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A BARTHES READER-Roland Barthes (1983, PB)~SUSAN SONTAG
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“Graded "Used-GOOD." See item description for further details!”
- Compralo SubitoA BARTHES READER-Roland Barthes (1983, PB)~SUSAN SONTAG
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Oggetto che si trova a: Red Hook, New York, Stati Uniti
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Consegna prevista tra il ven 28 nov e il mer 3 dic
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Informazioni sull'oggetto
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Numero oggetto eBay:176840919795
Specifiche dell'oggetto
- Condizione
- Buone condizioni
- Note del venditore
- “Graded "Used-GOOD." See item description for further details!”
- ISBN
- 9780374521448
Informazioni su questo prodotto
Product Identifiers
Publisher
Farrar, Straus & Giroux
ISBN-10
0374521441
ISBN-13
9780374521448
eBay Product ID (ePID)
126425
Product Key Features
Book Title
Barthes Reader
Number of Pages
534 Pages
Language
English
Topic
Free Will & Determinism, Semiotics & Theory
Publication Year
1983
Illustrator
Yes
Genre
Literary Criticism, Philosophy
Format
Trade Paperback
Dimensions
Item Height
1.2 in
Item Weight
24 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Trade
TitleLeading
A
Dewey Edition
19
Reviews
"Roland Barthes must be counted the most characteristic and important French intellectual of the structuralist generation that gained worldwide attention in the 1960s. Yet as an intellectual authority--maître à penser, as the French tend to say--he cut a curious figure. He detested all forms of authority, worried about the power wielded by the teacher, and called his main subject, literature, 'a grand imposture.' He could be assertive, but always in the mode of counterstatement, affirming the inverse of society's accepted dogmas and myths. . . . A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing." --Peter Brooks, Yale University " A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing." -- Peter Brooks, Yale University, "Roland Barthes must be counted the most characteristic and important French intellectual of the structuralist generation that gained worldwide attention in the 1960s. Yet as an intellectual authority-- ma tre penser , as the French tend to say--he cut a curious figure. He detested all forms of authority, worried about the power wielded by the teacher, and called his main subject, literature, 'a grand imposture.' He could be assertive, but always in the mode of counterstatement, affirming the inverse of society's accepted dogmas and myths. . . . A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing."--Peter Brooks, Yale University, "Roland Barthes must be counted the most characteristic and important French intellectual of the structuralist generation that gained worldwide attention in the 1960s. Yet as an intellectual authority--maÎtre À penser, as the French tend to say--he cut a curious figure. He detested all forms of authority, worried about the power wielded by the teacher, and called his main subject, literature, 'a grand imposture.' He could be assertive, but always in the mode of counterstatement, affirming the inverse of society's accepted dogmas and myths. . . . A Barthes Readergives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing."--Peter Brooks, Yale University, A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing., "Roland Barthes must be counted the most characteristic and important French intellectual of the structuralist generation that gained worldwide attention in the 1960s. Yet as an intellectual authority--maÎtre À penser, as the French tend to say--he cut a curious figure. He detested all forms of authority, worried about the power wielded by the teacher, and called his main subject, literature, 'a grand imposture.' He could be assertive, but always in the mode of counterstatement, affirming the inverse of society's accepted dogmas and myths. . . . A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing."--Peter Brooks, Yale University, Roland Barthes must be counted the most characteristic and important French intellectual of the structuralist generation that gained worldwide attention in the 1960s. Yet as an intellectual authority--maître à penser, as the French tend to say--he cut a curious figure. He detested all forms of authority, worried about the power wielded by the teacher, and called his main subject, literature, 'a grand imposture.' He could be assertive, but always in the mode of counterstatement, affirming the inverse of society's accepted dogmas and myths. . . . A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing., "Roland Barthes must be counted the most characteristic and important French intellectual of the structuralist generation that gained worldwide attention in the 1960s. Yet as an intellectual authority--matre penser, as the French tend to say--he cut a curious figure. He detested all forms of authority, worried about the power wielded by the teacher, and called his main subject, literature, 'a grand imposture.' He could be assertive, but always in the mode of counterstatement, affirming the inverse of society's accepted dogmas and myths. . . . A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing." --Peter Brooks, Yale University " A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing." -- Peter Brooks, Yale University, "Roland Barthes must be counted the most characteristic and important French intellectual of the structuralist generation that gained worldwide attention in the 1960s. Yet as an intellectual authority-- maître à penser , as the French tend to say--he cut a curious figure. He detested all forms of authority, worried about the power wielded by the teacher, and called his main subject, literature, 'a grand imposture.' He could be assertive, but always in the mode of counterstatement, affirming the inverse of society's accepted dogmas and myths. . . . A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts--and what they have to tell us about the concept of being human. His work is always partial, passionate underneath its cool, and preliminary, ready to be superseded or contradicted, yet its pedagogical power is durable. . . . Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing."--Peter Brooks, Yale University
Dewey Decimal
700
Synopsis
A Barthes Readergives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts- and what they have to tell us about the concept of being human. Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing., A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts- and what they have to tell us about the concept of being human. Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing.
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