McFarland); the personal element in literary history (Lawrence Lipking); and the relation of Abrams's work to current developments in literary criticism (Jonathan Culler).Two central themes run throughout: the radically metaphorical nature of Romantic thought and the tendency of today's students to find Romanticism less rational than Abrams does. While the contributors do not always agree with one another, all are keenly aware of the contemporary challenge to humanistic values. A highlight of this book is the text of Abrams's masterly reply, delivered extemporaneously at the end of the conference. Other elements include a bibliography by Stuart A. Ende, a preface by Stephen M. Parish, and an editor's note. Contributors: M. H. Abrams, Wayne C. Booth, Jonathan Culler, Stuart A. Ende, Geoffrey Hartman, Lawrence Lipking, Thomas McFarland, Stephen M. Parrish, Jonathan Wordsworth
LC Classification Number
PR457

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