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The Robert Lehman Collection at the Metropolitan Museum of Art, Volume XIV Vol.
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CircaEUR 42,64
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Spedizione:
US $5,38 (circa EUR 4,59) USPS Media MailTM.
Oggetto che si trova a: Boston, Massachusetts, Stati Uniti
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Consegna prevista tra il sab 12 lug e il ven 18 lug a 94104
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Numero oggetto eBay:204028009080
Specifiche dell'oggetto
- Condizione
- Subject
- Art
- Features
- Collection
- ISBN
- 9780691090320
Informazioni su questo prodotto
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691090327
ISBN-13
9780691090320
eBay Product ID (ePID)
2400822
Product Key Features
Number of Pages
296 Pages
Publication Name
Robert Lehman Collection at the Metropolitan Museum of Art, Volume Xiv Vol. Xiv : European Textiles
Language
English
Subject
Textile & Costume, Collections, Catalogs, Exhibitions / Permanent Collections, History / General
Publication Year
2001
Type
Textbook
Subject Area
Design, Art
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
57.1 Oz
Item Length
11.5 in
Item Width
8.9 in
Additional Product Features
Intended Audience
College Audience
Dewey Edition
21
TitleLeading
The
Illustrated
Yes
Dewey Decimal
708.1/471
Table Of Content
PREFACE AND ACKNOWLEDGMENTS BY EGBERT HAVERKAMP-BEGEMANN vii NOTE TO THE READER x TEXTILES: NEW YORK COLLECTING IN THE EARLY TWENTIETH CENTURY BY CHRISTA C. MAYER THURMAN xi CATALOGUE Tapestries 1 Ecclesiastical Textiles 35 Secular Textiles 173 Additional Textiles 249 GLOSSARY 261 CONCORDANCE 267 BIBLIOGRAPHY 271 INDEX 281
Synopsis
This volume, the tenth to be published in a projected series of sixteen, catalogues the European textiles and objects made of fabric in the Robert Lehman Collection at The Metropolitan Museum of Art. Robert Lehman and his father, Philip Lehman, purchased textiles with the same well-trained eyes they used to acquire paintings, drawings, and decorative arts in general. Among the most distinguished and widely admired objects in the Collection are two series of embroidered roundels from fifteenth-century Flanders and four large tapestries, including the Last Supper after Bernaert van Orley that is arguably the finest Renaissance tapestry in an American collection. The Collection also includes a great number of ecclesiastical vestments and panels of magnificent silks and velvets in a vast array of techniques and styles that span more than six centuries. Many of these textiles were used to decorate the Lehman town house in Manhattan, as hangings, covers, or upholstery. They represent sixty-five years of assembling, owning, and living with historical fabrics on a day-to-day basis, and for scholars and laymen alike they document an American style of living and interior decoration that has largely disappeared.
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