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Contemporary Performance and Political E Paramana, Katerina Hardcover
US $271,99
CircaEUR 236,93
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Spedizione:
US $9,95 (circa EUR 8,67) USPS Media MailTM.
Oggetto che si trova a: Tennessee, Stati Uniti
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Consegna prevista tra il mar 24 giu e il mar 1 lug a 94104
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Numero oggetto eBay:236078177200
Specifiche dell'oggetto
- Condizione
- ISBN
- 9781032373652
Informazioni su questo prodotto
Product Identifiers
Publisher
Routledge, Chapman & Hall, Incorporated
ISBN-10
1032373652
ISBN-13
9781032373652
eBay Product ID (ePID)
10072097645
Product Key Features
Book Title
Contemporary Performance and Political Economy : Oikonomia As a New Ethico-Political Paradigm
Number of Pages
224 Pages
Language
English
Topic
Theater / History & Criticism, Dance / History & Criticism, General, Acting & Auditioning
Publication Year
2025
Illustrator
Yes
Genre
Art, Performing Arts
Book Series
Routledge Advances in Theatre & Performance Studies
Format
Hardcover
Dimensions
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2024-045238
Dewey Edition
23/eng/20250210
Dewey Decimal
702.81
Synopsis
Contemporary Performance and Political Economy examines haunting concepts, relations, and artworks that demand our attention. Under capitalism, political and ethical considerations are subordinated to economic ones, and this subordination creates ghost worlds. Performance works, however, can offer insights into alternative politico-economic models. In this major contribution to the fields of contemporary performance and political economy, Katerina Paramana proposes that the investigation of performance works as economies can make the insights performance works offer visible. She positions the examination in relation to contemporary critiques of capitalism, neo-feudalism, and their by-products, and proposes and develops the notion of " oikonomia" as a means to theorize artworks which, through their house ( oikos ) rules ( nomoi ), propose ethico-political challenges to the economies in which they are embedded. For this, Paramana looks at politically positioned performance works created and presented in Cuba, Europe, Mexico, the UK, and the US. Her interest is in the politics, ethics, and effects of these works' "house rules", and the insights they offer to the reconceptualization of political economy. Ultimately, this book aims to transform our understanding of economy's purpose. It contributes to the development of a new ethico-political paradigm upon which a reconceptualization of political economy can be based. This inspiring study seeks to keep the fire for change alive by demonstrating that political economies, much like performances, are experiments that can be changed. This work will be of great interest to students and scholars in performance studies, theatre, visual cultures, politics, cultural studies, dance, and visual arts, and critical theorists., This book examines haunting concepts, relations, and artworks that demand our attention. Its premise is that, under capitalism, political and ethical considerations are subordinated to economic ones, and this subordination creates ghost worlds. This book proposes that the investigation of performance works as economies can make these insights visible. It positions the examination in relation to contemporary critiques of capitalism, neo-feudalism, and their by-products, and proposes and develops the notion of ' oikonomia' , as a means to theorise artworks which, through their house ( oikos ) rules ( nomoi ), propose ethico-political challenges to the economies in which they are embedded. Its interest is in the politics, ethics, and effects of these rules and the insights they offer to political economy's reconceptualization. For this, it looks at politically positioned performance work by Jérôme Bel, Tania Bruguera, Tino Sehgal, and Santiago Sierra created and presented in different political economies: in Cuba, Europe, Mexico, UK, and US. Ultimately, this book aims to transform our understanding of economy's purpose and contribute to the development of a new ethico-political paradigm upon which a reconceptualization of political economy can be based. It seeks to keep the fire for change alive by demonstrating that political economies, much like performances, are experiments which can be changed. This book will be of great interest to students and scholars in Performance Studies, Theatre, Visual Cultures, Dance, and Visual Arts, and Critical Theorists., This book examines haunting concepts, relations, and artworks that demand our attention. Its premise is that, under capitalism, political and ethical considerations are subordinated to economic ones, and this subordination creates ghost worlds.
LC Classification Number
NX456.5.P38P36 2025
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