Foto 1 di 2


Galleria
Foto 1 di 2


Ne hai uno da vendere?
OBLIQUE DRAWING: A HISTORY OF ANTI-PERSPECTI VE ARCHITECTURE) SCOLARI HARDCOVER
US $68,99
CircaEUR 58,65
o Proposta d'acquisto
Condizione:
Come Nuovo
Libro che sembra nuovo anche se è già stato letto. La copertina non presenta segni di usura visibili ed è inclusa la sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Spedizione:
US $11,40 (circa EUR 9,69) USPS Ground Advantage®.
Oggetto che si trova a: Moreno Valley, California, Stati Uniti
Consegna:
Consegna prevista tra il mer 10 set e il sab 13 set a 94104
Restituzioni:
Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico dell'acquirente..
Pagamenti:
Fai shopping in tutta sicurezza
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:204535739204
Specifiche dell'oggetto
- Condizione
- Type
- Novel
- Era
- 2000s
- Narrative Type
- Nonfiction
- Country/Region of Manufacture
- United States
- ISBN
- 9780262017749
Informazioni su questo prodotto
Product Identifiers
Publisher
MIT Press
ISBN-10
0262017741
ISBN-13
9780262017749
eBay Product ID (ePID)
117273966
Product Key Features
Original Language
Italian
Book Title
Oblique Drawing : a History of Anti-Perspective
Number of Pages
416 Pages
Language
English
Publication Year
2012
Topic
Geometry / General, Techniques / Drawing, Criticism, History / General
Illustrator
Yes
Genre
Mathematics, Art, Architecture
Book Series
Writing Architecture Ser.
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
31.6 Oz
Item Length
9.2 in
Item Width
6.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2011-052651
Dewey Edition
23
Reviews
...[A]n excellent resource for artists, architects, and historians. And, finally,what Oblique Perspective does achieve is to underscore the need for a more comprehensive study, orperhaps even many studies., "...[A]n excellent resource for artists, architects, and historians. And, finally,what Oblique Perspective does achieve is to underscore the need for a more comprehensive study, orperhaps even many studies." -- Nancy Goldring , Architect'sNewspaper, "...[A]n excellent resource for artists, architects, and historians. And,finally, what Oblique Perspective does achieve is to underscore the need for a more comprehensivestudy, or perhaps even many studies." -- Nancy Goldring , Architect'sNewspaper, ...[A]n excellent resource for artists, architects, and historians. And, finally, what Oblique Perspective does achieve is to underscore the need for a more comprehensive study, or perhaps even many studies.
Grade From
College Graduate Student
Dewey Decimal
741.01/8
Synopsis
For more than half a century, Erwin Panofsky's "Perspective as Symbolic Form" has dominated studies of visual representation. Despite the hegemony of central projection, or perspective, other equally important methods of representation have much to tell us. Parallel projection can be found on classical Greek vases, in Pompeiian frescoes, in Byzantine mosaics; it returned in works of the historical avant-garde, and remains the dominant form of representation in China. In "Oblique Drawing," Massimo Scolari investigates "anti-perspective" visual representation over two thousand years, finding in the course of his investigation that visual and conceptual representations are manifestations of the ideological and philosophical orientations of different cultures. Images prove to be not just a form of art but a form of thought, a projection of a way of life. Scolari's generously illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance images of machines and military hardware, architectural models and drawings, and illustrations of geometrical solids. He challenges Panofsky's theory of Pompeiian perspective and explains the difficulties encountered by the Chinese when they viewed Jesuit missionaries' perspectival religious images. Scolari vividly demonstrates the diversity of representational forms devised through the centuries, and shows how each one reveals something that is lacking in the others., For more than half a century, Erwin Panofsky's Perspective as Symbolic Form has dominated studies of visual representation. Despite the hegemony of central projection, or perspective, other equally important methods of representation have much to tell us. Parallel projection can be found on classical Greek vases, in Pompeiian frescoes, in Byzantine mosaics; it returned in works of the historical avant-garde, and remains the dominant form of representation in China. In Oblique Drawing , Massimo Scolari investigates "anti-perspective" visual representation over two thousand years, finding in the course of his investigation that visual and conceptual representations are manifestations of the ideological and philosophical orientations of different cultures. Images prove to be not just a form of art but a form of thought, a projection of a way of life. Scolari's generously illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance images of machines and military hardware, architectural models and drawings, and illustrations of geometrical solids. He challenges Panofsky's theory of Pompeiian perspective and explains the difficulties encountered by the Chinese when they viewed Jesuit missionaries' perspectival religious images. Scolari vividly demonstrates the diversity of representational forms devised through the centuries, and shows how each one reveals something that is lacking in the others.
LC Classification Number
NA2711.S3613 2012
Descrizione dell'oggetto fatta dal venditore
Informazioni su questo venditore
vintage-80
100% di Feedback positivi•8,3 mila oggetti venduti
Registrato come venditore privatoPertanto non si applicano i diritti dei consumatori derivanti dalla normativa europea. La Garanzia cliente eBay è comunque applicabile alla maggior parte degli acquisti. Scopri di piùScopri di più
Feedback sul venditore (3.557)
- *****- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoI have not received the item, but, the item was physically shipped the day after I paid for it. It is out for delivery today. This seller moves fast to get you your purchase and I greatly appreciate that. They didn't just print a label, they printed and physically shipped really fast. I'm sure the product will be in fine shape. Great Seller thank you.
- *****- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoWell priced vintage book that's nearly impossible to find anywhere. Packaged well for delivery. Seamless transaction.
- *****- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoManual was exactly as described. Packaging was great, shipping fast. Good product for the money. Very happy with the purchase.
Questa è un'inserzione privata. La tua identità sarà rivelata solo al venditore.