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Fernand Leger By Matthew Affron & Carolyn Lanchner - Hardcover ~ NEW
US $45,00
CircaEUR 38,43
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- Compralo SubitoFernand Leger By Matthew Affron & Carolyn Lanchner - Hardcover ~ NEW
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Spedizione:
US $7,47 (circa EUR 6,38) USPS Media MailTM.
Oggetto che si trova a: Maricopa, California, Stati Uniti
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Consegna prevista tra il gio 4 set e il lun 8 set a 94104
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Numero oggetto eBay:167751337443
Specifiche dell'oggetto
- Condizione
- Type
- Hardcover
- Publication Name
- The Museum of Modern Art, New York
- ISBN-10
- 0870700529
- ISBN
- 9780870700521
Informazioni su questo prodotto
Product Identifiers
Publisher
Museum of Modern Art
ISBN-10
0870700529
ISBN-13
9780870700521
eBay Product ID (ePID)
472991
Product Key Features
Book Title
Fernand Leger
Number of Pages
304 Pages
Language
English
Publication Year
2002
Topic
Individual Artists / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Weight
67.4 Oz
Item Length
10 in
Item Width
10.5 in
Additional Product Features
LCCN
97-075510
Dewey Edition
21
Number of Volumes
1 vol.
Dewey Decimal
759.4
Synopsis
Fernand Lªger is the only major modern artist to choose modernity itself as his subject. From his early series Contrastes de formes of 1913-14--the first fully abstract works to emerge from Cubism--through his paintings of construction workers from the late 1940s and early 1950s, his enduring subject was the pulse and dynamism of everyday life. Lªger saw the 20th century environment as a "state of contrasts," a condition that he translated into art through forceful juxtaposition of shape, color, and line. His attempt to reconcile the formal concerns of artmaking with issues of social responsibility continues to be relevant to the art world of today. Accompanying texts recount Lªger's experience of and interest in America and America's interest in him; explore refractions of Lªger's interests in the work of more recent artists; and discuss Lªger's ambition to make an art reflecting the "new visual state" of modern life. An illustrated chronology tells the story of the artist's life, focusing on his time in America, the plate section is complemented by a series of short essays tracing the formal and thematic developments in his art, and a selected bibliography and detailed exhibition history complete the book.This book was published to accompany the 1998 retrospective at The Museum of Modern Art, New York., Edited by Carolyn Lanchner. Essays by Carolyn Lanchner, Jodi Hauptman and Matthew Affron. Introduction by Beth Handler. Foreword by Glenn D. Lowry., Fernand Leger (1881-1955) is the only modern artist to choose modernity itself as his subject. From his early series Contrastes de formes (1913-14), the first fully abstract works to emerge from Cubism, through his last realistic paintings of construction workers from the early 1950s, Leger's lifelong subject was the pulse and dynamism of contemporary life., Fernand Lager is the only major modern artist to choose modernity itself as his subject. From his early series Contrastes de formes of 1913-14--the first fully abstract works to emerge from Cubism--through his paintings of construction workers from the late 1940s and early 1950s, his enduring subject was the pulse and dynamism of everyday life. Lager saw the 20th century environment as a "state of contrasts," a condition that he translated into art through forceful juxtaposition of shape, color, and line. His attempt to reconcile the formal concerns of artmaking with issues of social responsibility continues to be relevant to the art world of today. Accompanying texts recount Lager's experience of and interest in America and America's interest in him; explore refractions of Lager's interests in the work of more recent artists; and discuss Lager's ambition to make an art reflecting the "new visual state" of modern life. An illustrated chronology tells the story of the artist's life, focusing on his time in America, the plate section is complemented by a series of short essays tracing the formal and thematic developments in his art, and a selected bibliography and detailed exhibition history complete the book.This book was published to accompany the 1998 retrospective at The Museum of Modern Art, New York.
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