Foto 1 di 4
Galleria
Foto 1 di 4
Music Copyright, Creativity, and Culture by Jennifer Jenkins (English) Paperback
US $52,95
CircaEUR 45,95
Condizione:
Nuovo
Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o danneggiate. Per maggiori dettagli, consulta l'inserzione del venditore.
- Compralo SubitoMusic Copyright, Creativity, and Culture by Jennifer Jenkins (English) Paperback
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Spedizione:
Gratis USPS Media MailTM.
Oggetto che si trova a: South El Monte, California, Stati Uniti
Consegna:
Consegna prevista tra il mar 24 giu e il ven 27 giu a 94104
Restituzioni:
Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico del venditore.
Pagamenti:
Fai shopping in tutta sicurezza
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:205573308101
Specifiche dell'oggetto
- Condizione
- ISBN-13
- 9780190945930
- Book Title
- Music Copyright, Creativity, and Culture
- ISBN
- 9780190945930
Informazioni su questo prodotto
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0190945931
ISBN-13
9780190945930
eBay Product ID (ePID)
27058361121
Product Key Features
Number of Pages
416 Pages
Publication Name
Music Copyright, Creativity, and Culture
Language
English
Subject
History & Criticism, General
Publication Year
2025
Type
Textbook
Subject Area
Music
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
41.7 Oz
Item Length
9.6 in
Item Width
7.8 in
Additional Product Features
Intended Audience
College Audience
LCCN
2024-032014
Dewey Edition
23
Reviews
The highlight of this book is that it provides clear historical context and an accurate depiction of the current music industry, with a consistent thread and acknowledgement of the creative, which no book that I've seen has addressed in this way. For this reason I think it will both appeal to, and be very appropriate, for music and music business students. - Lee Dannay, New York UniversityThis is a contemporary copyright text which does a great job of setting up important information on how copyright applies to musicians in a novel way - via a text and graphic novel. - Jeremy Peters, Wayne State UniversityThis is a textbook that students would actually open and read! It breaks down complex legal issues of copyright and intellectual property in a way that students will grasp and have fun while doing so. - Chris Vrenna, Calhoun Community College, The highlight of this book is that it provides clear historical context and an accurate depiction of the current music industry, with a consistent thread and acknowledgement of the creative, which no book that I've seen has addressed in this way. For this reason I think it will both appeal to, and be very appropriate, for music and music business students. - Lee Dannay, New York University, Nobody explains copyright like Jennifer Jenkins. She has a gift for making one of the most complicated, worst understood, most consequential areas of law not only comprehensible, but also fascinating. -Award-winning author Cory DoctorowThis is a contemporary copyright text which does a great job of setting up important information on how copyright applies to musicians in a novel way - via a text and graphic novel. - Jeremy Peters, Wayne State UniversityThis is a textbook that students would actually open and read! It breaks down complex legal issues of copyright and intellectual property in a way that students will grasp and have fun while doing so. - Chris Vrenna, Calhoun Community CollegeThe highlight of this book is that it provides clear historical context and an accurate depiction of the current music industry, with a consistent thread and acknowledgement of the creative, which no book that I've seen has addressed in this way. For this reason I think it will both appeal to, and be very appropriate, for music and music business students. - Lee Dannay, New York University
Illustrated
Yes
Dewey Decimal
343.07878
Table Of Content
Introduction Chapter 1 - How Did We Get Here? Chapter 2 - Introduction to Copyright Chapter 3 - A Tale of Two Technologies Chapter 4 - Owning Music Chapter 5 - Musical Echoes Chapter 6 - Subconscious Copying Chapter 7 - Blurring the Lines Chapter 8- Moving the Needle Chapter 9 - Sampling and Hip Hop Chapter 10 - Sample Clearance and Sampling 2.0 Chapter 11 - Creative Destruction Chapter 12 - The Music Streaming Era Chapter 13 - Music, Copyright, and Racial Justice Conclusion
Synopsis
Music Copyright, Creativity, and Culture offers a thorough introduction to copyright issues that are central to today's musicians. The book has an innovative design: half of the material is presented in the form of a graphic novel, which is coupled with accessible, insightful prose and relevant case histories. The end result is neither dry nor obscure. And this is as it should be, because the legal rules surrounding our musical culture are both important and captivating., Music Copyright, Creativity, and Culture is an interdisciplinary introduction to the economics, history, and law that shape the music we love. The book has an innovative design, combining accessible prose with timelines, infographics, flowcharts, and excerpts from a graphic novel. Through a series of chapters that take readers step by step through the fundamentals of copyright and creativity, Jennifer Jenkins clarifies basic concepts, lays out an engaginghistory, points out cultural effects of legal rules, and tells scores of stories of great musical controversies, past and present. The book is paired with a series of Spotify and YouTube playlists, so thatreaders can listen to the material under review. The end result is neither dry nor obscure. And this is as it should be, because the legal rules surrounding our musical culture are both important and captivating.You have probably heard stories where one musician is accused of copying another>'s song. Maybe one of your favorite artists has been involved in such a dispute. By the time you finish reading this book, you know what the law might say about it: the lines itwould draw between legitimate inspiration by shared cultural themes and outright theft that will result in substantial monetary damages. But you will know a lot more. You will have explored how a society evencomes to think of music as something that can be owned: the cultural, technological, economic, and legal prerequisites of the system. You will have traced out the history of the great technologies that affected music, from musical notationDLthe invention of writing, musically speakingDLthrough to the printing press, the player piano and phonograph, the radio, the internet, and generative AI. You will have thought through how we set up incentives to make, and to distribute, the music all of uslove. How can society ensure that the next great composer or performer devotes her time and talent to that task instead of something else? How can we set up a system that gives creators control of theirwork, and yet still leaves free the genres, styles, techniques, and other building blocks that make up the musical commons, upon which all artists draw?By the time you finish this book you should be able to have an informed opinion about where we need to strike that balance, and whether the law we have today has done a good job of doing so. You will understand the legal difficulties in clearing samples and in navigating the tangled thicket of music licenses, each inventedto deal with a particular technology of the past. You will delve into evolving business models, today>'s streaming economy, and the challenges posed by generative AI. But you will also have gone deeper.For example, the book examines the history of attempts to control music in American culture along racial lines: from the legal and social barriers that prevented African-American and other minority musicians from receiving the credit and financial reward their talents deserved, to the vexed question of appropriation and the line between benign mutual cultural influence and unjust, uncredited exploitation. Along the way, you will get to think about the law, culture, aesthetics, and economics ofan art form that touches us more profoundly than we know., Music Copyright, Creativity, and Culture offers a thorough introduction to copyright issues that are central to today's musicians. The book has an innovative design: half of the material is presented in the form of a graphic novel, which is coupled with accessible, insightful prose and relevant case histories. Through a series of chapters that take students step by step through the fundamentals of copyright and creativity, Jennifer Jenkins clarifies basic concepts, lays out an engaging history, points out cultural effects of legal rules, and tells scores of stories of great musical controversies, past and present. The book is paired with a series of Spotify and YouTube playlists, so that students can listen to the material under review. The end result is neither dry nor obscure. And this is as it should be, because the legal rules surrounding our musical culture are both important and captivating. Every year, thousands of students majoring in subjects such as Music, Communications, Business, Film Studies, and Entertainment Law deal with issues raised by copyright. The current textbook market serves them inadequately. There are dry, legal tomes that deluge students with legal technicalities but offer little context, illustration, or connection to our cultural history. There are breezy manuals written by non-lawyers that conflate markedly different subjects (such as copyright infringement and plagiarism, or "fair use" and unoriginality). But few offer sound legal and cultural history in a format that students will be able to use and understand. Music Copyright, Creativity, and Culture fills that gap with its marriage of text and graphic presentation.The basic question music copyright law tries to answer is a simple one: when is borrowing, or simple musical similarity, okay, and when is it illegal? But the answers to that simple question can befuddle both students and professors. Music Copyright, Creativity, and Culture lays out four short examples of the book's approach, each dealing with a question that students frequently raise. The questions are:1. Is copyright infringement the same as plagiarism? Is it okay to copy something, so long as I give credit to the original?2. How do I know whether one song violates the copyright of another song? What are the stages of the analysis?3. What parts of a song are subject to exclusive ownership under copyright law and why? What aspects of music does copyright leave free for anyone to build on?4. Can someone copy something unconsciously? What if a fragment of a tune gets stuck in your head and years later you write a song that mines that subconscious memory? Is that copyright infringement or just the normal process of creativity?Answering these questions is key to understanding the implications of copyright law and its impact on the creative arts. Music Copyright, Creativity, and Culture provides these answers in a format that will appeal to today's students in music business, entertainment law, and related courses., Music Copyright, Creativity, and Culture is an interdisciplinary introduction to the economics, history, and law that shape the music we love. The book has an innovative design, combining accessible prose with timelines, infographics, flowcharts, and excerpts from a graphic novel. Through a series of chapters that take readers step by step through the fundamentals of copyright and creativity, Jennifer Jenkins clarifies basic concepts, lays out an engaging history, points out cultural effects of legal rules, and tells scores of stories of great musical controversies, past and present. The book is paired with a series of Spotify and YouTube playlists, so that readers can listen to the material under review. The end result is neither dry nor obscure. And this is as it should be, because the legal rules surrounding our musical culture are both important and captivating. You have probably heard stories where one musician is accused of copying another's song. Maybe one of your favorite artists has been involved in such a dispute. By the time you finish reading this book, you know what the law might say about it: the lines it would draw between legitimate inspiration by shared cultural themes and outright theft that will result in substantial monetary damages. But you will know a lot more. You will have explored how a society even comes to think of music as something that can be owned: the cultural, technological, economic, and legal prerequisites of the system. You will have traced out the history of the great technologies that affected music, from musical notation--the invention of writing, musically speaking--through to the printing press, the player piano and phonograph, the radio, the internet, and generative AI. You will have thought through how we set up incentives to make, and to distribute, the music all of us love. How can society ensure that the next great composer or performer devotes her time and talent to that task instead of something else? How can we set up a system that gives creators control of their work, and yet still leaves free the genres, styles, techniques, and other building blocks that make up the musical commons, upon which all artists draw? By the time you finish this book you should be able to have an informed opinion about where we need to strike that balance, and whether the law we have today has done a good job of doing so. You will understand the legal difficulties in clearing samples and in navigating the tangled thicket of music licenses, each invented to deal with a particular technology of the past. You will delve into evolving business models, today's streaming economy, and the challenges posed by generative AI. But you will also have gone deeper. For example, the book examines the history of attempts to control music in American culture along racial lines: from the legal and social barriers that prevented African-American and other minority musicians from receiving the credit and financial reward their talents deserved, to the vexed question of appropriation and the line between benign mutual cultural influence and unjust, uncredited exploitation. Along the way, you will get to think about the law, culture, aesthetics, and economics of an art form that touches us more profoundly than we know.
LC Classification Number
ML3790.J43 2025
Descrizione dell'oggetto fatta dal venditore
Informazioni sul venditore professionale
Informazioni su questo venditore
BitPistol Solutions
99,2% di Feedback positivi•107 mila oggetti venduti
Registrato come venditore professionale
Feedback sul venditore (26.443)
- a***f (9)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoItem came exactly as described! Sealed in original packaging and worked perfectly! Price was definitely reasonable for the item considering it was brand new and hard to find. No visual flaws or issues with the disc upon arrival and opening of package. Highly satisfied with my purchase and recommend this seller if you want a brand new game or anything else they sell!Nascar Heat 5 - Microsoft Xbox One (N° 205278370464)
- p***t (588)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificato🔥🚀 THIS SELLER DESERVES A NOBEL PRIZE! 🚀🔥 I ordered, I blinked, and BOOM—my package was at my door! 📦💨 The item was so perfect, I think it whispered "I love you" when I opened it. 😍 Impeccable packaging—seriously, if this seller wrapped the Titanic, it wouldn’t have sunk. 🛳️❌💦 Communication? So good, I half expected a carrier pigeon to arrive with a thank-you note. 🐦📜 If you’re thinking about buying from them, DO IT. I’d trust this seller to babysit my houseplants. 🌿💯 11/10 would buNickelodeon All Star Brawl - Sony PlayStation 4 NEW/SEALED Loose Disc (N° 205221225299)
- 9***9 (3)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoI'm very happy with my purchase! When looking at the price of this keyboard on other places, it's typically a bit more expensive, so I was surprised to get it for what I bought it. It came packaged safely and had everything that was listed to be included. I bought it as a present for my sister, but I did take it out of the box to test how the typing sounded and felt. I have nothing negative to report! Happy that it arrived quickly as well! I would recommend this seller ^.^Z98 Pro Hot-Swappable Mechanical Keyboard Display Wireless BT 5.0/2.4G/USB-C RGB (N° 205027958652)
Vedi altro:
- Libri e riviste di saggistica arte e cultura,
- Libri e riviste di saggistica arte e cultura in italiano,
- Libri e riviste di saggistica arte e cultura da Europa,
- Libri e riviste di saggistica arte e cultura da Italia,
- Libri e riviste di saggistica adulti arte e cultura,
- Riviste di musica, danza e teatro blu, tema musici,
- Riviste di musica, danza e teatro, tema musici in italiano,
- Riviste di musica, danza e teatro, tema musici in latino,
- Libri di testo, tema musici,
- Riviste di musica, danza e teatro mensile, tema musici in inglese
BitPistol Solutions
99,2% di Feedback positivi•107 mila oggetti venduti
Registrato come venditore professionale
Feedback sul venditore (26.443)
- a***f (9)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoItem came exactly as described! Sealed in original packaging and worked perfectly! Price was definitely reasonable for the item considering it was brand new and hard to find. No visual flaws or issues with the disc upon arrival and opening of package. Highly satisfied with my purchase and recommend this seller if you want a brand new game or anything else they sell!Nascar Heat 5 - Microsoft Xbox One (N° 205278370464)
- p***t (588)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificato🔥🚀 THIS SELLER DESERVES A NOBEL PRIZE! 🚀🔥 I ordered, I blinked, and BOOM—my package was at my door! 📦💨 The item was so perfect, I think it whispered "I love you" when I opened it. 😍 Impeccable packaging—seriously, if this seller wrapped the Titanic, it wouldn’t have sunk. 🛳️❌💦 Communication? So good, I half expected a carrier pigeon to arrive with a thank-you note. 🐦📜 If you’re thinking about buying from them, DO IT. I’d trust this seller to babysit my houseplants. 🌿💯 11/10 would buNickelodeon All Star Brawl - Sony PlayStation 4 NEW/SEALED Loose Disc (N° 205221225299)
- 9***9 (3)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoI'm very happy with my purchase! When looking at the price of this keyboard on other places, it's typically a bit more expensive, so I was surprised to get it for what I bought it. It came packaged safely and had everything that was listed to be included. I bought it as a present for my sister, but I did take it out of the box to test how the typing sounded and felt. I have nothing negative to report! Happy that it arrived quickly as well! I would recommend this seller ^.^Z98 Pro Hot-Swappable Mechanical Keyboard Display Wireless BT 5.0/2.4G/USB-C RGB (N° 205027958652)