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Enlightenment in Ruins: The Geographies of Oliver Goldsmith
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Numero oggetto eBay:165115371315
Specifiche dell'oggetto
- Condizione
- Come Nuovo
- Note del venditore
- “Dust jacket, black cloth boards and book's interior in fine condition.”
- Features
- Dust Jacket
- Genre
- World literature & Classics
- Personalized
- No
- Ex Libris
- No
- Book Title
- Enlightenment in Ruins: The Geographies of Oliver Goldsmith
- Era
- 2010s
- Intended Audience
- Adults
- Inscribed
- No
- Vintage
- No
- Topic
- Literary History
- Narrative Type
- Nonfiction
- Custom Bundle
- No
- Signed
- No
- Country/Region of Manufacture
- United States
- ISBN
- 9781611485059
Informazioni su questo prodotto
Product Identifiers
Publisher
Bucknell University Press
ISBN-10
1611485053
ISBN-13
9781611485059
eBay Product ID (ePID)
167363101
Product Key Features
Number of Pages
226 Pages
Language
English
Publication Name
Enlightenment in Ruins : the Geographies of Oliver Goldsmith
Publication Year
2013
Subject
Europe / Great Britain / General, Europe / Ireland, European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism, History
Series
Transits: Literature, Thought and Culture, 1650-1850 Ser.
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
17.3 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2013-015895
Reviews
Griffin's new monograph, Enlightenment in Ruins: The Geographies of Oliver Goldsmith, extends this analysis to Goldsmith's entire career and offers a compelling picture of the self contradictions of Enlightenment culture at midcentury., Enlightenment in Ruins offers a critical revaluation of Oliver Goldsmith's contributions to enlightenment thought, focusing particularly on elements that align with Irish strains produced by contemporaries such as Edmund Burke. Griffin asserts that Goldsmith has been too easily dismissed as a mawkish purveyor of simplistic nostalgia, when his imaginative works question cultural relations, parody fascination with the exotic, and critique the British imperial project., Griffin (18th-century and Irish studies, Univ. of Limerick) offers a fresh look at the career of Oliver Goldsmith. Departing from the view that Goldsmith's dabbling in varied themes and genres renders his canon a 'sentimental foil to Swift,' Griffin presents Goldsmith as representing complex political strands rooted in his Irish sympathies. This critical stance allows readers to appreciate the tensions between Enlightenment contexts and Jacobite politics. The study consists of four essays. The first chapters deal with Goldsmith's survey of human nature and examine contemporary theories. The second section concerns political landscapes and deals specifically with Irish themes and concerns. In the final chapter, Griffin's interpretation of 'The Deserted Village' gathers the considerations of the previous chapters and situates the poetic critique in an Irish context. This volume, part of Bucknell's 'Transits' series, devoted to 18th-century studies, offers a vital contribution toward understanding the work of an often underappreciated author. The extensive notes and bibliography support further study of Oliver Goldsmith by specialists in Irish and 18th-century literature. Summing Up: Recommended. Upper-division undergraduates through faculty.d to 18th-century studies, offers a vital contribution toward understanding the work of an often underappreciated author. The extensive notes and bibliography support further study of Oliver Goldsmith by specialists in Irish and 18th-century literature. Summing Up: Recommended. Upper-division undergraduates through faculty.d to 18th-century studies, offers a vital contribution toward understanding the work of an often underappreciated author. The extensive notes and bibliography support further study of Oliver Goldsmith by specialists in Irish and 18th-century literature. Summing Up: Recommended. Upper-division undergraduates through faculty.d to 18th-century studies, offers a vital contribution toward understanding the work of an often underappreciated author. The extensive notes and bibliography support further study of Oliver Goldsmith by specialists in Irish and 18th-century literature. Summing Up: Recommended. Upper-division undergraduates through faculty., Griffin (18th-century and Irish studies, Univ. of Limerick) offers a fresh look at the career of Oliver Goldsmith. Departing from the view that Goldsmith's dabbling in varied themes and genres renders his canon a 'sentimental foil to Swift,' Griffin presents Goldsmith as representing complex political strands rooted in his Irish sympathies. This critical stance allows readers to appreciate the tensions between Enlightenment contexts and Jacobite politics. The study consists of four essays. The first chapters deal with Goldsmith's survey of human nature and examine contemporary theories. The second section concerns political landscapes and deals specifically with Irish themes and concerns. In the final chapter, Griffin's interpretation of 'The Deserted Village' gathers the considerations of the previous chapters and situates the poetic critique in an Irish context. This volume, part of Bucknell's 'Transits' series, devoted to 18th-century studies, offers a vital contribution toward understanding the work of an often underappreciated author. The extensive notes and bibliography support further studd to 18th-century studies, offers a vital contribution toward understanding the work of an often underappreciated author. The extensive notes and bibliography support further study of Oliver Goldsmith by specialists in Irish and 18th-century literature. Summing Up: Recommended. Upper-division undergraduates through faculty.d to 18th-century studies, offers a vital contribution toward understanding the work of an often underappreciated author. The extensive notes and bibliography support further study of Oliver Goldsmith by specialists in Irish and 18th-century literature. Summing Up: Recommended. Upper-division undergraduates through faculty., Goldsmith might have something to tell us about what Michael Griffin in this very welcome book calls 'the destructive negligence of the rich'. . . .This book is a model of historically informed literary analysis, beautifully written and assiduously researched., Griffin (18th-century and Irish studies, Univ. of Limerick) offers a fresh look at the career of Oliver Goldsmith. Departing from the view that Goldsmith's dabbling in varied themes and genres renders his canon a 'sentimental foil to Swift,' Griffin presents Goldsmith as representing complex political strands rooted in his Irish sympathies. This critical stance allows readers to appreciate the tensions between Enlightenment contexts and Jacobite politics. The study consists of four essays. The first chapters deal with Goldsmith's survey of human nature and examine contemporary theories. The second section concerns political landscapes and deals specifically with Irish themes and concerns. In the final chapter, Griffin's interpretation of 'The Deserted Village' gathers the considerations of the previous chapters and situates the poetic critique in an Irish context. This volume, part of Bucknell's 'Transits' series, devoted to 18th-century studies, offers a vital contribution toward understanding the work of an often underappreciated author. The extensive notes and bibliography support further study of Oliver Goldsmith by specialists in Irish and 18th-century literature. Summing Up: Recommended. Upper-division undergraduates through faculty., "Griffin (18th-century and Irish studies, Univ. of Limerick) offers a fresh look at the career of Oliver Goldsmith. Departing from the view that Goldsmith's dabbling in varied themes and genres renders his canon a 'sentimental foil to Swift,' Griffin presents Goldsmith as representing complex political strands rooted in his Irish sympathies. This critical stance allows readers to appreciate the tensions between Enlightenment contexts and Jacobite politics. The study consists of four essays. The first chapters deal with Goldsmith's survey of human nature and examine contemporary theories. The second section concerns political landscapes and deals specifically with Irish themes and concerns. In the final chapter, Griffin's interpretation of 'The Deserted Village' gathers the considerations of the previous chapters and situates the poetic critique in an Irish context. This volume, part of Bucknell's 'Transits' series, devoted to 18th-century studies, offers a vital contribution toward understanding the work of an often underappreciated author. The extensive notes and bibliography support further study of Oliver Goldsmith by specialists in Irish and 18th-century literature. Summing Up: Recommended. Upper-division undergraduates through faculty." -- Choice Reviews "Goldsmith might have something to tell us about what Michael Griffin in this very welcome book calls 'the destructive negligence of the rich'. . . .This book is a model of historically informed literary analysis, beautifully written and assiduously researched." -- Times Literary Supplement "Enlightenment in Ruins offers a critical revaluation of Oliver Goldsmith's contributions to enlightenment thought, focusing particularly on elements that align with Irish strains produced by contemporaries such as Edmund Burke. Griffin asserts that Goldsmith has been too easily dismissed as a mawkish purveyor of simplistic nostalgia, when his imaginative works question cultural relations, parody fascination with the exotic, and critique the British imperial project." -- Intelligencer "Griffin's new monograph, Enlightenment in Ruins: The Geographies of Oliver Goldsmith, extends this analysis to Goldsmith's entire career and offers a compelling picture of the self contradictions of Enlightenment culture at midcentury." -- SEL: Studies in English Literature 1500-1900, Griffin (18th-century and Irish studies, Univ. of Limerick) offers a fresh look at the career of Oliver Goldsmith. Departing from the view that Goldsmith's dabbling in varied themes and genres renders his canon a 'sentimental foil to Swift,' Griffin presents Goldsmith as representing complex political strands rooted in his Irish sympathies. This critical stance allows readers to appreciate the tensions between Enlightenment contexts and Jacobite politics. The study consists of four essays. The first chapters deal with Goldsmith's survey of human nature and examine contemporary theories. The second section concerns political landscapes and deals specifically with Irish themes and concerns. In the final chapter, Griffin's interpretation of 'The Deserted Village' gathers the considerations of the previous chapters and situates the poetic critique in an Irish context. This volume, part of Bucknell's 'Transits' series, devoted to 18th-century studies, offers a vital contribution toward understanding the work of an often underappreciated author. The extensive notes and bibliography support further study of Oliver Goldsmith by specialists in Irish and 18th-century literature. Summing Up: Recommended. Upper-division undergraduates through faculty. * CHOICE * Goldsmith might have something to tell us about what Michael Griffin in this very welcome book calls 'the destructive negligence of the rich'. . . .This book is a model of historically informed literary analysis, beautifully written and assiduously researched. * Times Literary Supplement * Enlightenment in Ruins offers a critical revaluation of Oliver Goldsmith's contributions to enlightenment thought, focusing particularly on elements that align with Irish strains produced by contemporaries such as Edmund Burke. Griffin asserts that Goldsmith has been too easily dismissed as a mawkish purveyor of simplistic nostalgia, when his imaginative works question cultural relations, parody fascination with the exotic, and critique the British imperial project. * Intelligencer * Griffin's new monograph, Enlightenment in Ruins: The Geographies of Oliver Goldsmith, extends this analysis to Goldsmith's entire career and offers a compelling picture of the self contradictions of Enlightenment culture at midcentury. * SEL: Studies in English Literature 1500-1900 *
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
828/.609
Table Of Content
Acknowledgments Chronology of Goldsmith's career List of Abbreviations Introduction Part 1: Comparative views of races and nations 1. The cultural climate: natural histories of national character 2. The lie of the land: liberty and travel Part 2: Political landscapes and bodies politic 3. Delicate allegories: Ireland and the East 4. Geographies of Ruin: Ireland, America and Auburn's absentees Ill Fares the Land: Conclusion Bibliography Index
Synopsis
Oliver Goldsmith (1728-1774) moved between the genres and geographies of enlightenment writing with considerable dexterity. As a consequence he has been characterized as a passive purveyor of enlightenment thought, a hack, a harried translator of the French enlightenment for an English audience, an ideological lackey, and a subtle ironist. In poetry, he is either a compliant pastoralist or an engaged social critic. Yet Goldsmith's career is as complex and as contradictory as the enlightenment currents across which he wrote, and there is in Goldsmith's oeuvre a set of themes-including his opposition to the new imperialism and to glibly declared principles of liberty-which this book addresses as a manifestation of his Irishness. Michael Griffin places Goldsmith in two contexts: one is the intellectual and political culture in which he worked as a professional author living in London; the other is that of his nationality and his as yet unstudied Jacobite politics. Enlightenment in Ruins thereby reveals a body of work that is compellingly marked by tensions and transits between Irishness and Englishness, between poetic and professional imperatives, and between cultural and scientific spheres., Oliver Goldsmith (1728-1774) moved between the genres and geographies of enlightenment writing with considerable dexterity. As a consequence he has been characterized as a passive purveyor of enlightenment thought, a hack, a harried translator of the French enlightenment for an English audience, an ideological lackey, and a subtle ironist. In poetry, he is either a compliant pastoralist or an engaged social critic. Yet Goldsmith's career is as complex and as contradictory as the enlightenment currents across which he wrote, and there is in Goldsmith's oeuvre a set of themes--including his opposition to the new imperialism and to glibly declared principles of liberty--which this book addresses as a manifestation of his Irishness. Michael Griffin places Goldsmith in two contexts: one is the intellectual and political culture in which he worked as a professional author living in London; the other is that of his nationality and his as yet unstudied Jacobite politics. Enlightenment in Ruins thereby reveals a body of work that is compellingly marked by tensions and transits between Irishness and Englishness, between poetic and professional imperatives, and between cultural and scientific spheres., Oliver Goldsmith (1728-1774) moved between the genres and geographies of enlightenment writing with considerable dexterity. As a consequence he has been characterized as a passive purveyor of enlightenment thought, a hack, a harried translator of the French enlightenment for an English audience, an ideological lackey, and a subtle ironist. In ......
LC Classification Number
PR3493
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- e***2 (1869)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoItem exactly as described, good communication and quick delivery. Great seller.
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