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Brian Eno - Discreet Music(180-gram vinyl), Astralwerks - Foto 1 di 1
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Brian Eno - Discreet Music(180-gram vinyl), Astralwerks

worldmusic-inc
(2396)
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US $105,00
CircaEUR 90,51
Condizione:
Nuovo
3 disponibili
Goditi i vantaggi. Restituzioni accettate.
Spedizione:
Gratis USPS Media MailTM.
Oggetto che si trova a: Palm Coast, Florida, Stati Uniti
Consegna:
Consegna prevista tra il lun 21 lug e il sab 26 lug a 94104
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Numero oggetto eBay:226324532426

Specifiche dell'oggetto

Condizione
Nuovo: Oggetto mai aperto, ancora sigillato (se applicabile). L'oggetto è nella confezione sigillata ...
Type
LP
Record Grading
Mint (M)
Sleeve Grading
Mint (M)
Color
Black
Record Size
12"
Material
Vinyl
Features
180-220 gram, Sealed
Inlay Condition
Mint (M)
UPC
0602567750420

Informazioni su questo prodotto

Product Information

180 gram Vinyl 2018 Standard Edition. Released 16th November 2018. While his earlier work with Robert Fripp on ‘No Pussyfooting’ and several selections from his own ‘Another Green World’ feature similar ideas, ‘Discreet Music’ marked a clear step toward the ambient aesthetic Eno would later codify with 1978's ‘Ambient 1: Music for Airports.’ The inspiration for this album began when Eno was hospitalised after an accident. Whilst bed-ridden and listening to a record of eighteenth-century harp music, the volume was too low and he couldn’t reach to turn it up. It was raining outside, and Eno recounts he began listening to the rain and to "these odd notes of the harp, that were just loud enough to be heard above the rain". This presented what was for me a new way of hearing music – as part of the ambience of the environment, just as the colour of the light and the sound of the rain were parts of that ambience, he observed. The A-side of the album is a thirty-minute piece titled ‘Discreet Music’, which Pitchfork called “one of the greatest single ambient pieces that Eno has produced”. It was made using two overlapped tape loops of melodic synthesizer phrases of different lengths. This technique became known as ‘Frippertronics’; one of Eno’s early forays into algorithmic, generative composition – exploring multiple ways to create music with limited planning or intervention. The second half of the album, titled ‘Three Variations on the Canon in D Major by Johann Pachelbel’ features the Cockpit Ensemble, playing brief excerpts from the score, which were repeated several times, with the tempo and other elements gradually altered – the end result of which “forced the listener to switch fundamental modes of hearing”, Pitchfork proclaimed. Discreet Music

Product Identifiers

Record Label
ASK, Astralwerks
UPC
0602567750420
eBay Product ID (ePID)
21046061636

Product Key Features

Release Year
2018
Format
Record
Genre
Rock
Artist
Eno, Brian
Release Title
Discreet Music

Dimensions

Item Height
0.18 in
Item Weight
0.59 lb
Item Length
12.29 in
Item Width
12.28 in

Additional Product Features

Number of Tracks
4
Country/Region of Manufacture
United States
Tracks
1.1 Discreet Music (Brian Eno) - 30:35 2.1 Three Variations on the Canon in D Major By Johann Pachelbel Fullness of Wind - 9:57 2.2 French Catalogues - 5:18 2.3 Brutal Ardour - 8:17
Number of Discs
1
Notes
Limited 180gm vinyl LP pressing. While his earlier work with Robert Fripp on 'No Pussyfooting' and several selections from his own 'Another Green World' feature similar ideas, 'Discreet Music' marked a clear step toward the ambient aesthetic Eno would later codify with 1978's 'Ambient 1: Music for Airports.' The inspiration for this album began when Eno was hospitalised after an accident. Whilst bed-ridden and listening to a record of eighteenth-century harp music, the volume was too low and he couldn't reach to turn it up. It was raining outside, and Eno recounts he began listening to the rain and to "these odd notes of the harp, that were just loud enough to be heard above the rain". This presented what was for me a new way of hearing music - as part of the ambience of the environment, just as the colour of the light and the sound of the rain were parts of that ambience, he observed. The A-side of the album is a thirty-minute piece titled 'Discreet Music', which Pitchfork called "one of the greatest single ambient pieces that Eno has produced". It was made using two overlapped tape loops of melodic synthesizer phrases of different lengths. This technique became known as 'Frippertronics'; one of Eno's early forays into algorithmic, generative composition - exploring multiple ways to create music with limited planning or intervention. The second half of the album, titled 'Three Variations on the Canon in D Major by Johann Pachelbel' features the Cockpit Ensemble, playing brief excerpts from the score, which were repeated several times, with the tempo and other elements gradually altered - the end result of which "forced the listener to switch fundamental modes of hearing", Pitchfork proclaimed.

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     Item was exactly as described. Packaging and shipping were perfect. 
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