Waiting for Godot : A Tragicomedy in Two Acts by Samuel Beckett (2011, Trade...

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CircaEUR 6,04
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Oggetto che si trova a: Derwood, Maryland, Stati Uniti
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Specifiche dell'oggetto

Condizione
Nuovo: Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o ...
ISBN
9780802144423

Informazioni su questo prodotto

Product Identifiers

Publisher
GROVE/Atlantic, Incorporated
ISBN-10
080214442X
ISBN-13
9780802144423
eBay Product ID (ePID)
11038423938

Product Key Features

Book Title
Waiting for Godot : a Tragicomedy in Two Acts
Number of Pages
128 Pages
Language
English
Publication Year
2011
Topic
Classics, Absurdist, European / English, Irish, Scottish, Welsh
Genre
Drama, Fiction
Author
Samuel Beckett
Book Series
Beckett, Samuel Ser.
Format
Trade Paperback

Dimensions

Item Height
0.2 in
Item Weight
3.9 Oz
Item Length
8.2 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
Reviews
"One of the true masterpieces of the century." --Clive Barnes, The New York Times "One of the most noble and moving plays of our generation, a threnody of hope deceived and deferred but never extinguished; a play suffused with tenderness for the whole human perplexity; with phrases that come like a sharp stab of beauty and pain." -- The Times (London) "Beckett is an incomparable spellbinder. He writes with rhetoric and music that . . . make a poet green with envy." --Stephen Spender "Reading Beckett for the first time is an experience like no other in modern literature." --Paul Auster "[Godot is ] among the most studied, monographed, celebrated and sent-up works of modern art, and perhaps as influential as any from the last century. The nonstory of two tramps at loose ends in a landscape barren of all but a single tree, amusing or distracting themselves from oppressive boredom while they wait for a mysterious figure who never arrives, the play became the ur-text for theatrical innovation and existential thought in the latter half of 20th century." --Christopher Isherwood, The New York Times, Praise for Waiting for Godot : "One of the true masterpieces of the century." -- Clive Barnes, The New York Times "One of the most noble and moving plays of our generation, a threnody of hope deceived and deferred but never extinguished; a play suffused with tenderness for the whole human perplexity; with phrases that come like a sharp stab of beauty and pain."-- The Times (London) "Beckett is an incomparable spellbinder. He writes with rhetoric and music that . . . make a poet green with envy." -- Stephen Spender "Reading Beckett for the first time is an experience like no other in modern literature."-- Paul Auster "[Godot is ] among the most studied, monographed, celebrated and sent-up works of modern art, and perhaps as influential as any from the last century. The nonstory of two tramps at loose ends in a landscape barren of all but a single tree, amusing or distracting themselves from oppressive boredom while they wait for a mysterious figure who never arrives, the play became the ur-text for theatrical innovation and existential thought in the latter half of 20th century." -- Christopher Isherwood, The New York Times, Praise for Waiting for Godot "One of the true masterpieces of the century." --Clive Barnes, The New York Times "One of the most noble and moving plays of our generation, a threnody of hope deceived and deferred but never extinguished; a play suffused with tenderness for the whole human perplexity; with phrases that come like a sharp stab of beauty and pain."-- The Times (London) "Beckett is an incomparable spellbinder. He writes with rhetoric and music that . . . make a poet green with envy." --Stephen Spender "Reading Beckett for the first time is an experience like no other in modern literature."--Paul Auster "[Godot is ] among the most studied, monographed, celebrated and sent-up works of modern art, and perhaps as influential as any from the last century. The nonstory of two tramps at loose ends in a landscape barren of all but a single tree, amusing or distracting themselves from oppressive boredom while they wait for a mysterious figure who never arrives, the play became the ur-text for theatrical innovation and existential thought in the latter half of 20th century." --Christopher Isherwood, The New York Times, "One of the true masterpieces of the century." --Clive Barnes, The New York Times "One of the most noble and moving plays of our generation, a threnody of hope deceived and deferred but never extinguished; a play suffused with tenderness for the whole human perpty&lexi; with phrases that come like a sharp stab of beauty and pain." -- The Times (London) "Beckett is an incomparable spellbinder. He writes with rhetoric and music that . . . make a poet green with envy." --Stephen Spender "Reading Beckett for the first time is an experience like no other in modern literature." --Paul Auster "[Godot is ] among the most studied, monographed, celebrated and sent-up works of modern art, and perhaps as influential as any from the last century. The nonstory of two tramps at loose ends in a landscape barren of all but a single tree, amusing or distracting themselves from oppressive boredom while they wait for a mysterious figure who never arrives, the play became the ur-text for theatrical innovation and existential thought in the latter half of 20th century." --Christopher Isherwood, The New York Times, One of the true masterpieces of the century." —Clive Barnes, The New York Times One of the most noble and moving plays of our generation, a threnody of hope deceived and deferred but never extinguished; a play suffused with tenderness for the whole human perplexity; with phrases that come like a sharp stab of beauty and pain." — The Times (London) Beckett is an incomparable spellbinder. He writes with rhetoric and music that . . . make a poet green with envy." —Stephen Spender Reading Beckett for the first time is an experience like no other in modern literature." —Paul Auster [Godot is ] among the most studied, monographed, celebrated and sent-up works of modern art, and perhaps as influential as any from the last century. The nonstory of two tramps at loose ends in a landscape barren of all but a single tree, amusing or distracting themselves from oppressive boredom while they wait for a mysterious figure who never arrives, the play became the ur-text for theatrical innovation and existential thought in the latter half of 20th century." —Christopher Isherwood, The New York Times
Dewey Edition
22
Dewey Decimal
842/.914
Synopsis
From an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become one of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, "Time catches up with genius. . . . Waiting for Godot is one of the masterpieces of the century." The story revolves around two seemingly homeless men waiting for someone--or something--named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as mankind's inexhaustible search for meaning. Beckett's language pioneered an expressionistic minimalism that captured the existential post- World War II Europe. His play remains one of the most magical and beautiful allegories of our time., From an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, "Time catches up with genius ... Waiting for Godot is one of the masterpieces of the century." The story revolves around two seemingly homeless men waiting for someone--or something--named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as mankind's inexhaustible search for meaning. Beckett's language pioneered an expressionistic minimalism that captured the existential post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time., Performed across the globe by some of the world's most iconic performers, Samuel Beckett's indelible masterpiece remains an unwavering testament of what it means to be human. From an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, "Time catches up with genius ... Waiting for Godot is one of the masterpieces of the century." The story revolves around two seemingly homeless men waiting for someone--or something--named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as mankind's inexhaustible search for meaning. Beckett's language pioneered an expressionistic minimalism that captured the existential post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.

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