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Rubáiyát of Omar Khayyám (Oxford World's Classics)
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Numero oggetto eBay:176897918211
Specifiche dell'oggetto
- Condizione
- Ottime condizioni
- Note del venditore
- “paperback in very good condition”
- ISBN
- 9780199580507
Informazioni su questo prodotto
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199580502
ISBN-13
9780199580507
eBay Product ID (ePID)
102875410
Product Key Features
Book Title
Rubáiyát of Omar Khayyám
Number of Pages
240 Pages
Language
English
Topic
Asian / General, General, Poetry
Publication Year
2010
Genre
Literary Criticism, Poetry
Book Series
Oxford World's Classics Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
6.4 Oz
Item Length
7.7 in
Item Width
5.1 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
891.5511
Table Of Content
IntroductionNote on the TextNote on the Pronunciation and Transcription of Persian WordsSelect BibliographyA Chronology of Edward FitzGeraldRUBÁIYÁT OF OMAR KHAYYÁMTable of Corresponding StanzasAppendix 1: Contemporary ResponsesAppendix 2: Tennyson, 'To E. FitzGerald'VariantsExplanatory Notes
Synopsis
'The Moving Finger writes; and, having writMoves on: nor all thy Piety nor WitShall lure it back to cancel half a lineNor all thy tears wash out a word of it.'In the 'rubáiyát' (short epigrammatic poems) of the medieval Persian poet, mathematician, and philosopher Omar Khayyám, Edward FitzGerald saw an unflinching challenge to the illusions and consolations of mankind in every age. His version of Omar is neither a translation nor an independent poem; sceptical of divine providence and insistent on the pleasure of the passing moment, its 'Orientalism' offers FitzGerald a powerful and distinctive voice, in whose accents a whole Victorian generation comes to life. Although the poem's vision is bleak, it is conveyed in some of the most beautiful and haunting images in English poetry - and some of the sharpest- edged. The poem sold no copies at all on its first appearance in 1859, yet when it was 'discovered' two years later its first admirers included Dante Gabriel Rossetti, Swinburne, and Ruskin. Daniel Karlin's richly annotated edition does justice to the scope and complexity of FitzGerald's lyrical meditation on 'human death and fate'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more., In 1859, Edward FitzGerald translated into English the short, epigrammatic poems (or "rubáiyát") of medieval Persian poet Omar Khayyám. If not a true translation--his Omar seems to have read Shakespeare and the King James Bible--the poem nevertheless conveyed some of the most beautiful and haunting images in English poetry, and some of the sharpest-edged. By the end of the century, it was one of the best-known poems in the English language, admired by Swinburne and Ruskin. Daniel Karlin's richly annotated edition focuses on the poem as a work of Victorian literary art, doing justice to the scope and complexity of FitzGerald's lyrical meditation on "human death and fate." Karlin provides a fascinating critical introduction which documents the poem's treatment of its Persian sources, along with its multiple affiliations with English and Classical literature and to the Bible. A selection of contemporary reviews offers an insight into the poem's early reception, including the first attack on its status as a translation. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more., Edward FitzGerald's version of the Rubáiyát of the medieval Persian poet and philosopher Omar Khayyám contains some of the most frequently quoted - and beautiful - lines in English poetry. Daniel Karlin's richly annotated edition does justice to the scope and complexity of FitzGerald's lyrical meditation on 'human death and fate'., The Moving Finger writes; and, having writMoves on: nor all thy Piety nor WitShall lure it back to cancel half a lineNor all thy tears wash out a word of it.'In the 'rubáiyát' (short epigrammatic poems) of the medieval Persian poet, mathematician, and philosopher Omar Khayyám, Edward FitzGerald saw an unflinching challenge to the illusions and consolations of mankind inevery age. His version of Omar is neither a translation nor an independent poem; sceptical of divine providence and insistent on the pleasure of the passing moment, its 'Orientalism' offers FitzGerald a powerful and distinctive voice, inwhose accents a whole Victorian generation comes to life. Although the poem's vision is bleak, it is conveyed in some of the most beautiful and haunting images in English poetry - and some of the sharpest- edged. The poem sold no copies at all on its first appearance in 1859, yet when it was 'discovered' two years later its first admirers included Dante Gabriel Rossetti, Swinburne, and Ruskin. Daniel Karlin's richly annotated edition does justice to the scope and complexity of FitzGerald'slyrical meditation on 'human death and fate'., In 1859, Edward FitzGerald translated into English the short, epigrammatic poems (or "rubaiyat") of medieval Persian poet Omar Khayyam. If not a true translation--his Omar seems to have read Shakespeare and the King James Bible--the poem nevertheless conveyed some of the most beautiful and haunting images in English poetry, and some of the sharpest-edged. By the end of the century, it was one of the best-known poems in the English language, admired by Swinburne and Ruskin. Daniel Karlin's richly annotated edition focuses on the poem as a work of Victorian literary art, doing justice to the scope and complexity of FitzGerald's lyrical meditation on "human death and fate." Karlin provides a fascinating critical introduction which documents the poem's treatment of its Persian sources, along with its multiple affiliations with English and Classical literature and to the Bible. A selection of contemporary reviews offers an insight into the poem's early reception, including the first attack on its status as a translation. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more."
LC Classification Number
PK6513.A1
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- a***9 (160)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoMain set has arrived safely and sound. Per our conversation, the single from a 3rd source has not yet arrived. Items are as described, good condition, clean. Very happy with communication and quality. As per third photo, do you by any chance have The Black Stallion's Shadow and The Black Stallion's Steeple-Chaser? If so, I would be interested in acquiring those from you, also.
- a***a (61)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoOrdered the entire Bosch series. Seller was missing one of the books upon order. They were very receptive and open with communication. They did ship it accordingly when they received it as promised. Upon delivery, I was missing a second book. Again, seller was great and quick to response and Sent me the missing book. I was able to obtain the complete order. Very happy. Would recommend. Would buy again.