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Art and the French Commune by Albert Boime
by Albert Boime | HC | LikeNew
US $7,59
CircaEUR 6,51
Condizione:
“Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, ”... Maggiori informazioniinformazioni sulla condizione
Come Nuovo
Libro che sembra nuovo anche se è già stato letto. La copertina non presenta segni di usura visibili ed è inclusa la sovraccoperta(se applicabile) per le copertine rigide. Nessuna pagina mancante o danneggiata, piegata o strappata, nessuna sottolineatura/evidenziazione di testo né scritte ai margini. Potrebbe presentare minimi segni identificativi sulla copertina interna. Mostra piccolissimi segni di usura. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
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Numero oggetto eBay:146758574908
Specifiche dell'oggetto
- Condizione
- Come Nuovo
- Note del venditore
- Binding
- Hardcover
- Book Title
- Art and the French Commune
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 9780691029627
Informazioni su questo prodotto
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691029628
ISBN-13
9780691029627
eBay Product ID (ePID)
763558
Product Key Features
Number of Pages
256 Pages
Language
English
Publication Name
Art and the French Commune : Imagining Paris after War and Revolution
Subject
Europe / France, Art & Politics, History / General
Publication Year
1995
Type
Textbook
Subject Area
Art, History
Series
Princeton Series in 19th Century Art, Culture, and Society Ser.
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
28 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Intended Audience
College Audience
LCCN
94-005324
Dewey Edition
20
Reviews
"Henceforth, it will be impossible to treat the question of the origins of Impressionism without making reference to [Boime's] work, whether it be to extend it, amend it, or refute it." --Barthélémy Jobert, Revue de l'Art, Henceforth, it will be impossible to treat the question of the origins of Impressionism without making reference to [Boime's] work, whether it be to extend it, amend it, or refute it., "Through Boime's distinctive 'vision,' the book mounts an altogether new explanation of Impressionism, one that intentionally differs from the most influential, those of T. J. Clark and Robert Herbert." ---Hollis Clayson, Apollo Magazine, "Through Boime's distinctive 'vision,' the book mounts an altogether new explanation of Impressionism, one that intentionally differs from the most influential, those of T. J. Clark and Robert Herbert."-- Hollis Clayson, Apollo Magazine, Through Boime's distinctive 'vision,' the book mounts an altogether new explanation of Impressionism, one that intentionally differs from the most influential, those of T. J. Clark and Robert Herbert. ---Hollis Clayson, Apollo Magazine, "Quite stimulating--a heady mix of political and art history. Albert Boime does a first-rate job in sorting out the ways Impressionism was shaped by various political orientations." --Philip Nord, "Through Boime's distinctive 'vision,' the book mounts an altogether new explanation of Impressionism, one that intentionally differs from the most influential, those of T. J. Clark and Robert Herbert." --Hollis Clayson, Apollo Magazine, Henceforth, it will be impossible to treat the question of the origins of Impressionism without making reference to [Boime's] work, whether it be to extend it, amend it, or refute it. ---Barthélémy Jobert, Revue de l'Art, "Henceforth, it will be impossible to treat the question of the origins of Impressionism without making reference to [Boime's] work, whether it be to extend it, amend it, or refute it." ---Barthélémy Jobert, Revue de l'Art, Through Boime's distinctive 'vision,' the book mounts an altogether new explanation of Impressionism, one that intentionally differs from the most influential, those of T. J. Clark and Robert Herbert., "Henceforth, it will be impossible to treat the question of the origins of Impressionism without making reference to [Boime's] work, whether it be to extend it, amend it, or refute it."-- Barthlmy Jobert, Revue de l'Art
Series Volume Number
2
Illustrated
Yes
Dewey Decimal
701/.03
Table Of Content
LIST OF ILLUSTRATIONS XI ACKNOWLEDGMENTS XV 1. INTRODUCTION 3 2. THE CRITICAL RECEPTION 27 3. THE DISLOCATING IMPACT OF THE COMMUNE ON THE IMPRESSIONISTS 46 4. THE IMPRESSIONIST AGENDA 77 5. MAPPING THE TERRAIN 114 EPILOGUE: GEORGES SEURAT'S Un Dimanche a la Grande fatte AND POST-COMMUNE UTOPIANISM 140 APPENDIX: ON OLIN LEVI WARNER'S DRAFT OF A SPEECH IN DEFENSE OF THE FRENCH COMMUNE 186 NOTES 209 POSTSCRIPT 223 INDEX 225
Synopsis
In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism.
LC Classification Number
N6850.B64 1995
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ThriftBooks
98,9% di Feedback positivi•19,8 milioni oggetti venduti
Registrato come venditore professionale
Feedback sul venditore (5.725.607)
Questo oggetto (1)
Tutti gli oggetti (5.725.607)
- t***u (2737)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoNot as described but refunded quickly.
- v***v (2080)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoAlthough this book was not as described, with no picture of it in the listing, the seller communicated well and quickly gave me a full refund while letting me keep it. The minimal packaging left the book a bit vulnerable (typical for ThriftBooks), but it did arrive safely and timely. As usual, it’s hit or miss with this seller, but often times you can get great values, and their customer service is always very good. Many other sellers with millions of transactions don’t even communicate.
- c***m (431)- Feedback lasciato dall'acquirente.Ultimi 6 mesiAcquisto verificatoWOW!; I cannot believe this 3 Days to Hawaii! ; AAA+++; Excellent Service; Great Pricing; Fast Delivery-Faster Than Expected to Hawaii!; Shipped 05/05, Mon, Received 05/08, Thu to Hawaii using free shipping; USPS Ground Mail, Book in Excellent Condition--Better Than Described ; TLC Packaging; Excellent Seller Communication, Sends updates . Highly Recommended!, Thank you very much!The Internment of Japanese Americans During World War II (N° 146005407795)
- 7***j (830)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoI recently purchased an item from this eBay seller, and I couldn't be happier with the experience. From the prompt communication to the fast shipping, everything was handled with utmost professionalism. The item arrived exactly as described and was well-packaged to ensure its safety during transit. The seller was courteous and responsive, making the entire transaction smooth and hassle-free. I highly recommend this seller to anyone looking for quality products and excellent service.