Walt Whitman and Emily Dickinson : Poetry of the Central Consciousness by Salska

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Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. Nessun danno evidente alla copertina, dotato di sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore. Vedi tutte le definizioni delle condizioniviene aperta una nuova finestra o scheda
Note del venditore
“Covers are clean light edge rubbing. No tears or chips. No spine creases. Binding is tight and ...
Country/Region of Manufacture
United States
ISBN
9780812212037
Categoria

Informazioni su questo prodotto

Product Identifiers

Publisher
University of Pennsylvania Press
ISBN-10
0812212037
ISBN-13
9780812212037
eBay Product ID (ePID)
510192

Product Key Features

Number of Pages
256 Pages
Publication Name
Walt Whitman and Emily Dickinson : Poetry of the Central Consciousness
Language
English
Publication Year
1985
Subject
American / General, Poetry
Type
Textbook
Subject Area
Literary Criticism
Author
Agnieszka Salska
Series
Anniversary Collection
Format
Trade Paperback

Dimensions

Item Weight
14.1 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
LCCN
84-017286
Synopsis
Agnieszka Salska 's illuminating study of the patterns of consciousness in the poetry of two major nineteenth-century American poets borrows from Northrop Frye's phrase the structure of the poet's imagination. Walt Whitman and Emily Dickinson , the first extensive book comparing the two poets, builds on the shorter works by Karl Keller and Albert Gelpi and is further augmented by Salska's outside viewpoint from her native Poland. Her extensive research in the United States in 1984 ensures the timeliness of the work and makes the study truly valuable. That Dickinson and Whitman shared a common ground of aspiration for existential wholeness is made clearer to twentieth-century readers by Salska's argument, which traces the poets' heritage from Ralph Waldo Emerson. Although both poets begin with the same vision--that the artist's mind is solely responsible for the organization of the universe--their realizations of that image diverge radically. Salska's keen judicious observations add much to our understanding of the poets both as individuals and as contemporaries. Her book will be of great interest to students of Whitman and Dickinson, poetry and American literature. The clarity of style makes the book invaluable to undergraduates, graduate students, and scholars in general., Agnieszka Salska's keen judicious observations add much to our understanding of the poets both as individuals and as contemporaries. Her book will be of great interest to students of Whitman and Dickinson, poetry and American literature. The clarity of style makes the book invaluable to undergraduates, graduate students, and scholars in general., Agnieszka Salska 's illuminating study of the patterns of consciousness in the poetry of two major nineteenth-century American poets borrows from Northrop Frye's phrase "the structure of the poet's imagination." Walt Whitman and Emily Dickinson , the first extensive book comparing the two poets, builds on the shorter works by Karl Keller and Albert Gelpi and is further augmented by Salska's "outside" viewpoint from her native Poland. Her extensive research in the United States in 1984 ensures the timeliness of the work and makes the study truly valuable. That Dickinson and Whitman shared a common ground of aspiration for existential wholeness is made clearer to twentieth-century readers by Salska's argument, which traces the poets' heritage from Ralph Waldo Emerson. Although both poets begin with the same vision--that the artist's mind is solely responsible for the organization of the universe--their realizations of that image diverge radically. Salska's keen judicious observations add much to our understanding of the poets both as individuals and as contemporaries. Her book will be of great interest to students of Whitman and Dickinson, poetry and American literature. The clarity of style makes the book invaluable to undergraduates, graduate students, and scholars in general.

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