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The Darby School of Art: A Forgotten Chapter in the History of American Impre...
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US $5,22 (circa EUR 4,47) USPS Media MailTM.
Oggetto che si trova a: Cave Springs, Arkansas, Stati Uniti
Consegna:
Consegna prevista tra il lun 18 ago e il sab 23 ago a 94104
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Numero oggetto eBay:177306286220
Specifiche dell'oggetto
- Condizione
- ISBN
- 9781955041256
Informazioni su questo prodotto
Product Identifiers
Publisher
Case Mate Publishers & Book Distributors, LLC
ISBN-10
1955041253
ISBN-13
9781955041256
eBay Product ID (ePID)
10061621583
Product Key Features
Book Title
Darby School of Art : A Forgotten Chapter in the History of American Impressionist and Modern Painting
Number of Pages
Xii, 163 Pages
Language
English
Topic
United States / State & Local / Middle Atlantic (DC, De, Md, NJ, NY, Pa), History / General
Publication Year
2023
Illustrator
Yes
Genre
Art, History
Format
Hardcover
Dimensions
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2022-507238
Reviews
...an eloquent, informative, and exceptional contribution to personal, professional, community, and college/university library American Art History collections.
TitleLeading
The
Table Of Content
IntroductionDedicationAcknowledgmentsList of IllustrationsChapter One: The FoundersChapter Two: The Early Days of the Darby School, 1898-1902Chapter Three: Fort Washington, 1902-1907Chapter Four: Fort Washington, 1908-1918Chapter Five: The LegacyChapter Six: Conclusions
Synopsis
This first full-length account of the Darby School of Art overturns Philadelphia's long-held unwarranted reputation and demonstrates that Philadelphia was a hub of avant-garde painting in the early twentieth century. This first full-length account of the Darby School of Art overturns Philadelphia's long-held unwarranted reputation as artistically stodgy--unwilling and unable to embrace Impressionism, post-Impressionist, and abstract art--and demonstrates that Philadelphia was more avant-garde in the early twentieth century than previously thought.This is the story of an almost completely forgotten summer art school that flourished first in Darby, PA, and then in Fort Washington, PA, between 1898 and 1918. The Darby School of Art was founded and operated by Thomas Anshutz and Hugh Breckenridge, two artists who taught during the academic year at the Pennsylvania Academy of the Fine Arts. Anshutz and Breckenridge brought a lot of new ideas about painting back to Philadelphia after their European sojourns, and introduced those ideas to a public that was initially not very responsive to Impressionism, Post-Impressionism, and semi-abstract art. But an appreciation for modern styles of painting began to slowly grow among Philadelphia artists and collectors, and Anshutz and Breckenridge were in the forefront of this development. They also sympathized with what some have called the "New Woman" movement, which backed women who wanted to pursue careers outside of the home.In this new history, expert Mark Sullivan argues that the Philadelphia area was a genuine hub of avant-garde painting in the early twentieth century, even though it has earned the reputation of lagging far behind New York City in its openness to new styles of painting. It also discusses how the Darby School should be recognized as an institution that got behind the idea of women as professional artists at a time when that concept was quite radical., This new account of the Darby School of Art overturns Philadelphia's long-held, unwarranted reputation as artistically stodgy-unwilling and unable to embrace impressionist, post-impressionist, and abstract art. Through the lens of the Darby School, a summer art school program that upended the area's long-held artistic traditions, author Mark W. Sullivan demonstrates that the Philadelphia area was far more avant-garde than originally thought., This first full-length account of the Darby School of Art overturns Philadelphia's long-held unwarranted reputation as artistically stodgy--unwilling and unable to embrace Impressionism, post-Impressionist, and abstract art--and demonstrates that Philadelphia was more avant-garde in the early twentieth century than previously thought, particularly in
LC Classification Number
N330.F68S85 2023
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