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From Sketch to Novel: The Development of Victorian Fiction [Cambridge Studies in
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Specifiche dell'oggetto
- Condizione
- ISBN
- 9781107404458
Informazioni su questo prodotto
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
1107404452
ISBN-13
9781107404458
eBay Product ID (ePID)
113014057
Product Key Features
Number of Pages
294 Pages
Language
English
Publication Name
From Sketch to Novel : the Development of Victorian Fiction
Subject
Women Authors, General, European / English, Irish, Scottish, Welsh
Publication Year
2012
Type
Textbook
Subject Area
Literary Criticism
Series
Cambridge Studies in Nineteenth-Century Literature and Culture Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
13.8 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
"In examining Washington Irving, George Eliot, Elizabeth Gaskell, and Edgar Allan Poe, Garcha sees the sketch, no longer dismissed in favor of the novel, as providing a warrant for the formal fragmentation of Walter Pater and tacitly for modernism and poststructuralism. Garcha's methodological acuteness is a sign that Victorian studies is waking from its empirico-historicist slumber and moving into a more intellectually confident mode. Summing Up: Recommended." -N. Birns, The New School, CHOICE
Dewey Edition
22
Series Volume Number
Series Number 67
Illustrated
Yes
Dewey Decimal
823/.809
Table Of Content
Acknowledgments; Part I. Introduction: From Sketch to Novel: 1. Modern change and aestheticized stasis in the early nineteenth century; 2. Plotless styles in novel history and theory; Part II. Journalism, Modernity, and Stasis in The Paris Sketch Book and The History of Pendennis: 3. Capitalist excess, gentlemanly atavism: Thackeray's devils in his early sketches; 4. Pendennis's stasis and Thackeray's professional sensibilities; Part III. Styles of Stillness and Motion: Charles Dickens's Lower-Class Descriptions: 5. Sketches by Boz: narrative form and market culture; 6. Narrating stasis, describing reform: Nicholas Nickleby; Part IV. Elizabeth Gaskell's Individualism, from 'Sketches among the Poor' to Cranford: 7. 'Leave me, leave me to repose': Gaskell's descriptive individualism; 8. Cranford's individualistic style; Conclusion: 'nothing democratic': intelligence, abstraction, and avant-garde plotlessness; Notes; Bibliography; Index.
Synopsis
In this unusual study of a previously neglected literary form, Amanpal Garcha shows how the literary sketch influenced the careers of William Thackeray, Charles Dickens and Elizabeth Gaskell, transformed the marketplace for fiction, and led to the development of some of the Victorian novel's key formal and ideological elements., When William Thackeray, Charles Dickens and Elizabeth Gaskell began their writing careers in the 1830s, they chose to write literary sketches, adopting a popular short form that emphasized description and essayistic analysis rather than storytelling. In this unusual study of a previously neglected literary form, Amanpal Garcha shows how the literary sketch influenced these authors' careers, transformed the marketplace for fiction and led to the development of some of the Victorian novel's key formal and ideological elements.
LC Classification Number
PR871.G37 2012
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