The Moment of Self-Portraiture in German Renaissance Art

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Specifiche dell'oggetto

Condizione
Come Nuovo: Libro che sembra nuovo anche se è già stato letto. La copertina non presenta segni di ...
Release Year
1993
Book Title
The Moment of Self-Portraiture in German Renaissance Art
Subject
Art
ISBN
9780226449975
Categoria

Informazioni su questo prodotto

Product Identifiers

Publisher
University of Chicago Press
ISBN-10
0226449971
ISBN-13
9780226449975
eBay Product ID (ePID)
1835262

Product Key Features

Number of Pages
564 Pages
Publication Name
Moment of Self-Portraiture in German Renaissance Art
Language
English
Subject
Subjects & Themes / Portraits, General, European
Publication Year
1993
Type
Textbook
Author
Joseph Leo Körner
Subject Area
Art, Psychology
Format
Hardcover

Dimensions

Item Weight
87.8 Oz
Item Length
11 in
Item Width
8.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
92-015135
TitleLeading
The
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
759.3
Table Of Content
List of Illustrations Preface Prologue 1: Prosopopoeia 2: Self and Epoch 3: Organa of History Pt. 1: The Project of Self-Portraiture: Albrecht Durer 4: The Artist as Christ 5: Not Made by Human Hands 6: Figures of Omnivoyance 7: The Divine Hand 8: The Hairy, Bearded Painter 9: Representative Man 10: The Law of Authorship 11: Bas-de-Page Pt. 2: The Mortification of the Image: Hans Baldung Grien 12: Durer Disfigured 13: Death and Experience 14: Death as Hermeneutic 15: The Crisis of Interpretation 16: Homo Interpres in Bivio: Cranach and Luther 17: The Death of the Artist Notes Photographic Credits Index
Synopsis
In this groundbreaking and elegantly written study, Joseph Koerner establishes the character of Renaissance art in Germany. Opening up new modes of inquiry for historians of art and early modern Europe, Koerner examines how artists such as Albrecht Durer and Hans Baldung Grien reflected in their masterworks the changing status of the self in sixteenth-century Germany. "[A] dazzling book. . . . He has turned out one of the most powerful, as well as one of the most ambitious, art-historical works of the last decade." -- Anthony Grafton, New Republic "Rich and splendid. . . . Joseph Koerner's book is a dazzling display of scholarship, enfolding Durer's artistic achievement within the broader issues of self and salvation, and like [Durer's] great Self- Portrait it holds up a mirror to the modern fable of identity." -- Bruce Boucher, The Times "Remarkable and densely argued." -- Marcia Pointon, British Journal of Aesthetics "Herculean and brilliant. . . . Will echo in fields beyond the Sixteenth-Century and Art History." -- Larry Silver, Sixteenth Century Journal "May be the most ambitious of recent American reflections on the mysteries of German art. His elegantly written book deals with the fateful period in the history of German art when it reached its highest point. . . . Offers deeper and more disturbing insights into German Renaissance art than most earlier scholarship." -- Willibald Sauerlander, New York Review of Books, In this groundbreaking and elegantly written study, Joseph Koerner establishes the character of Renaissance art in Germany. Opening up newmodes of inquiry for historians of art and early modern Europe, Koerner examines how artists such as Albrecht Durer and Hans Baldung Grien reflected in their masterworks the changing status of the self in sixteenth-century Germany. " A] dazzling book. . . . He has turned out one of the most powerful, aswell as one of the most ambitious, art-historical works of the last decade." Anthony Grafton, New Republic "Rich and splendid. . . . Joseph Koerner's book is a dazzling display of scholarship, enfolding Durer's artistic achievement within the broader issues of self and salvation, and like Durer's] great Self- Portrait it holds up a mirror to the modern fable of identity." Bruce Boucher, The Times "Remarkable and densely argued." Marcia Pointon, British Journal of Aesthetics "Herculean and brilliant. . . . Will echo in fields beyond the Sixteenth-Century and Art History." Larry Silver, Sixteenth Century Journal "May be the most ambitious of recent American reflections on the mysteries of German art. His elegantly written book deals with the fateful period in the history of German art when it reached its highest point. . . . Offers deeper and more disturbing insights into German Renaissance art than most earlier scholarship." Willibald Sauerlander, New York Review of Books "
LC Classification Number
ND588.D9K82 1993

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