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Bernard Herrmann / Original Score Psycho (Red Vinyl) - Ost Records & LPs New
US $19,20
CircaEUR 17,00
Condizione:
Nuovo
Oggetto mai aperto, ancora sigillato (se applicabile). L'oggetto è nella confezione sigillata originale (se applicabile). Per maggiori dettagli, consulta l'inserzione del venditore.
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Spedizione:
Gratis USPS Media MailTM.
Oggetto che si trova a: Charleston, South Carolina, Stati Uniti
Consegna:
Consegna prevista tra il mer 7 mag e il lun 12 mag a 43230
Restituzioni:
Restituzioni entro 30 giorni. Le spese di spedizione del reso sono a carico dell'acquirente..
Pagamenti:
Fai shopping in tutta sicurezza
Il venditore si assume la piena responsabilità della messa in vendita dell'oggetto.
Numero oggetto eBay:177061827574
Specifiche dell'oggetto
- Condizione
- Style
- LP
- Country/Region of Manufacture
- US
- Material
- Vinyl
- Record Grading
- Mint (M)
- Type
- Vinyl
- Sleeve Grading
- Mint (M)
- Inlay Condition
- Mint (M)
- Language
- English
- Catalog Number
- DOST652H
- Case Type
- Cardboard Sleeve
- UPC
- 0889397556525
Informazioni su questo prodotto
Product Identifiers
Record Label
DOL, IMT
UPC
0889397556525
eBay Product ID (ePID)
18046048350
Product Key Features
Release Year
2016
Format
Record
Genre
Soundtrack
Artist
Psycho / O.S.T.
Release Title
Psycho (Original Motion Picture Soundtrack)
Dimensions
Item Height
0.21 in
Item Weight
0.56 lb
Item Length
12.21 in
Item Width
11.51 in
Additional Product Features
Number of Tracks
7
Tracks
1.1 Prelude; the City; Marion and Sam; Temptation; 6:17 1.2 Flight; the Patrol Car; the Car Lot; the Package; the Rainstorm; 7:23 1.3 Hotel Room; the Window; the Parlour; the Madhouse; the Peephole; 8:54 2.1 The Bathroom; the Murder; the Body; the Office; the Curtain; the Water; the Car; the Swamp; 7:00 2.2 The Search; the Shadow; Phone Booth; the Porch; the Stairs; the Knife; 5:43 2.3 The Search; the First Floor; Cabin 10; Cabin 1; 6:20 2.4 The Hill; the Bedroom; the Toys; the Cellar; Discovery; Finale; 5:00
Number of Discs
1
Notes
Bernard Herrmann ?- Psycho (The Original Film Score) Hitchcock insisted that Bernard Herrmann write the score for Psycho despite the composer's refusal to accept a reduced fee for the film's lower budget. The resulting score, according to Christopher Palmer in The Composer in Hollywood (1990) is "perhaps Herrmann's most spectacular Hitchcock achievement." Hitchcock was pleased with the tension and drama the score added to the film, later remarking "33% of the effect of Psycho was due to the music." The singular contribution of Herrmann's score may be inferred from the unusual penultimate placement of the composer's name in the film's opening credit sequence, as it is followed only by Hitchcock's directing credit. Herrmann used the lowered music budget to his advantage by writing for a string orchestra rather than a full symphonic ensemble, contrary to Hitchcock's request for a jazz score. He thought of the single tone color of the all-string soundtrack as a way of reflecting the black-and-white cinematography of the film. The strings play con sordini (with a muting device placed across the bridge) for all the music other than the shower scene, creating a darker and more intense effect. Hollywood composer Fred Steiner, in an analysis of the score to Psycho, points out that string instruments gave Herrmann access to a wider range in tone, dynamics, and instrumental special effects than any other single instrumental group would have. The main title music, a tense, hurtling piece, sets the tone of impending violence, and returns three times on the soundtrack.[96][97] Though nothing shocking occurs during the first 15-20 minutes of the film, the title music remains in the audience's mind, lending tension to these early scenes.[96] Herrmann also maintains tension through the slower moments in the film through the use of ostinato.
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