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Billboard : Art on the Road by Peggy Diggs, Lisa Dorin and Laura Steward Heon...
US $10,99
CircaEUR 9,43
Condizione:
“in very good condition. very little wear and no tears”
Ottime condizioni
Libro che non sembra nuovo ed è già stato letto, ma è in condizioni eccellenti. Nessun danno evidente alla copertina, dotato di sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Spedizione:
Gratis USPS Ground Advantage®.
Oggetto che si trova a: Hinsdale, New Hampshire, Stati Uniti
Consegna:
Consegna prevista tra il gio 23 ott e il mar 28 ott a 94104
Restituzioni:
Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico del venditore.
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Numero oggetto eBay:184490085941
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Specifiche dell'oggetto
- Condizione
- Ottime condizioni
- Note del venditore
- “in very good condition. very little wear and no tears”
- Country/Region of Manufacture
- United States
- Region
- World
- Country
- USA
- Type
- Illustrated Book
- Subjects
- Art & Culture
- Cookery Topic
- Advertising
- Special Attributes
- Illustrated
- ISBN
- 9780262581776
Informazioni su questo prodotto
Product Identifiers
Publisher
MIT Press
ISBN-10
0262581779
ISBN-13
9780262581776
eBay Product ID (ePID)
833526
Product Key Features
Book Title
Billboard : Art on the Road
Number of Pages
108 Pages
Language
English
Publication Year
1999
Topic
Graphic Arts / Advertising, Graffiti & Street Art, Advertising & Promotion
Illustrator
Yes
Genre
Design, Art, Business & Economics
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
17.4 Oz
Item Length
11.8 in
Item Width
8.9 in
Additional Product Features
Intended Audience
Trade
LCCN
99-060345
Dewey Edition
21
Grade From
College Graduate Student
Dewey Decimal
741.6/7
Synopsis
The roadside billboard as a versatile form of contemporary public art. foreword by Joseph Thompson This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MASS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three decades as well as five newly commissioned ones. The retrospective includes works by, among others, John Baldessari, Genevi ve Cadieux, Felix Gonzalez-Torres, Gran Fury, Group Material, the Guerrilla Girls, Jenny Holzer, Joseph Kosuth, and Barbara Kruger. The new works, made in cooperation with the communities where they will be installed, are by Julie Ault and Martin Beck, Lothar Baumgarten, Sue Coe, Leon Golub, and Gary Simmons. In addition to the descriptions and color images of the historic and new billboards, the book contains almost three hundred short entries, offering the first broad survey of the medium. More than half of these entries include a small color image. The book also contains three essays. In "Disturbances in the Field of Mammon: Toward a History of Artists' Billboards," Harriet Senie finds precursors for contemporary billboards in European art posters (Toulouse-Lautrec), modern political posters (Rodchenko), and war billboards ("Uncle Sam Wants You"). She looks at the subject matter of contemporary artists' billboards--racism, feminism, environmental issues, war and peace, consumerism, and AIDS--and at artists' strategies and site choices. Public artist Peggy Diggs discusses the process through which billboards are made and the problems encountered by billboard artists, and curator Laura Heon writes about works in the exhibition, in particular the (often conceptual) billboards that do not "sell" any political message.Copublished with the Massachusetts Museum of Contemporary Art., The roadside billboard as a versatile form of contemporary public art. foreword by Joseph Thompson This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MASS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three decades as well as five newly commissioned ones. The retrospective includes works by, among others, John Baldessari, Genevi ve Cadieux, Felix Gonzalez-Torres, Gran Fury, Group Material, the Guerrilla Girls, Jenny Holzer, Joseph Kosuth, and Barbara Kruger. The new works, made in cooperation with the communities where they will be installed, are by Julie Ault and Martin Beck, Lothar Baumgarten, Sue Coe, Leon Golub, and Gary Simmons. In addition to the descriptions and color images of the historic and new billboards, the book contains almost three hundred short entries, offering the first broad survey of the medium. More than half of these entries include a small color image. The book also contains three essays. In Disturbances in the Field of Mammon: Toward a History of Artists' Billboards, Harriet Senie finds precursors for contemporary billboards in European art posters (Toulouse-Lautrec), modern political posters (Rodchenko), and war billboards (Uncle Sam Wants You). She looks at the subject matter of contemporary artists' billboards--racism, feminism, environmental issues, war and peace, consumerism, and AIDS--and at artists' strategies and site choices. Public artist Peggy Diggs discusses the process through which billboards are made and the problems encountered by billboard artists, and curator Laura Heon writes about works in the exhibition, in particular the (often conceptual) billboards that do not sell any political message.Copublished with the Massachusetts Museum of Contemporary Art., The roadside billboard as a versatile form of contemporary public art. foreword by Joseph Thompson This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MASS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three decades as well as five newly commissioned ones. The retrospective includes works by, among others, John Baldessari, Geneviève Cadieux, Felix Gonzalez-Torres, Gran Fury, Group Material, the Guerrilla Girls, Jenny Holzer, Joseph Kosuth, and Barbara Kruger. The new works, made in cooperation with the communities where they will be installed, are by Julie Ault and Martin Beck, Lothar Baumgarten, Sue Coe, Leon Golub, and Gary Simmons. In addition to the descriptions and color images of the historic and new billboards, the book contains almost three hundred short entries, offering the first broad survey of the medium. More than half of these entries include a small color image. The book also contains three essays. In "Disturbances in the Field of Mammon: Toward a History of Artists' Billboards," Harriet Senie finds precursors for contemporary billboards in European art posters (Toulouse-Lautrec), modern political posters (Rodchenko), and war billboards ("Uncle Sam Wants You"). She looks at the subject matter of contemporary artists' billboards--racism, feminism, environmental issues, war and peace, consumerism, and AIDS--and at artists' strategies and site choices. Public artist Peggy Diggs discusses the process through which billboards are made and the problems encountered by billboard artists, and curator Laura Heon writes about works in the exhibition, in particular the (often conceptual) billboards that do not "sell" any political message.Copublished with the Massachusetts Museum of Contemporary Art.
LC Classification Number
N8217.A35H46 1999
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