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Birth of Loud : Leo Fender, les Paul, and the Guitar-Pioneering Rivalry

Komiktakim
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US $34,99
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US $4,63 (circa EUR 4,00) USPS Media MailTM.
Oggetto che si trova a: Chicago, Illinois, Stati Uniti
Consegna:
Consegna prevista tra il mar 17 giu e il mar 24 giu a 94104
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Numero oggetto eBay:186978458766

Specifiche dell'oggetto

Condizione
Nuovo: Libro nuovo, intatto e non letto, in perfette condizioni, senza pagine mancanti o ...
ISBN
9781501141652

Informazioni su questo prodotto

Product Identifiers

Publisher
Scribner
ISBN-10
1501141651
ISBN-13
9781501141652
eBay Product ID (ePID)
4038730922

Product Key Features

Book Title
Birth of Loud : Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock 'N' Roll
Number of Pages
352 Pages
Language
English
Topic
Musical Instruments / Guitar, Business Aspects, Popular Culture
Publication Year
2019
Illustrator
Yes
Genre
Music, Social Science
Author
Ian S. Port
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
18.2 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2018-024537
TitleLeading
The
Reviews
"Ian Port's found a way to tell the story of the birth of rock 'n' roll--for some of us, among the postwar American stories, those that help define who we feel ourselves to be--in beautifully-evoked dual portraits of the men who made the instruments. In doing so, he re-situates this story in its context so neatly it is as if it had never been told before at all." -- Jonathan Lethem, author of Motherless Brooklyn and The Fortress of Solitude, "It's hard for me to think of an invention more crucial to my interior life than the electric guitar, so in a way The Birth of Loud, Ian Port's moving, riveting account of the instrument's development and rise to ubiquity, feels like a sacred text--the story of how I came to be. It's also a rich and fascinating tale of obsession, ingenuity, and American abandon. Thank heavens for Les Paul, thank heavens for Leo Fender, and thank heavens for Ian Port." --Amanda Petrusich, author Do Not Sell at Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records, " The Birth of Loud channels trickles of intriguing new information into a confluence of big ideas about the history of the electric guitar. This book is essential reading for guitar history maniacs!" --Deke Dickerson, guitar historian, bandleader, and author of The Strat in the Attic, "Long before Les Paul and Leo Fender were brand names who revolutionized music and changed culture, they were two guys--obsessively tinkering to recreate sounds in their heads. In The Birth of Loud Ian S. Port vividly captures the compulsion and competition that drove these fascinating oddballs to rock the world." --Alan Light, former editor-in-chief of Vibe and Spin and author of The Holy or the Broken: Leonard Cohen, Jeff Buckley and the Unlikely Ascent of "Hallelujah", "A rip-roaring journey through the early days of rock 'n' roll, told through the lives of the men whose innovative guitars helped usher it into existence . . . A lively, difficult-to-put-down portrait of an important era of American art that enhances readers' appreciation for the music it depicts." --Kirkus Reviews (Starred Review), New York Times Book Review Editors' Choice "In The Birth of Loud, Ian S. Port has sorted out the facts of the electric guitar's much-mythologized genesis and cultural conquest. He turns them into a hot-rod joy ride through mid-20th-century American history. With appropriately flashy prose, he dismantles some misconceptions and credits some nearly forgotten but key figures. He also summons, exuberantly and perceptively, the look, sound, and sometimes smell of pivotal scenes and songs. The Birth of Loud rightfully celebrates an earlier time, when wood, steel, copper wire, microphones and loudspeakers could redefine reality. Tracing material choices that echoed through generations, the book captures the quirks of human inventiveness and the power of sound." --Jon Pareles, New York Times Book Review, "A page-turning look at two central players [Leo Fender and Les Paul] in the sonic evolution of popular music. Port explores their trials and tribulations with an expert hand. This is a long-overdue cultural biography of music innovation. VERDICT: Thoroughly entertaining and deeply informative, this love letter to American creativity and rock and roll belongs in every library and should be read by all rock fans." --Library Journal (Starred Review), "This smartly written and genuinely exciting book walks us through the bitter rivalry between Fender and Gibson and, since there is no way to tell this story without telling the story of rock 'n' roll itself, also provides a jaunty if necessarily abbreviated history of rock. For music buffs, this one is special." -- Booklist, "Lushly descriptive and detailed...[the book] is richly illustrative in bringing these rock giants and the tools of their trade to life in a squall of beautiful feedback." --Publishers Weekly, " The Birth of Loud is more than history, journalism or criticism--it's a killer rock 'n' roll story, complete with money, egos, star power and, yes, electric guitars." --Steve Knopper, author of MJ: The Genius of Michael Jackson and Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age, "More than an essential, colorful, and gripping history of the electric guitar, The Birth of Loud introduces Ian Port, the best new non-fiction writer of the past twenty years." --Daniel J. Levitin, author of This Is Your Brain on Music, "[The] definitive history of the electric guitar and its two foundational personalities [Leo Fender and Les Paul]. Theirs is a fascinating and compelling story, especially in the hands of a writer as committed to lively narrative . . . Port can spin out evocative, succinct rock 'n' roll writing with the best of them." --The New York Journal of Books
Dewey Edition
23
Dewey Decimal
787.87/190922
Synopsis
"A hot-rod joy ride through mid-20th-century American history" ( The New York Times Book Review ), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar's amplified sound--Leo Fender and Les Paul--and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock 'n' roll--and these louder styles demanded revolutionary instruments. When Leo Fender's tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an "axe" that would make Fender's Esquire look cheap and convinced Les Paul--whose endorsement Leo Fender had sought--to put his name on it. Thus was born the guitar world's most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s--including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton--adopted one maker's guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In "an excellent dual portrait" ( The Wall Street Journal ), Ian S. Port tells the full story in The Birth of Loud, offering "spot-on human characterizations, and erotic paeans to the bodies of guitars" ( The Atlantic ). "The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new" ( The Washington Post ).
LC Classification Number
ML1015.G9P66 2019

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Komiktakim

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Su eBay da ago 2022
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A boutique bookstore run by a bookworm father and his young daughter. Reflecting the owners' interests, we focus on humanities/social sciences and children's books. Don't forget to browse our ...
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  • m***m (85)- Feedback lasciato dall'acquirente.
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    I ordered the book but the order was canceled and my money was refunded. The seller let me know that the book had been damaged in storage. I greatly appreciate not being sent a damaged copy. This is a trustworthy seller.
  • 2***d (458)- Feedback lasciato dall'acquirente.
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    Packaging was offering full protection. However, condition of the item was far from being as advertised. Unusable device. Lots of trouble. Bad overall experience. Seller fully refunded his part, but I wasn't refunded for a bit more than one third of the total expense, that being eBay shipping I guess. So, loss of time, energy, and money. Very frustrating experience. It's unfortunate but, based on this sole experience, I can't recommended this seller.
  • l***u (389)- Feedback lasciato dall'acquirente.
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    after more than two weeks, i asked for a status since the item tracking had a shipping label number but no evidence of actually shipping. seller then (and only then, and without any direct communication) canceled the purchase and sent a refund. i’m glad for the refund but sure wish he’d reached out directly two weeks ago. i must start over now. i would not use this seller. unreliable and poor communications.