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The Sight of Death: An Experiment in Art Writing, Clark, T. J., 9780300117264
US $22,39
CircaEUR 19,26
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Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. Nessun danno evidente alla copertina, dotato di sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Gratis Economy Shipping.
Oggetto che si trova a: Dallas, Texas, Stati Uniti
Consegna:
Consegna prevista tra il mar 14 ott e il sab 18 ott a 94104
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Restituzioni entro 60 giorni. Le spese di spedizione del reso sono a carico dell'acquirente..
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Numero oggetto eBay:187625414402
Specifiche dell'oggetto
- Condizione
- ISBN
- 9780300117264
Informazioni su questo prodotto
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300117264
ISBN-13
9780300117264
eBay Product ID (ePID)
50583016
Product Key Features
Book Title
Sight of Death : an Experiment in Art Writing
Number of Pages
192 Pages
Language
English
Publication Year
2006
Topic
Individual Artists / General, Subjects & Themes / Landscapes & Seascapes, General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
29.7 Oz
Item Length
8.5 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Trade
LCCN
2005-033011
TitleLeading
The
Dewey Edition
22
Dewey Decimal
759.4
Synopsis
Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions--and many more--in ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, "Landscape with a Man Killed by a Snake" (National Gallery, London) and the Getty's own "Landscape with a Calm". Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark's meditations--sometimes directly personal, sometimes speaking to the wider politics of our present image-world--track the experience of viewing art through all its real-life twists and turns., Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questionsand many morein ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, "Landscape with a Man Killed by a Snake" (National Gallery, London) and the Getty's own "Landscape with a Calm." Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark s meditationssometimes directly personal, sometimes speaking to the wider politics of our present image-worldtrack the experience of viewing art through all its real-life twists and turns. ", Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions--and many more--in ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm . Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark's meditations--sometimes directly personal, sometimes speaking to the wider politics of our present image-world--track the experience of viewing art through all its real-life twists and turns.
LC Classification Number
ND553.P8C57 2006
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- d***d (829)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoThe book looks to be brand new, better than described! It was shipped quickly, and I'm glad to say it survived being packaged in only a mylar envelope. I would like to see better packaging, but what the hey, it arrived in one piece, so I'll be grateful for that. I would not hesitate to purchase from this Seller again. Thank you, halfpricebooksrecordsmag, for a perfect transaction!The Reformatory: A Novel, Due, Tananarive, 9781982188344 (N° 177112897990)
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- v***c (1489)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoItem arrived quickly even with Media Mail. Book was packaged securely. The condition was near mint, with an excellent quality and appearance. I would rate this a Fantastic value. Communication was clear, concise and quick, and the seller was very helpful. I would most certainly do business with them again. Give them a look, and buy/bid with confidence. Thank you very much for your time, attention and help. Many Thanks!!! A+A+A+A+A+Panzer Ace: The Memoirs of an Iron Cross Panzer Commander from Barbarossa to Nor (N° 177078098789)
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