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Dover Music for Piano Ser. Piano Music Bela Bartok Brand New Free ship
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Numero oggetto eBay:156329751937
Specifiche dell'oggetto
- Condizione
- Narrative Type
- Nonfiction
- Country/Region of Manufacture
- United States
- Type
- Music book
- Original Language
- English
- ISBN
- 9780486241081
Informazioni su questo prodotto
Product Identifiers
Publisher
Dover Publications, Incorporated
ISBN-10
0486241084
ISBN-13
9780486241081
eBay Product ID (ePID)
108422221
Product Key Features
Book Title
Piano Music of Bela Bartok
Number of Pages
192 Pages
Language
English
Topic
Genres & Styles / Classical
Publication Year
2010
Genre
Music
Book Series
Dover Music for Piano Ser.
Format
Trade Paperback
Dimensions
Item Weight
18.9 Oz
Item Length
12.2 in
Item Width
9.4 in
Additional Product Features
Intended Audience
Trade
Volume Number
Vol. I
Synopsis
Authoritative edition of early piano works, based on the composer's corrections from his own memorabilia and original editions. Includes an Introduction, translations of folk-song text, and commentary., It is of great importance, Bart k wrote, that anyone who is involved with music should be able to obtain composers'] works in editions which interpret precisely the author's intentions, not of such kind that may have been arbitrarily modified or forged by some adapter. Thirty-six years after his death, in the centennial of his birth (1881), Bart k's wish has finally been realized in his own work. This collection of early piano music is the first volume in the Bart k Archive Edition, the only edition of the great Hungarian composer to be based on corrections from his memorabilia or original editions in the New York Bart k Archive. Comparison has also been made with Hungarian editions published since 1951, which are based on the holdings of the Budapest Bart k Archivum. It is appropriate to begin the Bart k Archive Edition with piano music, for, as Grove's Dictionary notes: The pianoforte was his most natural medium of expression. . . . It was the pianoforte that made Bart k express his harmonic thought with such directness. This volume begins with Bart k's first published work for piano, the Funeral March from the symphonic poem Kossuth . Other works include Four Piano Pieces; Rhapsody, Op. 1; and Fourteen Bagatelles, Op. 6. The stark Bagatelles reflect Bart k's reaction against the Romantic style and the beginning of his highly personal and innovative musical language. Benjamin Suchoff, trustee of the Bart k Estate and Professor at the Center for Contemporary Arts and Letters of the State University of New York at Stony Brook, edited this Archive Edition and provided the Introduction, translations of folk-song texts, and musicological scholarship that will ensure definitive status for this edition. Bart k is a keystone composer of the twentieth century, especially for the piano; with this edition, music lovers have the composer's authentic, authoritative last word., "It is of great importance," Bart k wrote, "that anyone who is involved with music should be able to obtain composers'] works in editions which interpret precisely the author's intentions, not of such kind that may have been arbitrarily modified or forged by some adapter." Thirty-six years after his death, in the centennial of his birth (1881), Bart k's wish has finally been realized in his own work. This collection of early piano music is the first volume in the Bart k Archive Edition, the only edition of the great Hungarian composer to be based on corrections from his memorabilia or original editions in the New York Bart k Archive. Comparison has also been made with Hungarian editions published since 1951, which are based on the holdings of the Budapest Bart k Archivum. It is appropriate to begin the Bart k Archive Edition with piano music, for, as Grove's Dictionary notes: "The pianoforte was his most natural medium of expression. . . . It was the pianoforte that made Bart k express his harmonic thought with such directness." This volume begins with Bart k's first published work for piano, the Funeral March from the symphonic poem Kossuth . Other works include Four Piano Pieces; Rhapsody, Op. 1; and Fourteen Bagatelles, Op. 6. The stark Bagatelles reflect Bart k's reaction against the Romantic style and the beginning of his highly personal and innovative musical language. Benjamin Suchoff, trustee of the Bart k Estate and Professor at the Center for Contemporary Arts and Letters of the State University of New York at Stony Brook, edited this Archive Edition and provided the Introduction, translations of folk-song texts, and musicological scholarship that will ensure definitive status for this edition. Bart k is a keystone composer of the twentieth century, especially for the piano; with this edition, music lovers have the composer's authentic, authoritative last word., "It is of great importance," Bartk wrote, "that anyone who is involved with music should be able to obtain [composers'] works in editions which interpret precisely the author's intentions, not of such kind that may have been arbitrarily modified or forged by some adapter." Thirty-six years after his death, in the centennial of his birth (1881), Bartk's wish has finally been realized in his own work. This collection of early piano music is the first volume in the Bartk Archive Edition, the only edition of the great Hungarian composer to be based on corrections from his memorabilia or original editions in the New York Bartk Archive. Comparison has also been made with Hungarian editions published since 1951, which are based on the holdings of the Budapest Bartk Archivum. It is appropriate to begin the Bartk Archive Edition with piano music, for, as Grove's Dictionary notes: "The pianoforte was his most natural medium of expression. . . . It was the pianoforte that made Bartk express his harmonic thought with such directness." This volume begins with Bartk's first published work for piano, the Funeral March from the symphonic poem Kossuth . Other works include Four Piano Pieces; Rhapsody, Op. 1; and Fourteen Bagatelles, Op. 6. The stark Bagatelles reflect Bartk's reaction against the Romantic style and the beginning of his highly personal and innovative musical language. Benjamin Suchoff, trustee of the Bartk Estate and Professor at the Center for Contemporary Arts and Letters of the State University of New York at Stony Brook, edited this Archive Edition and provided the Introduction, translations of folk-song texts, and musicological scholarship that will ensure definitive status for this edition. Bartk is a keystone composer of the twentieth century, especially for the piano; with this edition, music lovers have the composer's authentic, authoritative last word.
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