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Pageant, Paperback by Dean, Joan Fitzpatrick, Brand New, Free shipping in the US
US $7,95
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Spedizione:
US $5,00 (circa EUR 4,44) USPS Media MailTM.
Oggetto che si trova a: Miami, Florida, Stati Uniti
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Consegna prevista tra il gio 15 mag e il mar 20 mag a 43230
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Numero oggetto eBay:154675205641
Specifiche dell'oggetto
- Condizione
- Book Title
- Pageant
- ISBN
- 9781350144514
Informazioni su questo prodotto
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1350144517
ISBN-13
9781350144514
eBay Product ID (ePID)
4050383233
Product Key Features
Number of Pages
200 Pages
Publication Name
Pageant
Language
English
Subject
Theater / History & Criticism, Social History
Publication Year
2021
Type
Textbook
Subject Area
Performing Arts, History
Series
Forms of Drama Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
8.5 Oz
Item Length
7.7 in
Item Width
5 in
Additional Product Features
Intended Audience
College Audience
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.6209
Table Of Content
List of Illustrations Series Preface Introduction: Ritual and religious origins of pageants Chapter 1: Pageants in the Middle Ages Chapter 2: Pageants and Power in the Twentieth Century Chapter 3: Pageants and the the Invention of Tradition Notes References Index
Synopsis
Focusing on examples from medieval theatre, women's suffrage campaigns, and the 2012 Olympics Opening Ceremony, this is the first book to offer a critical overview of pageant as a dramatic form. By enacting highly selective historical episodes, pageants manipulate audiences' sense of the past. Through iconic music, affecting images, and vernacular forms, pageants express and, in turn, shape religious, civic, or political allegiances. Freely appropriating elements of history plays, patriotic celebrations, opera, and film, pageants create spectacles of sensory overload. Impressive recent scholarship recognizes pageants as public history, but this is the first authoritative account of the origins, characteristics, and techniques of pageants as a theatrical idiom. Performed in sporting arenas, the open air, or purpose-built theatres, these paratheatrical events express identity through what Erika Fischer-Lichte calls "the re-theatricalization of theatre." Pageants are intimately connected with power-they either assert and celebrate it or seek and demand it. Medieval religious pageants were so popular and powerful that they were suppressed and extinguished. The vogue for pageantry that swept through the English-speaking world in the decade before WWI was closely tied to the expansion of the franchise. Many early twentieth century pageants celebrated localities; others subversively advocated for women's suffrage. First performed in 1909, Cicely Hamilton's A Pageant of Great Women depicted historical personages from the near and distant past as well as allegorical figures such as Justice and Prejudice. Today, the Olympic Games mandate an opening ceremony that "details the country's history, culture, and overall importance for the global community." London delivered just such a pageant in 2012. This book features a wide-ranging introduction that maps the cultural evolution of this enduring theatrical form and covers popular and readily accessible pageants from medieval England, the early twentieth century, and our own day., Focusing on examples from medieval theatre, women's suffrage campaigns, and the 2012 Olympics Opening Ceremony, this is the first book to offer a critical overview of pageant as a dramatic form. By enacting highly selective historical episodes, pageants manipulate audiences' sense of the past. Through iconic music, affecting images, and vernacular forms, pageants express and, in turn, shape religious, civic, or political allegiances. Freely appropriating elements of history plays, patriotic celebrations, opera, and film, pageants create spectacles of sensory overload. Impressive recent scholarship recognizes pageants as public history, but this is the first authoritative account of the origins, characteristics, and techniques of pageants as a theatrical idiom. Performed in sporting arenas, the open air, or purpose-built theatres, these paratheatrical events express identity through what Erika Fischer-Lichte calls "the re-theatricalization of theatre." Pageants are intimately connected with power--they either assert and celebrate it or seek and demand it. Medieval religious pageants were so popular and powerful that they were suppressed and extinguished. The vogue for pageantry that swept through the English-speaking world in the decade before WWI was closely tied to the expansion of the franchise. Many early twentieth century pageants celebrated localities; others subversively advocated for women's suffrage. First performed in 1909, Cicely Hamilton's A Pageant of Great Women depicted historical personages from the near and distant past as well as allegorical figures such as Justice and Prejudice. Today, the Olympic Games mandate an opening ceremony that "details the country's history, culture, and overall importance for the global community." London delivered just such a pageant in 2012. This book features a wide-ranging introduction that maps the cultural evolution of this enduring theatrical form and covers popular and readily accessible pageants from medieval England, the early twentieth century, and our own day.
LC Classification Number
PN3203
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