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School of Udhra by Mackey, Nathaniel
by Mackey, Nathaniel | PB | Acceptable
US $9,61
CircaEUR 8,41
Condizione:
“Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend ”... Maggiori informazioniinformazioni sulla condizione
Accettabile
Libro con evidenti segni di usura. Può avere alcuni danni alla copertina, senza che l'integrità sia compromessa. La rilegatura può essere leggermente danneggiata, senza che l'integrità sia compromessa. Può avere scritte ai margini, sottolineature ed evidenziazioni di testo, ma nessuna pagina mancante né altri danni che potrebbero compromettere la leggibilità o la comprensibilità del testo. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Numero oggetto eBay:197172361230
Specifiche dell'oggetto
- Condizione
- Accettabile
- Note del venditore
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780872862784
Informazioni su questo prodotto
Product Identifiers
Publisher
City Lights
ISBN-10
087286278X
ISBN-13
9780872862784
eBay Product ID (ePID)
10038489798
Product Key Features
Book Title
School of Udhra
Number of Pages
144 Pages
Language
English
Topic
American / African American, General
Publication Year
1993
Genre
Poetry
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
5.6 Oz
Item Length
9 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Trade
LCCN
93-021774
Reviews
Nathaniel Mackey has said that in language we inherit the voices of the dead. In School of Udhra he transcribes immeasurable spaces of the dispossessed who call him runaway. This writing increasingly unleashes each skittish letter into the risk of syllabic stutter 'vatic scat' stagger. How else ever re-trace or re-member the speaker of a ghost in sentences we step across. Words, or segments of lines, stab, cut, rift, rend, relate, blaspheme, and bless., 'Purgatorial stealth' (as School of Udhra puts it), within a startling progression, I find of imageries, becomes the poem's enigmatic, seductive, sometimes wavering, sliding traverse of a spiritual wilderness. I have no doubt that the book is a remarkable and daring testament that needs to be read and re-read for the unpredictable measure of involved enchantment it unfolds... A book of haunted pleasure., "'Purgatorial stealth' (as School of Udhra puts it), within a startling progression, I find, of imageries, becomes the poem's enigmatic seductive, sometimes wavering, sliding traverse of a spiritual wilderness. I have no doubt that the book is a remarkable and daring testament that needs to be read and re-read for the unpredictable measure of involved enchantment it unfolds . . . A book of haunted pleasure."--Wilson Harris, Palace of the Peacock "Nathaniel Mackey has said that in language we inherit the voices of the dead. In School of Udhra he transcribes immeasurable spaces of the dispossessed who call him runaway. This writing increasingly unleashes each skittish letter into the risk of syllabic stutter 'vatic scat' stagger. How else ever re-trace or re-member the speaker of a ghost in sentences we step across. Words or segments of lines, stab, cut, rift, rend, relate, blaspheme, and bless."--Susan Howe, My Emily Dickinson
Dewey Decimal
811/.54
Synopsis
School of Udhra takes its title from the Bedouin poetic tradition associated with the seventh-century Arab poet Djamil, the Udhrite school of poets who, "when loving die." Bedouin tradition, however, is only one of the strands of world revery these poems have recourse to. They obey a "bedouin" impulse of their own--fugitive, moving on, nomadic. Ogo the fox, the Dogon avatar of singleness and unrest, runs throughout, crossing and recrossing divided ground, primal isolate, insistent within the book's cross-cultural weave. The poems track variances of union and disunion--social, sexual, mystic, mythic--both formally and in their content. They return rhapsody to its root sense: stitching together. Threads ranging through ancient Egypt, shamanic Siberia, Rastafarian Jamaica and elsewhere figure in, inflected by conjunctive and disjunctive cadences inspired by jazz, Gnaoua trance-chant, cante jando and other musics. "'Purgatorial stealth' (as School of Udhra puts it), within a startling progression, I find, of imageries, becomes the poem's enigmatic seductive, sometimes wavering, sliding traverse of a spiritual wilderness. I have no doubt that the book is a remarkable and daring testament that needs to be read and re-read for the unpredictable measure of involved enchantment it unfolds . . . A book of haunted pleasure."--Wilson Harris, Palace of the Peacock "Nathaniel Mackey has said that in language we inherit the voices of the dead. In School of Udhra he transcribes immeasurable spaces of the dispossessed who call him runaway. This writing increasingly unleashes each skittish letter into the risk of syllabic stutter 'vatic scat' stagger. How else ever re-trace or re-member the speaker of a ghost in sentences we step across. Words or segments of lines, stab, cut, rift, rend, relate, blaspheme, and bless."--Susan Howe, My Emily Dickinson Nathaniel Mackey, recipient of a 1993 Whiting Writers' Award, is the author of Eroding Witness (1985), Whatsaid Serif (City Lights, 1998), Atet A.D. (City Lights, 2001), Bedouin Hornbook (1986) and Djbot Baghosus's Run (1993), as well as Discrepant Engagement: Dissonance Cross-Culturality, and Experimental Writing (1993). He has taught at the University of California, Santa Cruz and Duke University., School of Udhra takes its title from the Bedouin poetic tradition associated with the seventh-century Arab poet Djamil, the Udhrite school of poets who, "when loving die." Bedouin tradition, however, is only one of the strands of world revery these poems have recourse to. They obey a "bedouin" impulse of their own--fugitive, moving on, nomadic. Ogo the fox, the Dogon avatar of singleness and unrest, runs throughout, crossing and recrossing divided ground, primal isolate, insistent within the book's cross-cultural weave. The poems track variances of union and disunion--social, sexual, mystic, mythic--both formally and in their content. They return rhapsody to its root sense: stitching together. Threads ranging through ancient Egypt, shamanic Siberia, Rastafarian Jamaica and elsewhere figure in, inflected by conjunctive and disjunctive cadences inspired by jazz, Gnaoua trance-chant, cante jando and other musics. "' Purgatorial stealth ' (as School of Udhra puts it), within a startling progression, I find, of imageries, becomes the poem's enigmatic seductive, sometimes wavering, sliding traverse of a spiritual wilderness. I have no doubt that the book is a remarkable and daring testament that needs to be read and re-read for the unpredictable measure of involved enchantment it unfolds . . . A book of haunted pleasure."--Wilson Harris, Palace of the Peacock "Nathaniel Mackey has said that in language we inherit the voices of the dead. In School of Udhra he transcribes immeasurable spaces of the dispossessed who call him runaway. This writing increasingly unleashes each skittish letter into the risk of syllabic stutter 'vatic scat' stagger. How else ever re-trace or re-member the speaker of a ghost in sentences we step across. Words or segments of lines, stab, cut, rift, rend, relate, blaspheme, and bless."--Susan Howe, My Emily Dickinson Nathaniel Mackey, recipient of a 1993 Whiting Writers' Award, is the author of Eroding Witness (1985), Whatsaid Serif (City Lights, 1998), Atet A.D. (City Lights, 2001), Bedouin Hornbook (1986) and Djbot Baghosus's Run (1993), as well as Discrepant Engagement: Dissonance Cross-Culturality, and Experimental Writing (1993). He has taught at the University of California, Santa Cruz and Duke University., School of Udhra takes its title from the Bedouin poetic tradition associated with the seventh-century Arab poet Djamil, the Udhrite school of poets who, "when loving die." Bedouin tradition, however, is only one of the strands of world revery these..., School of Udhra takes its title from the Bedouin poetic tradition associated with the seventh-century Arab poet Djamil, the Udhrite school of poets who, "when loving die." Bedouin tradition, however, is only one of the strands of world revery these poems have recourse to. They obey a "bedouin" impulse of their own--fugitive, moving on, nomadic. Ogo the fox, the Dogon avatar of singleness and unrest, runs throughout, crossing and recrossing divided ground, primal isolate, insistent within the book's cross-cultural weave. The poems track variances of union and disunion- social, sexual, mystic, mythic- both formally and in their content. They return rhapsody to its root sense: stitching together. Threads ranging through ancient Egypt, shamanic Siberia, Rastafarian Jamaica, and elsewhere figure in, inflected by conjunctive and disjunctive cadences inspired by jazz, Gnaoua trance-chant, cante jando , and other musics. "' Purgatorial stealth ' (as School of Udhra puts it), within a startling progression, I find, of imageries, becomes the poem's enigmatic seductive, sometimes wavering, sliding traverse of a spiritual wilderness. I have no doubt that the book is a remarkable and daring testament that needs to be read and re-read for the unpredictable measure of involved enchantment it unfolds . . . A book of haunted pleasure." --Wilson Harris, Palace of the Peacock "Nathaniel Mackey has said that in language we inherit the voices of the dead. In School of Udhra he transcribes immeasurable spaces of the dispossessed who call him runaway. This writing increasingly unleashes each skittish letter into the risk of syllabic stutter 'vatic scat' stagger. How else ever re-trace or re-member the speaker of a ghost in sentences we step across. Words or segments of lines, stab, cut, rift, rend, relate, blaspheme, and bless." --Susan Howe, My Emily Dickinson Nathaniel Mackey, recipient of a 1993 Whiting Writers' Award, is the author of Eroding Witness (1985), Whatsaid Serif (City Lights, 1998), Atet A.D. (City Lights, 2001), Bedouin Hornbook (1986), and Djbot Baghosus's Run (1993), as well as Discrepant Engagement: Dissonance Cross-Culturality, and Experimental Writing (1993). He has taught at the University of California, Santa Cruz and Duke University.
LC Classification Number
PS3563.A3166.S36
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- p***w (3452)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoGreat item! Quick delivery! A+ seller!
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- f***f (1535)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoThe seller was incredibly communicative and was willing to lump together multiple items I'd purchased to combine shipping, which was greatly appreciated. The item itself was in perfect condition, looks better than in the photo, and was packaged well to avoid any damage during shipping. It arrived quickly and without any issues! Excellent Seller, Goes the Extra Mile. Smooth Transaction, Shipped Very Quickly, As Advertised; Good Price; Well Packaged & Delivered Within a Few Days. A+Couplehood by Reiser, Paul (N° 195434961752)
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- p***w (3452)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoGreat item! Quick delivery! A+ seller!
- c***m (404)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoWOW!; I cannot believe this 3 Days to Hawaii! ; AAA+++; Excellent Service; Great Pricing; Fast Delivery-Faster Than Expected to Hawaii!; Shipped 05/05, Mon, Received 05/08, Thu to Hawaii using free shipping; USPS Ground Mail, Book in Excellent Condition--Better Than Described ; TLC Packaging; Excellent Seller Communication, Sends updates . Highly Recommended!, Thank you very much!
- e***r (2705)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoThank you so much for offering this art book. Your price was fabulous on it. I had no communication, but you are no doubt a kind person. You are also a professional person, and your attention to detail really helped me in making my purchase decision. I'm adding you to my favorite seller list, and I always do shop with this list first. And also, I'd like to thank you for the lovely packaging, and the extremely fast shipping. The book was exactly as you described it. Happy New Year, if I can say.Sonia Boyce: Feeling Her Way by Ridgway, Emma; Martin, Courtney J. (N° 197040368082)
- f***f (1535)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoThe seller was incredibly communicative and was willing to lump together multiple items I'd purchased to combine shipping, which was greatly appreciated. The item itself was in perfect condition, looks better than in the photo, and was packaged well to avoid any damage during shipping. It arrived quickly and without any issues! Excellent Seller, Goes the Extra Mile. Smooth Transaction, Shipped Very Quickly, As Advertised; Good Price; Well Packaged & Delivered Within a Few Days. A+Couplehood by Reiser, Paul (N° 195434961752)