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Lucio Fontana: Environments by Lucio Fontana in Hardcover (2019) - NEW
US $74,79
CircaEUR 64,60
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Spedizione:
US $4,83 (circa EUR 4,17) USPS Media MailTM.
Oggetto che si trova a: Columbus, Ohio, Stati Uniti
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Consegna prevista tra il ven 27 giu e il mer 2 lug a 94104
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Numero oggetto eBay:185863394233
Specifiche dell'oggetto
- Condizione
- Era
- 2010s
- Narrative Type
- Nonfiction
- Original Language
- English
- ISBN
- 9788867492916
Informazioni su questo prodotto
Product Identifiers
Publisher
Mousse Magazine AND Publishing
ISBN-10
8867492918
ISBN-13
9788867492916
eBay Product ID (ePID)
240975067
Product Key Features
Book Title
Lucio Fontana: Environments
Number of Pages
228 Pages
Language
English
Publication Year
2019
Topic
Sculpture & Installation, Individual Artists / Monographs
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
43.3 Oz
Item Length
11.4 in
Item Width
9 in
Additional Product Features
Intended Audience
Trade
Synopsis
Lucio Fontana (1899-1968) radically transformed our conception of painting, sculpture and space by transcending the two-dimensionality of the canvas, foreshadowing many movements of the 1960s and '70s such as Arte Povera, conceptualism and land art. As the founder of Spatialism, an artistic movement that emerged in Italy in the late '40s, Fontana did away with the distinction between painting and sculpture, with his famous slashes and holes in the canvas. Environments is focused on Fontana's pioneering work in installation art, with a selection of his seminal Ambienti spaziali (seen together for the first time). The Ambienti spaziali --rooms and corridors that the artist began to conceive and design in the late 1940s--were almost always destroyed once the exhibition was over; they are Fontana's most experimental yet least-known works, due to their ephemeral nature., An exploration of Lucio Fontana's ephemeral and experimental spatial environment installations Lucio Fontana (1899-1968) radically transformed our conception of painting, sculpture and space by transcending the two-dimensionality of the canvas, foreshadowing many movements of the 1960s and '70s such as Arte Povera, conceptualism and land art. As the founder of Spatialism, an artistic movement that emerged in Italy in the late '40s, Fontana did away with the distinction between painting and sculpture, with his famous slashes and holes in the canvas. Environments is focused on Fontana's pioneering work in installation art, with a selection of his seminal Ambienti spaziali (seen together for the first time). The Ambienti spaziali --rooms and corridors that the artist began to conceive and design in the late 1940s--were almost always destroyed once the exhibition was over; they are Fontana's most experimental yet least-known works, due to their ephemeral nature., An exploration of Lucio Fontana's ephemeral and experimental spatial environment installations Lucio Fontana (1899-1968) radically transformed our conception of painting, sculpture and space by transcending the two-dimensionality of the canvas, foreshadowing many movements of the 1960s and '70s such as Arte Povera, conceptualism and land art. As the founder of Spatialism, an artistic movement that emerged in Italy in the late '40s, Fontana did away with the distinction between painting and sculpture, with his famous slashes and holes in the canvas. Environmentsis focused on Fontana's pioneering work in installation art, with a selection of his seminal Ambienti spaziali (seen together for the first time). The Ambienti spaziali --rooms and corridors that the artist began to conceive and design in the late 1940s--were almost always destroyed once the exhibition was over; they are Fontana's most experimental yet least-known works, due to their ephemeral nature., Fontana (1899-1968) radically transformed the conception of painting, sculpture, and space by transcending the two-dimensionality of the canvas, foreshadowing many movements of the 1960s and '70s. As the founder of Spatialism, an artistic movement that emerged in Italy in the late '40s, Fontana did away with the distinction between painting and sculpture, with his famous slashes and holes in the canvas.
Text by
Ferriani, Barbara
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