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Le Concorde Universe and Villa CD (2005)
US $7,97
CircaEUR 6,80
Condizione:
Ottime condizioni
Oggetto usato ma ancora in ottime condizioni. La copertina o la custodia dell'oggetto non mostra danni, rigature, graffi, incrinature né fori. Le illustrazioni e le note di copertina sono incluse. La custodia per DVD o VHS è inclusa. Le istruzioni e la custodia del videogame sono incluse. I denti della custodia non sono danneggiati. Alcuni segni di usura sulla parte esterna dell'oggetto. Il CD/DVD non salta. La videocassetta non contiene fotogrammi sfocati o con effetto 'neve'. Per maggiori dettagli e la descrizione di eventuali imperfezioni, consulta l'inserzione del venditore.
- Compralo SubitoLe Concorde Universe and Villa CD (2005)
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Spedizione:
US $4,47 (circa EUR 3,81) USPS Media MailTM.
Oggetto che si trova a: Easton, Connecticut, Stati Uniti
Consegna:
Consegna prevista tra il gio 11 set e il lun 15 set a 94104
Restituzioni:
Restituzioni non accettate.
Pagamenti:
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Numero oggetto eBay:146730448115
Specifiche dell'oggetto
- Condizione
- UPC
- 0744626308729
Informazioni su questo prodotto
Product Identifiers
Producer
Ed Tinley^Ellis Clark^Stephen Becker
Record Label
Marr, March Records (Soh)
UPC
0744626308729
eBay Product ID (ePID)
26046057519
Product Key Features
Release Year
2005
Format
CD
Genre
Alternative Rock
Artist
Le Concorde
Release Title
Universe and Villa
Dimensions
Item Height
0.39 in
Item Weight
0.19 lb
Item Length
5.76 in
Item Width
5.00 in
Additional Product Features
Number of Discs
1
Number of Tracks
13
Country/Region of Manufacture
United States
Tracks
1.1 People Mover 1.2 Parallel Lives 1.3 Archaeology of Cruelty 1.4 Little Stabs at Happiness 1.5 Startling Revelations 1.6 Manhattan Chase 1.7 Taxi in the Snow 1.8 I Will Go to My Grave Wanting You to Love Me 1.9 In the Morning 1.10 Controlling 1.11 The Sound of Your Name 1.12 It's the Minor Chords That Kill You 1.13 I Hate Rock and Roll
Notes
From Neumu.net Cool, classicist familiars - The Pearlfishers, Heavy Blinkers, Camera Obscura and the Young Tradition among them - would have you believe that elegant has always been the apt imprimatur for pop music. And you, caught up in the headiness of Brill Building co-writes, banquette reserve and delicate, orchestral accompaniments, might impulsively decide that nothing could compare. You would be wrong of course. Le Concorde are equally edifying in their heart-whole sleekness, a perfect measure of sincere, modern craft and late-'80s eloquence. Le Concorde are Stephen Becker's former Chicago indie-pop band Post Office in present tense. The previous lineup included Becker (guitar, voice), Larry O. Dean (guitar, voice), Jeff Greaves (drums, voice) and Jerry Morrow (bass, voice). Post Office released two records, Public Displays of Affection and Fables in Slang, in 1997 and 2001 respectively, on local label Spade Kitty Records. Adroitly associated (the dB's Chris Stamey produced the lauded sophomore effort) and keenly influenced (Tommy Keene, dB's, the Plimsouls, Velvet Crush, Sneakers, The Kinks and Shoes, to start), Post Office were jangly, smart and unwilling to concede the middling pop music signifiers: humorless, kitschy, bubble gum without melody. Le Concorde are similarly well appointed. Becker has assembled an ideal, largely local collaborative for this affectionate six-song effort, recalling the nascent shimmer of electronic keyboards, ardent songwriting, and how pretty it was to think so. Allure and simplicity are found (again) in the mannered design of Aztec Camera, Prefab Sprout and Stephen Duffy. Joining Becker in part are John Ashton and Mars Williams of the Psychedelic Furs, Eric Chial (the Bon Mots), Mark Ruggiero (Light FM) and Phil Angotti (The Idea). Epicycle, the moniker of brothers Ellis and Tom Clark, produce and back the ensemble. Known for solicitous, layered arrangements and an apprised ear, the Clarks' production renders nuanced yet appreciable shadings, including singer/songwriter Kevin Tihista and post-Swell Maps periphery Chamber Strings and June & The Exit Wounds. Le Concorde are burnished in kind, imparting near-evening music with breathy passes, synth halos and attendant electric guitar. Captivating are those who can lend sincerity without appearing provincial, out of time or otherwise. Letters never sent, the odd screen-idol trope and nods to the weather outside are tangible remnants of songwriters like Duffy, Aztec Camera's Roddy Frame and Prefab Sprout's Paddy McAloon. Much like the added-to and reissued The Ballad of Ric Menck, this is a record from a musician who clearly loves music, mining what appeals as a listener and then conjuring the same fond glimmer once in the studio. Le Concorde's conceit is conveying the intimacy of those favorite artists, yet adding modern burbles and fluency, like field recordings from O'Hare airport ('People Mover') or a cool, reverb guitar charge with conjoining falsetto ('It's the Minor Chords That Kill You'). Summer is an ideal drape for songwriters. The swelter, the sounds, the rock 'n' roll convocation. 'It's the Minor Chords That Kill You' cues with a nod to street-song currency and the vintage corona of a Fairlight CMI. The synthesizer warms and Becker entreats, 'Summer's here and the time is right.' The vocals are a hushed near-conspiracy, faint but inciting just the same. Time to forget about winter's constraints, join everyone outside where the party is: 'It's the minor chords that kill you/ I'm losing them for summer.' In contrast to the askance psychedelia of the Go-Betweens' 'Summer Is Melting My Mind,' there is no mistaking the crunchy, power-pop framework. This is more convivial with a swooping falsetto and the percussive bounding between drum and guitar. At fadeout, a lilting acoustic guitar joins programmed birdcalls in an ultramodern close to a summer evening, where everyone is happy to stay up late listening to cassettes. 'Sound
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- l***u (589)- Feedback lasciato dall'acquirente.Mese scorsoAcquisto verificatoAs described, well packaged and arrived quickly. Great seller
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