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Spectacular Art of Jean-Leon Gerome 1824-1904 SKIRA Art Artist Painter Sculptor
US $99,00
CircaEUR 86,18
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Buone condizioni
Libro che è già stato letto ma è in buone condizioni. Mostra piccolissimi danni alla copertina incluse alcune rigature, ma nessun foro o strappo. È possibile che la sovraccoperta per le copertine rigide non sia inclusa. La rilegatura presenta minimi segni di usura. La maggior parte delle pagine non è danneggiata e mostra una quantità minima di piegature o strappi, sottolineature di testo a matita, nessuna evidenziazione di testo né scritte ai margini. Non ci sono pagine mancanti. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Spedizione:
US $5,38 (circa EUR 4,68) USPS Media MailTM.
Oggetto che si trova a: Jersey City, New Jersey, Stati Uniti
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Consegna prevista tra il lun 16 giu e il lun 23 giu
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Numero oggetto eBay:177045560572
Specifiche dell'oggetto
- Condizione
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Features
- Illustrated
- ISBN
- 9788857207025
Informazioni su questo prodotto
Product Identifiers
Publisher
Rizzoli International Publications, Incorporated
ISBN-10
8857207021
ISBN-13
9788857207025
eBay Product ID (ePID)
102808259
Product Key Features
Book Title
Jean-Leon Gerome
Number of Pages
374 Pages
Language
English
Topic
Criticism & Theory, Individual Artists / Monographs, European
Publication Year
2010
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
1.3 in
Item Weight
82.2 Oz
Item Length
11.3 in
Item Width
9.6 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
759.4
Synopsis
An overview of Grme's oeuvre from his sources of inspiration to his influences on others. The public perception of Jean-Lon Grme has changed greatly over the past decades. Long stigmatized as an emblem of sterile academicism, he is now considered one of the nineteenth century's great image makers. This catalog highlights and analyzes his bountiful expression of a visual grammar that takes illusionist obsession to the limits of the bizarre and establishes a resonance with all visual arts, including prints, photography, and cinema. In particular, it will make it possible to propose new approaches to such diverse issues as Grme's place in the French painting of his time, his theatrical conception of historical themes, his complex exoticism, his use of polychrome in sculpture, his role as a teacher, his relationship with historical models, how the figure of this artist galvanized the anti-academy clash at the end of the nineteenth century, and lastly, the singular American destiny of his works. The catalog sets out to explore, beyond the immediate seductive qualities and accessibility of Grme's oeuvre, its double identity, both erudite and popular, which now renders it so precious to art historians and to the general public., An overview of G r me's oeuvre from his sources of inspiration to his influences on others. The public perception of Jean-L on G r me has changed greatly over the past decades. Long stigmatized as an emblem of sterile academicism, he is now considered one of the nineteenth century's great image makers. This catalog highlights and analyzes his bountiful expression of a visual grammar that takes illusionist obsession to the limits of the bizarre and establishes a resonance with all visual arts, including prints, photography, and cinema. In particular, it will make it possible to propose new approaches to such diverse issues as G r me's place in the French painting of his time, his theatrical conception of historical themes, his complex exoticism, his use of polychrome in sculpture, his role as a teacher, his relationship with historical models, how the figure of this artist galvanized the anti-academy clash at the end of the nineteenth century, and lastly, the singular American destiny of his works. The catalog sets out to explore, beyond the immediate seductive qualities and accessibility of G r me's oeuvre, its double identity, both erudite and popular, which now renders it so precious to art historians and to the general public.
LC Classification Number
ND553
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