Meditations in an Emergency by Frank O'Hara (1996, Trade Paperback)

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Product Identifiers

PublisherGROVE/Atlantic, Incorporated
ISBN-100802134521
ISBN-139780802134523
eBay Product ID (ePID)1005123

Product Key Features

Edition2
Book TitleMeditations in an Emergency
Number of Pages52 Pages
LanguageEnglish
TopicGeneral, American / General, Lgbt
Publication Year1996
FeaturesReprint
GenrePoetry
AuthorFrank O'hara
FormatTrade Paperback

Dimensions

Item Height0.3 in
Item Weight3.5 Oz
Item Length8 in
Item Width5.4 in

Additional Product Features

Intended AudienceTrade
Reviews"O'Hara, a key interpreter of the aesthetics of abstract-expressionism, was a vital presence in New York's dynamic postwar art world, whether as a curator at the Museum of Modem Art, a visionary critic, a lushly original and lyrical poet, or an unflagging, often outrageous socialite." --Donna Seaman, Booklist "Moving in the way that only simple communication can be moving. . . . His poems always manage a fresh start, free from the dreadful posturings of the conventional verse of his generation." --Kenneth Rexroth, The New York Times Book Review, O'Hara, a key interpreter of the aesthetics of abstract-expressionism, was a vital presence in New York's dynamic postwar art world, whether as a curator at the Museum of Modem Art, a visionary critic, a lushly original and lyrical poet, or an unflagging, often outrageous socialite." —Donna Seaman, Booklist Moving in the way that only simple communication can be moving. . . . His poems always manage a fresh start, free from the dreadful posturings of the conventional verse of his generation." —Kenneth Rexroth, The New York Times Book Review, "O'Hara, a key interpreter of the aesthetics of abstract-expressionism, was a vital presence in New York's dynamic postwar art world, whether as a curator at the Museum of Modem Art, a visionary critic, a lushly original and lyrical poet, or an unflagging, often outrageous socialite." -- Donna Seaman, Booklist "Moving in the way that only simple communication can be moving. . . . His poems always manage a fresh start, free from the dreadful posturings of the conventional verse of his generation." -- Kenneth Rexroth, The New York Times Book Review, O'Hara, a key interpreter of the aesthetics of abstract-expressionism, was a vital presence in New York's dynamic postwar art world, whether as a curator at the Museum of Modem Art, a visionary critic, a lushly original and lyrical poet, or an unflagging, often outrageous socialite." —Donna Seaman,Booklist Moving in the way that only simple communication can be moving. . . . His poems always manage a fresh start, free from the dreadful posturings of the conventional verse of his generation." —Kenneth Rexroth,The New York Times Book Review
Edition DescriptionReprint
SynopsisFrank O'Hara was one of the great poets of the twentieth century and, along with such widely acclaimed writers as Denise Levertov, Allen Ginsberg, Robert Creeley, and Gary Snyder, a crucial contributor to what Donald Allen termed the New American Poetry, "which, by its vitality alone, became the dominant force in the American poetic tradition." Frank O'Hara was born in Baltimore in 1926 and grew up in New England; from 1951 he lived and worked in New York, both for Art News and for the Museum of Modern Art, where he was an associate curator. O'Hara's untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, "the biggest secret loss to American poetry since John Wheelwright was killed." This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O'Hara's conviction that to write poetry, indeed to live, "you just go on your nerve.", Collected poems from one of the Twentieth Century's most influential voices. Frank O'Hara was one of the great poets of the twentieth century and, along with such widely acclaimed writers as Denise Levertov, Allen Ginsberg, Robert Creeley, and Gary Snyder, a crucial contributor to what Donald Allen termed the New American Poetry, "which, by its vitality alone, became the dominant force in the American poetic tradition." Frank O'Hara was born in Baltimore in 1926 and grew up in New England; from 1951 he lived and worked in New York, both for Art News and for the Museum of Modern Art, where he was an associate curator. O'Hara's untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, "the biggest secret loss to American poetry since John Wheelwright was killed.". This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O'Hara's conviction that to write poetry, indeed to live, "you just go on your nerve.", Frank O Hara was one of the great poets of the twentieth century and, along with such widely acclaimed writers as Denise Levertov, Allen Ginsberg, Robert Creeley, and Gary Snyder, a crucial contributor to what Donald Allen termed the New American Poetry, which, by its vitality alone, became the dominant force in the American poetic tradition. Frank

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