Dewey Decimal759.85
SynopsisThe widely admired Swedish artist Mamma Andersson (born 1962) draws on a long and venerable tradition of northern European art for her painting, in particular that of Romantic landscape painting, whose moody horizons and ominous weather so acutely characterize her modest-seeming scenes. Of course, Andersson is equally apt to draw on photographs of forensics investigations or scenes from theatre programs, shifting fluidly from the heavy gravity of outdoor scenes to the meticulous detail of equally ominous interiors. This volume, published for an exhibition at the Kunstmuseen Krefeld, contextualizes Andersson's painting in relation to the works of painters such as Dürer, Dick Bengtsson, Edvard Munch and Caspar David Friedrich, showing how she has likewise extrapolated larger meditations on the human condition from the genres of landscape and interior painting., The widely admired Swedish artist Mamma Andersson (born 1962) draws on a long and venerable tradition of northern European art for her painting, in particular that of Romantic landscape painting, whose moody horizons and ominous weather so acutely characterize her modest-seeming scenes. Of course, Andersson is equally apt to draw on photographs of forensics investigations or scenes from theatre programs, shifting fluidly from the heavy gravity of outdoor scenes to the meticulous detail of equally ominous interiors. This volume, published for an exhibition at the Kunstmuseen Krefeld, contextualizes Andersson's painting in relation to the works of painters such as D rer, Dick Bengtsson, Edvard Munch and Caspar David Friedrich, showing how she has likewise extrapolated larger meditations on the human condition from the genres of landscape and interior painting., In addition to personal life experiences, the Swedish artist Mamma Andersson draws on a number of other sources for her paintings, including northern landscape painting of the 19th and 20th century, interiors from forensic investigations and scenes from theatre brochures.The shift from meticulous attention to detail to gestural and abstract work lends the paintings an uncannily suggestive power. Thus, the portrayal of an everyday walk becomes a family drama, a children's room is revealed as a place of loneliness and destruction. The artist is concerned at all times with life in its entirety: a reflection of the contemporary human condition.Published on the occasion of the exhibition Mamma Andersson: Dog Days at Kunstmuseen Krefeld, Museum Haus Esters, 23 October - 5 February 2011.English and German text.
LC Classification NumberND793
Text byHentschel, Martin, Jelinek, Elfriede